Not exact matches
This
also brought out how videogames were dominated by two particular props — guns and goals — leading me to suggest (back in 2011) that authentic
artistic innovation in these media would have to subvert the player
practices surrounding these props,
as Dear Esther, Proteus, and everything by Tale of Tales does to great effect.
Conversations will
also present the latest edition of Hans Ulrich Obrist's ongoing series looking at
artistic practice, entitled «The Artist
as Curator», with the artists Joseph Kosuth, Liu Ding, Martha Rosler, Rirkrit Tiravanija, and Martha Wilson.
I spent about 15 years making them,» he says «One of the things that really excites me in my
artistic practice and being trained
as a potter is that you very quickly learned how to make great things out of nothing... As a potter you also start to learn how to shape the world.&raqu
as a potter is that you very quickly learned how to make great things out of nothing...
As a potter you also start to learn how to shape the world.&raqu
As a potter you
also start to learn how to shape the world.»
This year's awards represent a «a wide range of
artistic practices and demographics,» according to the statement, which
also quotes Travis Laughlin, the Mitchell Foundation's senior director of programs,
as echoing important concepts of the City of San Antonio's new equity lens budget process.
Spanning
practice and theory, Hockney's investigation of
artistic techniques has
also developed through art - historical research, resulting in Secret Knowledge (2001), his publication on the optical devices used by the Old Masters,
as well
as A History of Pictures: From the Cave to the Computer Screen (2016), written in collaboration with art critic Martin Gayford and further exploring the many ways artists have pictured the world.
As self - contained as the MoE project is, it also allowed Cox to engage in dialog with other artists, a welcome break from his solitary artistic practic
As self - contained
as the MoE project is, it also allowed Cox to engage in dialog with other artists, a welcome break from his solitary artistic practic
as the MoE project is, it
also allowed Cox to engage in dialog with other artists, a welcome break from his solitary
artistic practice.
The presence of neo-modernist tendencies can
also be observed in artists who have developed various modes of abstraction within their distinctive
artistic practices, such
as Sergej Jensen, Tauba Auerbach, Ann Cathrin November Høibo and Fredrik Værslev.
There are
also works by Cosey Fanni Tutti, who,
as part of her
artistic practice, worked
as a porn and glamour model in the 1970s and then displayed some of the resulting images in an exhibition at the ICA in 1976.
Princen has
also been known to reference scientific measuring systems, mapping, and amateur anthropology in his work, and his
artistic practice has involved plotting ecological changes — water currents, wind patterns, and soil erosion,
as well
as the impacts of urban developments on the Dutch landscape.
Bartlett's working environment has consistently influenced her artwork and has
also served
as an extension of her
artistic practice.
Elective Affinities epitomizes the feminising of
artistic practice, in terms of both subject and substance, that is typical of Wilke's art, and
as autobiography (the work was made in response to a particularly difficult romantic episode in Wilke's life), it similarly exemplifies the urgent dissolving of the private and public, and so the personal and political, that is
also everywhere evident in her work.
However, it
also prompts the viewers to re-think the definition of calligraphy
as they know it, and to acknowledge its far - reaching conceptual possibilities and the impactful role that it has to play in contemporary
artistic practice.
The exhibition blends the
artistic and the highly personal to not only glimpse into the
artistic practices of such couples
as Anna Gaskell and Douglas Gordon, Nyeema Gordon and Mike Cloud, and Rachel Dubuque andJustin Plakas, but
also to discover what these collaborations can reveal about the intersection of love and
artistic practice.
It
also reflected the pluralism of contemporary
artistic practice: the use of media once considered non-traditional (such
as video, computers, and found objects), an interest in temporality that took the form of short - lived installations, and the exploration of performative work.
Thumbnails of all previous catalogue covers are
also included, positioning each Biennial
as a snapshot of
artistic practice at a particular moment.
Cai
also arrived in Japan at the height of revisionist debates concerning Mono - ha (literally «School of Things»), a movement that had changed the course of Japanese art in the late 1960s by accepting Asia
as a center, rather than periphery, of contemporary
artistic practice and discourse.
The growing profile of theory in art schools and a sense of urgency in the face of both technological change and political instability has led artists such
as Hito Steyerl not only to broaden their
artistic practice but
also, increasingly, to play the role of the public intellectual.
Thus, Gelabert, with his current
artistic practice, reminds us discreetly and subtly of our transitory state
as individuals and possibly
also as a species.
With her talk entitled «Subverting the Media
as Artistic Practice,» Amin was
also a guest of «Fill in the Blanks III,» which is an open platform where discussions on space, history and knowledge take place.
It was
also in Paris that he admired the work of Alberto Giacometti and Jean Fautrier, although masters such
as Francisco de Zurbarán, Diego Velázquez, and Édouard Manet have
also informed Marden's
artistic practice.
As for the previous editions,
also for Conversation Piece Part 3 artists have been asked to reflect on a specific suggestion, linked to the nature of objects and their specific use in the
artistic practice.
In his
artistic practice, Pedro Gómez - Egaña creates sculptures, 3D installations, phonographic works, and films, and
also uses mediums such
as performance, text and voice.
Sewing together canvases, which had previously been part of Pindell's
artistic practice, took on new meaning for her after the accident; while still making use of paint, glitter, and chads in these pieces, she
also includes images of body parts, houses, and diners,
as if she is stitching herself back together through canvases.
Artistic practice is likewise no substitute political
practice but the important point here is that it
also should not be dismissed
as a potential opening into a prefigurative
practice of institution building.
Introducing kinetic movement into her
practice, Schneemann pushed the limits of
artistic control, insisting on the necessity of chance
as a primary factor, not only in making art but
also in life.
Though Ohtake first began experimenting with collaged scrapbooks
as early
as the mid-1970s (and they have remained central to his
artistic practice), the artist is
also recognized for his contributions to sound art, video, design, and music.
We will
also discuss his project «The Plan of Escape from the Donetsk Region», part of the Pinchuk Art Prize 2013 in which Minin took an essential step in combining his
artistic practice as a painter with social engagement.
Artists of the decade often addressed these events specifically in their work, but
also situated them within the context of changes particular to the art world, such
as the «culture wars» surrounding
artistic freedom and censorship; the impact of new media (video, sound, and digital art) on
artistic practice; and the expansion of the global art market, with its explosion of art fairs and art markets.
Photo London will
also highlight Simon's unique commitment to bookmaking
as part of her
artistic practice, with a display of Simon's books — spanning from The Innocents, 2002, through to Paperwork and The Will of Capital, 2016.
The villa
also stands
as an element of communal living, sharing
artistic practice and suggests the role of music
as an intimate shared activity amongst friends and family.
She
also began writing
as a form of
artistic practice.
Pangea (
also the title of a work in the exhibition by Lance Turner) is geology's name for the primal, unified landmass, which has since broken into today's separate continents by the subterranean drift of the earth's tectonic plates;
as this apocalyptic year of 2012 progresses, the work brought together in this combined seven - artist show will undergo its own continental drift, and the meaning of each individual
artistic practice will become more apparent.
Indeed, in this way, the circular motif can
also be seen
as a metaphor for Lundsfryd's own
artistic practice.
This session of Artist / Admin, facilitated by Natalia Nakazawa, is intended primarily for administrators in arts organizations who
also are pursuing an independent
artistic practice, but is
also suited for people who are simply interested in both administrative work
as well
as artistic creativity.
The project and its peripheries will be recorded / reflected through my
artistic practice comprising making video / moving image works, drawing and sculpture / installation but
also will end up
as a DIGITAL BOOK (pdf publication) containing some sort of the following documentation: journal, report, art, artworks, texts, interviews, profiles of people involved, etc..
Although there are notable influences from prior body art
practice and both Eastern and Western cultural and
artistic iconography — a large degree of indebtedness to Yoko Ono, Yves Klein and Carolee Schneemann, for example — Rong's appropriation and assimilation of both cultural narratives is what makes her work particularly interesting from a critical perspective but
also as an illustration of the interconnected and mutating cultural psyche's of an internationalist «millennial» practitioner.
With the vogue for Western science (rangaku, literally «Dutch studies») in the eighteenth century came a renewed, though marginal,
artistic practice influenced by Western methods and media that lasted into the early nineteenth century; Western influence can
also be seen in nineteenth - century prints by such artists
as Katsushika Hokusai (c. 1760 — 1849).
Prager draws inspiration from the cinematic work of Alfred Hitchcock and Luis Buñuel and the art of such photographers
as William Eggleston or Enrique Metinides, but
also frequently cites the major influence her unconventional education has had on her own
artistic practice, which combines the use of bold colors, unexpected angles and dramatic lighting.
Besides the aforementioned abstract paintings, Bradford's
practice also encompasses videos, prints and installations
as he stands from nothing in order to reach the desired
artistic goals.
The five genres — Still Life, Landscape, Scenes of Everyday Life, Portraiture, and History Painting — serve
as a productive point of dialogue with contemporary artwork created within an expanded field of
artistic practices, including not only painting but
also photography, video, and installation.
Merce Cunningham's dedication to pursuing the use of new technologies through his
practice made him a central figure not only to the development of new forms of dance making but
also to a community of artists who used the projected image
as a mode of performance and
artistic practice.
We
also observed the role of
artistic collectives, the power of art activism, how process was
as important
as the end result (the art object), and the role that feminist art methodologies played (and plays) in what we understand
as contemporary
practice today.
And while part of that laughter was professional admiration (in both her art and academic careers she was well aware of the value and importance of dialogue with a broad array of colleagues), it was
also a validation of her years of research
as a major part of her
artistic practice.
The same techniques and tools used for scientific equipment
also apply to his
artistic practice including the miniature works you see here,
as well
as larger sculptures, and ornate drinkware.
While angels, demons and savages are literal subjects in the exhibition's works, they
also serve
as metaphors for the personal battles that each artist addressed through their
artistic practices.
Its goal is not only to showcase a large sampling of contemporary feminist art from a global perspective but
also to move beyond the specifically Western brand of feminism that has been perceived
as the dominant voice of feminist and
artistic practice since the early 1970s.
As exhibition, documentation and a restaging, the project not only traced the tracks of a lost
artistic practice of the 1970s, but
also examined the importance of ephemeral material in exhibition contexts, the boundaries of the artwork, the exhibition and institution history, the reception and today's
practice of restaging.