Sentences with phrase «also as artistic practices»

Not exact matches

This also brought out how videogames were dominated by two particular props — guns and goals — leading me to suggest (back in 2011) that authentic artistic innovation in these media would have to subvert the player practices surrounding these props, as Dear Esther, Proteus, and everything by Tale of Tales does to great effect.
Conversations will also present the latest edition of Hans Ulrich Obrist's ongoing series looking at artistic practice, entitled «The Artist as Curator», with the artists Joseph Kosuth, Liu Ding, Martha Rosler, Rirkrit Tiravanija, and Martha Wilson.
I spent about 15 years making them,» he says «One of the things that really excites me in my artistic practice and being trained as a potter is that you very quickly learned how to make great things out of nothing... As a potter you also start to learn how to shape the world.&raquas a potter is that you very quickly learned how to make great things out of nothing... As a potter you also start to learn how to shape the world.&raquAs a potter you also start to learn how to shape the world.»
This year's awards represent a «a wide range of artistic practices and demographics,» according to the statement, which also quotes Travis Laughlin, the Mitchell Foundation's senior director of programs, as echoing important concepts of the City of San Antonio's new equity lens budget process.
Spanning practice and theory, Hockney's investigation of artistic techniques has also developed through art - historical research, resulting in Secret Knowledge (2001), his publication on the optical devices used by the Old Masters, as well as A History of Pictures: From the Cave to the Computer Screen (2016), written in collaboration with art critic Martin Gayford and further exploring the many ways artists have pictured the world.
As self - contained as the MoE project is, it also allowed Cox to engage in dialog with other artists, a welcome break from his solitary artistic practicAs self - contained as the MoE project is, it also allowed Cox to engage in dialog with other artists, a welcome break from his solitary artistic practicas the MoE project is, it also allowed Cox to engage in dialog with other artists, a welcome break from his solitary artistic practice.
The presence of neo-modernist tendencies can also be observed in artists who have developed various modes of abstraction within their distinctive artistic practices, such as Sergej Jensen, Tauba Auerbach, Ann Cathrin November Høibo and Fredrik Værslev.
There are also works by Cosey Fanni Tutti, who, as part of her artistic practice, worked as a porn and glamour model in the 1970s and then displayed some of the resulting images in an exhibition at the ICA in 1976.
Princen has also been known to reference scientific measuring systems, mapping, and amateur anthropology in his work, and his artistic practice has involved plotting ecological changes — water currents, wind patterns, and soil erosion, as well as the impacts of urban developments on the Dutch landscape.
Bartlett's working environment has consistently influenced her artwork and has also served as an extension of her artistic practice.
Elective Affinities epitomizes the feminising of artistic practice, in terms of both subject and substance, that is typical of Wilke's art, and as autobiography (the work was made in response to a particularly difficult romantic episode in Wilke's life), it similarly exemplifies the urgent dissolving of the private and public, and so the personal and political, that is also everywhere evident in her work.
However, it also prompts the viewers to re-think the definition of calligraphy as they know it, and to acknowledge its far - reaching conceptual possibilities and the impactful role that it has to play in contemporary artistic practice.
The exhibition blends the artistic and the highly personal to not only glimpse into the artistic practices of such couples as Anna Gaskell and Douglas Gordon, Nyeema Gordon and Mike Cloud, and Rachel Dubuque andJustin Plakas, but also to discover what these collaborations can reveal about the intersection of love and artistic practice.
It also reflected the pluralism of contemporary artistic practice: the use of media once considered non-traditional (such as video, computers, and found objects), an interest in temporality that took the form of short - lived installations, and the exploration of performative work.
Thumbnails of all previous catalogue covers are also included, positioning each Biennial as a snapshot of artistic practice at a particular moment.
Cai also arrived in Japan at the height of revisionist debates concerning Mono - ha (literally «School of Things»), a movement that had changed the course of Japanese art in the late 1960s by accepting Asia as a center, rather than periphery, of contemporary artistic practice and discourse.
The growing profile of theory in art schools and a sense of urgency in the face of both technological change and political instability has led artists such as Hito Steyerl not only to broaden their artistic practice but also, increasingly, to play the role of the public intellectual.
Thus, Gelabert, with his current artistic practice, reminds us discreetly and subtly of our transitory state as individuals and possibly also as a species.
With her talk entitled «Subverting the Media as Artistic Practice,» Amin was also a guest of «Fill in the Blanks III,» which is an open platform where discussions on space, history and knowledge take place.
It was also in Paris that he admired the work of Alberto Giacometti and Jean Fautrier, although masters such as Francisco de Zurbarán, Diego Velázquez, and Édouard Manet have also informed Marden's artistic practice.
As for the previous editions, also for Conversation Piece Part 3 artists have been asked to reflect on a specific suggestion, linked to the nature of objects and their specific use in the artistic practice.
In his artistic practice, Pedro Gómez - Egaña creates sculptures, 3D installations, phonographic works, and films, and also uses mediums such as performance, text and voice.
Sewing together canvases, which had previously been part of Pindell's artistic practice, took on new meaning for her after the accident; while still making use of paint, glitter, and chads in these pieces, she also includes images of body parts, houses, and diners, as if she is stitching herself back together through canvases.
Artistic practice is likewise no substitute political practice but the important point here is that it also should not be dismissed as a potential opening into a prefigurative practice of institution building.
Introducing kinetic movement into her practice, Schneemann pushed the limits of artistic control, insisting on the necessity of chance as a primary factor, not only in making art but also in life.
Though Ohtake first began experimenting with collaged scrapbooks as early as the mid-1970s (and they have remained central to his artistic practice), the artist is also recognized for his contributions to sound art, video, design, and music.
We will also discuss his project «The Plan of Escape from the Donetsk Region», part of the Pinchuk Art Prize 2013 in which Minin took an essential step in combining his artistic practice as a painter with social engagement.
Artists of the decade often addressed these events specifically in their work, but also situated them within the context of changes particular to the art world, such as the «culture wars» surrounding artistic freedom and censorship; the impact of new media (video, sound, and digital art) on artistic practice; and the expansion of the global art market, with its explosion of art fairs and art markets.
Photo London will also highlight Simon's unique commitment to bookmaking as part of her artistic practice, with a display of Simon's books — spanning from The Innocents, 2002, through to Paperwork and The Will of Capital, 2016.
The villa also stands as an element of communal living, sharing artistic practice and suggests the role of music as an intimate shared activity amongst friends and family.
She also began writing as a form of artistic practice.
Pangea (also the title of a work in the exhibition by Lance Turner) is geology's name for the primal, unified landmass, which has since broken into today's separate continents by the subterranean drift of the earth's tectonic plates; as this apocalyptic year of 2012 progresses, the work brought together in this combined seven - artist show will undergo its own continental drift, and the meaning of each individual artistic practice will become more apparent.
Indeed, in this way, the circular motif can also be seen as a metaphor for Lundsfryd's own artistic practice.
This session of Artist / Admin, facilitated by Natalia Nakazawa, is intended primarily for administrators in arts organizations who also are pursuing an independent artistic practice, but is also suited for people who are simply interested in both administrative work as well as artistic creativity.
The project and its peripheries will be recorded / reflected through my artistic practice comprising making video / moving image works, drawing and sculpture / installation but also will end up as a DIGITAL BOOK (pdf publication) containing some sort of the following documentation: journal, report, art, artworks, texts, interviews, profiles of people involved, etc..
Although there are notable influences from prior body art practice and both Eastern and Western cultural and artistic iconography — a large degree of indebtedness to Yoko Ono, Yves Klein and Carolee Schneemann, for example — Rong's appropriation and assimilation of both cultural narratives is what makes her work particularly interesting from a critical perspective but also as an illustration of the interconnected and mutating cultural psyche's of an internationalist «millennial» practitioner.
With the vogue for Western science (rangaku, literally «Dutch studies») in the eighteenth century came a renewed, though marginal, artistic practice influenced by Western methods and media that lasted into the early nineteenth century; Western influence can also be seen in nineteenth - century prints by such artists as Katsushika Hokusai (c. 1760 — 1849).
Prager draws inspiration from the cinematic work of Alfred Hitchcock and Luis Buñuel and the art of such photographers as William Eggleston or Enrique Metinides, but also frequently cites the major influence her unconventional education has had on her own artistic practice, which combines the use of bold colors, unexpected angles and dramatic lighting.
Besides the aforementioned abstract paintings, Bradford's practice also encompasses videos, prints and installations as he stands from nothing in order to reach the desired artistic goals.
The five genres — Still Life, Landscape, Scenes of Everyday Life, Portraiture, and History Painting — serve as a productive point of dialogue with contemporary artwork created within an expanded field of artistic practices, including not only painting but also photography, video, and installation.
Merce Cunningham's dedication to pursuing the use of new technologies through his practice made him a central figure not only to the development of new forms of dance making but also to a community of artists who used the projected image as a mode of performance and artistic practice.
We also observed the role of artistic collectives, the power of art activism, how process was as important as the end result (the art object), and the role that feminist art methodologies played (and plays) in what we understand as contemporary practice today.
And while part of that laughter was professional admiration (in both her art and academic careers she was well aware of the value and importance of dialogue with a broad array of colleagues), it was also a validation of her years of research as a major part of her artistic practice.
The same techniques and tools used for scientific equipment also apply to his artistic practice including the miniature works you see here, as well as larger sculptures, and ornate drinkware.
While angels, demons and savages are literal subjects in the exhibition's works, they also serve as metaphors for the personal battles that each artist addressed through their artistic practices.
Its goal is not only to showcase a large sampling of contemporary feminist art from a global perspective but also to move beyond the specifically Western brand of feminism that has been perceived as the dominant voice of feminist and artistic practice since the early 1970s.
As exhibition, documentation and a restaging, the project not only traced the tracks of a lost artistic practice of the 1970s, but also examined the importance of ephemeral material in exhibition contexts, the boundaries of the artwork, the exhibition and institution history, the reception and today's practice of restaging.
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