Sentences with phrase «also curated a group»

This year she also curated a group exhibition for the Spring Break art show in March titled «The Presentation of Self in Everyday Life,» which featured Jeremy DePrez, Hannah Whitaker, Liz Nielsen, Graham Caldwell, and Eric Shows.

We also curate group exhibitions within the gallery and to be presented at art fairs throughout the UK.

In 1989, with Rondinone's encouragement, Presenhuber opened a gallery in Zurich, where Rondinone not only showed his own work but also curated group exhibitions and invited younger artists to show with him.

In the year 2015, Tiago Tebet participated in the Biennials of Rio de Janeiro and Mercosul in Porto Alegre, both in Brazil, and also curated the group show «30RAT / ART», at Luciana Brito Galeria, in which he also exhibited his own works.

To coincide with his solo exhibition, Shen Wei is also curating a group show Second Thought at Flowers Gallery, featuring work by Shiyuan Liu, Tingwei Li and Peter Glenn Oakley.

Garner has also curated a group exhibition, Stranger Things, at Outpost in Ridgewood, on view through 7 July.

Not exact matches

Her work in wine has also seen her founding the wine school at Divertimenti in Marylebone, helping to curate the drinks offerings at eco-luxury resorts including Soneva Fushi in the Maldives and Kittitian Hill in St Kitts and founding Bacchanalia, a private members wine club for a select group of professionals in the City.

That same team also puts together «Curated Collections,» groups of stories around a theme — say, the anniversary of Hurricane Katrina.

Her work has also been featured in several group shows curated by Indira Cesarine at The Untitled Space including «One Year of Resistance,» «Secret Garden: The Female Gaze on Erotica,» «She Inspires,» «Uprise / Angry Women» and «(Hotel XX)» at SPRING / BREAK Art Show 2018.

Walker also curates «Ruffneck Constructivists,» a group exhibition at the University of Pennsylvania's Institute of Contemporary Art in Philadelphia in 2014.

I am also in a group show curated by Jennifer Coates at Freight and Volume this July.

September 2010 «Pursuit of Happiness III», in THE OLD SOW SENT THEM OUT TO -LRB-...) I GOT INTO IT, AND ROLLED DOWN THE HILL a group show curated by Martin Laborde at Wiels, Brussels From left to right: Jessica Warboys, Chloé Dugit - Gros, Jean - Baptiste Bernadet Exhibition also presented works by Louise Diemer, Maria Eisl, Laetitia Gendre, Aurélie Godard, Martin Laborde, Daniel Lipp, Emile Vappereau and Charles Veyron

His work has also been included in a number of group exhibitions including, «Take Me (I'm Yours),» curated by Hans Ulrich Obrist, Jens Hoffman and Kelly Taxter at the Jewish Museum, New York, «The Politics of Portraiture» at Jessica Silverman Gallery, San Francisco and «Ever get the feeling we're not alone in this world?

February 2011 LUCKY STRIKE, in ANOTHER IDEA OF LANDSCAPE A group show curated by Samuel François at École Nationale Supérieure d'Art de Nancy From left to right: Justin Morin, Claire Decet, Jean - Baptiste Bernadet, Renato Leotta, Samuel François, Renato Leotta Exhibition also presents works by Olivier Kosta - Théfaine, Israel Lund and Jérémie Egry, and other works by Claire Decet and Samuel Francois

To celebrate its 30 year anniversary, CPS is also curating the upcoming touring group exhibition 1/81, with a first presentation at the Coa Museum in Portugal.

More recent exhibitions include solo exhibitions at the Kunstverien Heilbronn, Germany in 2015 and LAX > < Art, Los Angeles in 2013, as well as, the group exhibitions The Afghan Carpet Project at the Hammer Museum curated by Ali Subotnick, Made in LA 2012, also at the Hammer Museum and Hans Ulrich Olbrist's ongoing Do It project.

More recent exhibitions include solo exhibitions at the Kunstverien Heilbronn, Germany in 2015 and LA > < Art, Los Angeles in 2013, as well as, the group exhibitions The Afghan Carpet Project at the Hammer Museum curated by Ali Subotnick, Made in LA 2012, also at the Hammer Museum and Hans Ulrich Olbrist's ongoing Do It project.

Losh has also participated in Soft Target, a group exhibition curated by Phil Chang and Matthew Porter at M+B Gallery, Los Angeles; and Building Materials, a group show curated by Lucas Blalock at Control Room, Los Angeles; and a group exhibition at CANADA, NY.

During his tenure at the gallery, Ralph has also curated numerous group exhibitions including: Psycho Buildings: Artists Take On Architecture (2006); The Painting of Modern Life (2007), and the recent off - site exhibition The Infinite Mix (2016).

His work has also been featured in numerous group exhibitions internationally, including Arts & Foods at La Triennale di Milano, curated by Germano Celant (2015); the Walker Art Center, Minneapolis, and the Metropolitan Museum of Art, New York City (both 2012); the Geffen Contemporary at MoCA, Los Angeles (2005); and the Museum of Modern Art, New York City, and the Serpentine Gallery, London (both 2000).

More than 600 shows this year include not only open houses in artists» studios and curated group shows but also performances of all kinds, food and drink, discussion panels, music, and kid - friendly events.

He will also be included in Animal Farm, a group exhibition curated by Sadie Laska at the Brant Foundation in Greenwich, CT..

Kathryn Markel Fine Arts is pleased to present STACK, a group exhibition curated by artist Deborah Zlotsky in conjunction with her exhibition of new paintings, BTW also at the gallery.

It's actually three shows in one: local artists Mark A. Fisher and Alison Ouellette - Kirby curated a group show from pinhole photographs submitted by national and local artists, and they also brought in works by nationally known pinhole artists Nancy Spencer and Eric Renner, along with original pinhole cameras and photographs by Alabama - based Pinky / MM Bass.

She also curated solo exhibitions with Tomás Saraceno and Tino Sehgal and cocurated with Doryun Chong the group exhibition Brave New Worlds.

He has also curated the exhibition with real flair: by dividing the collection into 18 unexpected themes (like Hiking, Food in Context, Interiors and How to Use Them, and the amusingly brilliant Cow Parade), Tebus creates unusual groupings that transcend art - historical periods without the need for elaborate theorising.

The video is set in Lina Bo Bardi's Casa de Vidro, which the Italian architect built for herself on the outskirts of São Paulo, and this is also where the work was first shown (in a group show, The Insides Are on the Outside, curated by Hans Ulrich Obrist in 2013).

Also in 2008, Shetabi took part in Empire and Its» Discontents, a group exhibition curated by Amy Ingrid Schlegel at the Aidekman Arts Center at Tufts University.

Borinquen is also participating in Surface 5 at Arena, a group show curated by Renee Riccardo hosted at Brooklyn Dermatology, 440 Atlantic Ave.

I was in a great group show in Dublin at Lab Gallery, called Tonight, you can call me Trish, curated by Kate Strain and Rachael Gilbourne, who are also known as RGKSKSRG.

Hancock's work has also been included in a number of significant group exhibitions, including Juxtapoz x Superflat, curated by Takashi Murakami and Evan Pricco, Pivot Art + Culture, Seattle, WA (2016 - 17), Statements: African American Art from the Museum's Collection, Museum of Fine Art, Houston, TX (2016), When the Stars Begin to Fall: Imagination and the American South, The Studio Museum in Harlem, New York, NY (2014), Radical Presence: Black Performance in Contemporary Art, Contemporary Arts Museum Houston, Houston, TX (2012), The Best of Times, The Worst of Times: Rebirth and Apocalypse in Contemporary Art, Kiev International Biennale of Contemporary Art, Armory, Kiev, Ukraine (2012), Wunderkammer: A Century of Curiosities, Museum of Modern Art, New York, NY (2008), Darger - ism: Contemporary Artists and Henry Darger, American Folk Art Museum, New York, NY (2008), Political Nature, Whitney Museum of American Art, New York, NY (2005), Whitney Biennial, Whitney Museum of American Art, New York, NY (2002), Whitney Biennial, Whitney Museum of American Art, New York, NY (2000).

Besides numerous thematic group exhibitions, Kroksnes has also curated solo exhibitions by international artists such as Thomas Ruff (2002, in collaboration with the Kunsthalle Baden - Baden), Paul McCarthy (2003, together with the Kunstverein in Hamburg), Nick Relph / Oliver Payne (2003 - 2004, in collaboration with the Musée d'Art Moderne de la Ville de Paris), Rémy Zaugg (2004), Louise Lawler (2005), and Kirstine Roepstorff (2010, with Kunstmuseum Basel).

He also curated September 11, a group exhibition organized on the occasion of the tenth anniversary of the terrorist attacks in 2011, and oversaw MoMA PS1's expanded presentation of Mike Kelley in 2013, which was the largest solo exhibition in the institution's history.

The artist's work has also been exhibited posthumously in solo exhibitions that include a major 1997 installation of the Congregations curated by Klaus Kertess for the Parrish Art Museum in Southampton, New York; ROAD: Alfonso Ossorio's Response to Jackson Pollock's Death at the Pollock - Krasner House and Study Center in East Hampton in 2001 and, the following year, an exhibition of his ballet and costume designs at the Mississippi Museum of Art in Jackson, MS.. Since his death, Ossorio's work has also been featured in numerous group exhibitions worldwide, most notably Parallel Visions: Modern Artists and Outsider Art at the Los Angeles County Museum of Art, which traveled to the Museo Nacional Centro de Arte Reina Sofia in Madrid, Spain and the Kunsthalle Basel in Switzerland (1992); Shaping a Generation: The Art and Artists of Betty Parsons at the Heckscher Museum of Art in Huntington, NY (1999); Postmodern Transgressions: Artists Working Beyond the Frame at the Yale University Art Gallery in New Haven, CT (1999); Surrealism USA at the National Academy Museum in New York, which traveled to the Phoenix Art Museum (2005); Repartir à Zéro, 1945 - 1949 (Starting from Scratch) at the Musée des Beaux - Arts de Lyon in France (2008); Asian / American / Modern Art: Shifting Currents, 1900 - 1970 at the de Young Museum in San Francisco, CA (2008); and Splendor of Dynamic Structure: Celebrating 75 Years of the American Abstract Artists at the Herbert F. Johnson Museum of Art of Cornell University in Ithaca, NY (2011).

«Passive Collect» A group exhibition organized around contemporary notions of data collection Curated by Jesse Stecklow With works also by: Morgan Canavan, Lucy Chinen, Jesse Stecklow, Carlos Reyes

He also participated in a group show curated by Vida Sabbaghi at the Queens Museum which was very well received by the museum and the press.

Obrist has curated or cocurated more than 200 solo and group exhibitions and biennales throughout Europe and the United States, as well as in Asia and Africa, notably including Il Tempo del Postino, co-curated with Philippe Parreno for the 2007 Manchester International Festival and also presented at Art Basel, 2009, and the Marathon series of public events.

His work has also featured in numerous group exhibitions and biennials including «Roberto Burle Marx: Brazilian Modernist», Jewish Museum, New York, USA; «United States of Latin America», Museum of Contemporary Art, Detroit, Michigan, USA (2015); «The insides are on the outside», curated by Hans - Ulrich Obrist, Casa de Vidrio, Sao Paulo, Brazil (2013); the Aichi Triennial, Nagoya, Japan (2010), Museu de Arte Moderna de São Paulo, São Paulo (2009); the Sharjah Biennial, United Arab Emirates (2009); the Mercosul Biennial, Porto Alegre, Brazil (2007); the São Paulo Biennial (2006); the San Diego Museum of Art (2005) and the American National Society, New York (2005).

Also in 1995, Hans - Ulrich Obrist curated the group show Take Me (I'm Yours) at the Serpentine Gallery, with bags of secondhand clothes offered by Christian Boltanski for a pound, Gilbert & George distributing free badges, and Jef Geys inviting visitors to buy fruit at the reception desk.

Halsey McKay also showcases group shows including guest curated exhibitions.

He also curated contemporary group shows at Tate Modern such as Learn to Read (2007) and Stutter (2009).

A former Director (2000 - 06) of CCA Wattis Institute, at California College of the Arts in San Francisco, he has curated numerous group shows at the Hayward Gallery over the past 11 years, including The Painting of Modern Life (2007), Psycho Buildings (2008), an exhibition that included interactive and immersive installations by artists such as Mike Nelson, Gelitin and Do - ho Suh; and The Infinite Mix (2016); he also has curated important retrospectives and solo exhibitions by Ed Ruschka, Jeremy Deller, Carsten Holler, Tracey Emin and George Condo.

Also in 2009, he curated Ernesto Neto's anthropodino at the Park Avenue Armory and As Long As It Lasts, a group exhibition at Marian Goodman Gallery (both in New York).

Painting as more than strictly a technique, but an attitude, as in Wächtler, a way of welding a certain type of depth or ambience beyond the canvas, was abundant also in a group exhibition curated by the artists Anna Lucia Nissen (b1985, Berlin) and Alex Rathbone (b1987, Middlesex, UK) inside their Schöneberg flat.

In September, I have a solo exhibition at the La Conservera and will also be included in a group show curated by Isolde Brielmeier in Paris, France.

The artist will also be curating a special group show at the Los Angeles gallery to coincide with his solo exhibition

His work was also included in notable group exhibition such as: Unscene, WIELS Contemporary Art Museum, Brussels; ATOPOLIS (curated by Dirk Snauwaert) at Manège de Sury, Mons on the occasion of Mons 2015 - European Capital of Culture; Celluloid Brushes at Isabel Bortolozzi, Berlin and Ludlow 88, New York; Vibrant Matter, KIOSK, Ghent, Belgium; Richard Parker (curated by Marc LeBlanc), Michael Thibault Gallery, Los Angeles; Marfa Book Company, Marfa, USA; Mu.ZEE Ostende, Belgium; Middlemarch, Brussels; Karma, New York and White Flags, Saint - Louis, USA.

CA Spectral Hues, curated by Sharon Bliss, Palo Alto Art Center, Palo Alto, CA Art Market, with Chandra Cerrito Contemporary, San Francisco, CA Building the Art House, curated by Katherine Connell and Emma Spertus, Rosenberg Library, City College of San Francisco, San Francisco, CA Big Idea, curated by Sue Collier, Leslie Ford, Jack McWhorter and JoAnn Rothschild, The Painting Center, New York, NY Along the Lines, Harrington Gallery, curated by Julie Finegan, Pleasanton, CA 2016 Plus +1, Trestle Contemporary Art Gallery, Brooklyn, NY Group show, November - December 2016, Galleri Urbane, Dallas, TX Palette, curated by Kelly Inouye, Theodora Mauro and Lisa Solomon, ampersand international arts, San Francisco, CA Small Works, Trestle Gallery, Brooklyn, NY Art Market, with Chandra Cerrito Contemporary, San Francisco, CA 2015 Therely Bare Redux, Zeitgeist Gallery, Nashville, TN Therely Bare Redux, Clara M Eagle Gallery, University of Tennessee, Murray Territory of Abstraction, Pentimenti Gallery, Philadelphia, PA Out of Storage, Studio 110 Projects, Sausalito, CA Art Market San Francisco, (with Chandra Cerrito Contemporary), San Francisco, CA The Airplane Show, B Sakata Garo, Sacramento, CA 2014 un.bound.ed, curated by Brent Hallard and Don Voisine, Root Division, San Francisco, CA (edition) DOPPLER SHIFT, curated by Mary Birmingham, Visual Arts Center, Summit, NJ (catalogue) The Intuitionists, curated by Heather Hart, Steffani Jemison & Jina Valentine, The Drawing Center, New York, NY (catalogue) First / Last, curated by Heather Phillips, Park Life, San Francisco, CA 2013 DOPPLER, Parallel Art Space, Brooklyn, NY (catalogue) Generations IX: The Red / Pink Show, A.I.R. Gallery, Brooklyn, NY Made In Paint: 2012 Artists in Residence, The Sam & Adele Golden Gallery, New Berlin, NY Rituals of Exhibition II, Light Space Project, H Gallery, Chiang Mai, Thailand Rituals of Exhibition, curated by Giles Ryder and Gilbert Hsiao, Don't Be Selfish, Phayao, Thailand POSTE CONCRET II, curated by Richard van der Aa, ParisCONCRET, Paris, FR 2012 Soft Luminosity, curated by Guido Winkler and Iemke van Dijk, IS Projects, Leiden, NL (edition) Art On Paper 2012, The Weatherspoon Museum of Art, Greensboro, NC (brochure) Islands of Order in a Sea of Chaos, curated by Ruth van Veenen, de Vishal, Haarlem, NL Doppler Stop, Amsterdams Grafisch Atelier, Amsterdam, NL (catalogue) Doppler Stop, Kunst & Complex, Rotterdam, NL Doppler Stop, Fluctuating Images / General Public, Berlin, DE Doppler Stop, trenutak.39 / Museum of Contemporary Art, Zagreb, HR Trade - O - Mat, curated by Kathryn Kenworth, Kala Art Institute, Berkeley, CA 2011 A Romance of Many Dimensions, curated by Brent Hallard, Brooklyn Artists Gym, Brooklyn, NY POSTE CONCRET I, curated by Richard van der Aa, ParisCONCRET, Paris, FR BYO, IS Projects, Leiden, NL Stop & Go Rides Again, touring exhibition curated by Sarah Klein, Z Space, San Francisco, US; Kunst & Complex, Rotterdam, NL; Fluctuating Images / General Public, Berlin, DE; Fluctuating Images / Interventionstraum, Stuttgart, DE An Exchange with Sol Lewitt, Massachussetts Museum of Contemporary Art, North Adams, MA (catalogue) ReTrace, Cesar Chavez Art Gallery, San Francisco State University, San Francisco, CA 2010 TOUCH, curated by Brent Hallard, ParisCONCRET, Paris, FR (catalogue) Factor XX, curated by Jenny Balisle, Los Gatos Museum, Los Gatos, CA (catalogue) The Rule of Typical Things, Gregory Lind Gallery, San Francisco, CA 2009 TRANS: form color, Meridian Gallery, San Francisco, CA (catalogue) TRANSformal, Pharmaka, Los Angeles, CA (brochure) The Grid, curated by JT Kirkland, MP5, Portland, OR 2008 Calculated Color, curated by Jane Lincoln, Higgins Art Gallery, Cape Cod, MA (brochure) The Space Between, curated by Cathy Kimbell, San Jose Institute of Contemporary Art, San Jose, CA (brochure) Close Calls, Headlands Center for the Arts, Sausalito, CA (also 2005, 2004) TOUCH, curated by Brent Hallard, Busdori, Tokyo, Japan Out of the Fog: Artists from Headlands Center for the Arts, curated by Dianne Romaine and Holly Blake, Art works Downtown, San Rafael, CA 2007 TRANS: Abstraktion, Weltraum, Munich, DE (brochure) 7 - 07 Hung Liu curates 7 Women Artists in the year of the Pig, b.Sakata Garo, Sacramento, CA (brochure) Bay Area Currents, The Oakland Art Gallery, Oakland, CA Visual Noise, UMC Gallery, University of Colorado, Boulder, CO The Unknown Quantity, Gregory Lind Gallery, San Francisco, CA Systems & Transmutations, Root Division, San Francisco, CA (catalogue) Still, Contemporary Quarterly, curated by Chandra Cerrito, www.ContemporaryQuarterly.com (brochure) 2006 Suitcase: Bus - Dori, curated by Brent Hallard, Tokyo, JP Summertime, Judy Saslow Gallery, Chicago, IL microcosm, curated by Victoria Wagner, Richmond Art Center, Richmond, CA (brochure) Sketch, The Memorial Union Gallery, University of California at Davis, Davis, CA 2005 Contemporary Perspectives, Museum of Contemporary Art, Santa Rosa, CA 2004 and now they aren't.

The artist will also be in the group exhibition «Not Quite / Pas Tout a Faite» curated by Lon Dubinsky at Stewart Hall Art Gallery, Pointe - Claire, Quebec, January 29 to March 13.

Craven will also be curating a group exhibition at 101 / EXHIBIT in the summer of 2018.