Sentences with phrase «also did the exhibition»

The publication traces, as also did the exhibition, a selection of sculptural works spanning from 2000 to the present, including a new body of wall - based three - dimensional collages.

Not exact matches

He also added that the NDIC has a stand at the exhibition to help the Chechens, what can I do if the Bank was closed.

manos also has exhibitions, right now we're showing work from a collaboration I'm doing with illustrator Camilla Engman (images after the jump!).

Conservationists also needed to match the original 1930s colors of the animals» fur, which was not easy to do — especially because the photographs from the original exhibition preparation are black and white.

I don't just enjoy the runway shows at London Fashion Week, I also think the exhibitions show a lot of inspirational, outstanding pieces, that you shouldn't miss and are often forgotten or underestimated.

Foreign - language films and documentaries are Kino Lorber's twin specialties, though this year it also released a trio of British dramas (which doesn't quite count as a foreign - language) from director Joanna Hogg: Archipelago, Unrelated, and Exhibition.

Nowadays, with technological innovation, new heavy - hitting players, like Netflix and Amazon, enter the lucrative cinema game and the classic model of production - distribution - exhibition is again tested and changed and we can ask the existential question: does a film have to also be available in theatres to be Cinema?

Bohnstedt didn't have any prior museum education experience and was impressed with how the ICA had built a community space and also incorporated technology into its exhibition creating ways to bring art into lives and explore it.

In a similar spirit, I also took the time to get the Consulting page up to date with details of my recent consultancy and exhibitions (which hopefully will prove equally useful for people who want to hire me to do comics things for money).

The company also plans to announce new tablet computers (not clear whether they'll also do so in the MWC exhibition or at a later date)- new Galaxy Tabs.

Of late, these include Cirque du Soleil founder Guy Laliberté's Lune Rouge in Ibiza Town and serial gallerist, Lio Malca's La Nave art exhibition space near Santa Gertrudis, while a number of restaurants on the island also show the works of local artists in one - off exhibitions.

The Musee du Luxembourg is also located within the park and is a museum dedicated to temporary exhibitions.

It doesn't end there, the exhibition also walks through the world of consoles from the first console to ever be released, «The Brown Box» (1968) to hand held consoles such as the original Nintendo Gameboy (1989).

Kessler writes that the exhibition «is not only about a group of Mark Rothko paintings done at the peak of his career, but it's also about an ingenious restoration technique — a way to restore the color of these faded murals via non-invasive digital projections... The exhibition features a much - damaged five - panel mural that Rothko was commissioned to make in 1961 - 62 for the penthouse dining room of Harvard University's Holyoke Center... 38 studies for the murals... And, presented here for the first time, a sixth [undamaged] mural which was painted for the commission and held in reserve until Rothko decided which five paintings he wanted for the final installation.»

I hope that the exhibition will prompt visitors to consider not only how far we as a society have come but also, crucially, what still needs to be done to combat prejudice and realise true equality.»

He has also collaborated with Dul Fin Wah to make a full soundtrack for the exhibition which he has not done before.

In addition to selections from Borek's dreamlike «Wide Asleep / Half Awake» series and his photos of cityscapes and the Scranton lace factory, the Prague exhibition will also feature images from «What Would Sudek Do?»

Lesley Heller Workspace, New York, NY Claxons (four - person exhibition, curated by Walter Robinson), Haunch of Venison, New York, NY Grey Area, New York, NY The Queen's Feathers (one - person exhibition), John Tevis Gallery, Paris France 2011 Peacocks and Bottles (one - person exhibition) Organized by Nana Kipiani in conjunction with Artisterium, National Gallery of Georgia, Tbilisi, Georgia Forever and Never, One More Time (two - person exhibition), Season, Seattle, WA Color Theory, Storefront, Brooklyn, NY 2010 Birdbaths and Birdhouses (one person exhibition), Le Petit Versailles, New York, NY The Visible Vagina, Francis M. Naumann Fine Art & David Nolan Gallery, New York, NY 2009 Modern & Contemporary Ceramics, A.M. Richard Fine Art, Brooklyn, NY Bazvalon (one person exhibition), Rose Burlingham Living Room Gallery, New York, NY 2007 Momenta Art (one person exhibition), Brooklyn, NY French Kiss, organized by Rob Wynne, JGM Galerie, Paris The Demoiselles Revisited, Francis M. Naumann Fine Art, New York, NY NADA Art Fair, Miami, FL (Momenta Art booth) 2006 The Studio Visit, Exit Art, New York, NY 2005 Picture Window, (site specific, city organized), Baltimore, Maryland 2004 Hall of Portraits, Pinkard Gallery, Maryland College Institute of Art, Baltimore, MD 2003 The Recurrent, Haunting Ghost, Francis M. Naumann Fine Art, New York, NY Sleight of Hand, Salena Gallery, Brooklyn Campus, Long Island University, Brooklyn, NY 2002 Kismet, The Work Space, New York, NY 2001 Bad Touch, Lump gallery / projects, Raleigh, NC (also traveled to Keith Talent Gallery, London, Rose Museum, Brandeis University, Boston, Space (1026, Philidelphia & UIMA, Chicago) Beautiful You, curated by Larry Krone, Mark Pasek Gallery, New York, NY Your Humble Servant the Genius (two person exhibition with Rob Wynne), Rupert Goldsworthy Gallery, New York, NY Nijinsky, Rupert Goldsworthy Gallery, New York, NY 1999 The Fin - de-Siécle Salon, curated by J. A. Poisson, P.S. 122, New York, NY 1998 Re: Duchamp (organized by Mike Bidlo), Abraham Lubelski Gallery, New York, NY Bowie, Rupert Goldsworthy Gallery, New York, NY 1997 Galerie du Tableau, Marseille, France (one person exhibition) The Whole World in a Small Painting, Trans Hudson Gallery, New York, NY 1996 Cadmium Cathode, Sauce, Brooklyn, NY

He was also featured in the 2001 exhibition Brazil: Body & Soul at the Guggenheim Museum and has had solo exhibitions at Luhring Augustine, New York; Musée du Louvre, Paris; Whitechapel Gallery, London; Stedelijk Museum, Amsterdam; Museum of Contemporary Art, Chicago; MARCO, Museum of Contemporary Art, Monterrey, Mexico; and Centro Cultural Banco do Brasil, São Paulo and Brasilia; among others.

Art exhibitions are sometimes described as incubators for new ideas, but rarely do they also serve as incubators in the literal sense of the word, helping to sustain or breed life.

Both English, we naturally started to talk, and it turned out that Margaret was also doing shows — renting spaces short term for exhibitions, which today would be called pop - up galleries.

Khosheghbal, who is also unable to attend, said on phone from Tehran that she called the exhibition Sensation because the concept allowed her to choose a selection that would best showcase the variety of art done by the country's emerging artists.

Naturally, the international exposure of his work, widely exhibited in galleries and institutions such as Galerie Jeanroch Dard (Paris / Brussels), Rod Barton Gallery (London), Berthold Pott (Cologne) and in collective exhibitions at the Musée Musée Départemental du Sel (Marsal), Centre Georges Pompidou (Paris), BWA (Wroclaw) and Autocenter (Berlin) is considered, but also his role as a curator in several projects.

The exhibition will also call attention to the other strong work she has done with her production company, the Rufus Corporation, like 89 Seconds at Alcázar (a paean to Velázquez's Las Meninas that, despite being shown at the 2004 Whitney Biennial, is still lesser - known), as well as displaying plentiful documents relating to the making of Sabine Women.

I also think it is healthy to have a fight and to spawn other exhibitions, which as I remember did happen.

Ms. Madey said she was also worn down by the «relentless» cycle of five - week exhibitions, which does not allow time «to work closely with the artists.»

With the upcoming exhibition of Pedro Matos «Reality Show» this Friday in Lisboa, comes also a special studio visit done in the past months...

With the upcoming exhibition of Pedro Matos «Reality Show» this Friday in Lisboa, comes also a special studio visit done in the past months with the help of Pedro S.R..

More recent exhibitions include solo exhibitions at the Kunstverien Heilbronn, Germany in 2015 and LAX > < Art, Los Angeles in 2013, as well as, the group exhibitions The Afghan Carpet Project at the Hammer Museum curated by Ali Subotnick, Made in LA 2012, also at the Hammer Museum and Hans Ulrich Olbrist's ongoing Do It project.

More recent exhibitions include solo exhibitions at the Kunstverien Heilbronn, Germany in 2015 and LA > < Art, Los Angeles in 2013, as well as, the group exhibitions The Afghan Carpet Project at the Hammer Museum curated by Ali Subotnick, Made in LA 2012, also at the Hammer Museum and Hans Ulrich Olbrist's ongoing Do It project.

But Arteaga says the exhibition will also introductory works from the nineteenth - century that make clear that Mexican artists» interest in muralism and indigenous culture predated the revolution — in fact, mural - making did not resume until about a decade after the upheaval — while turn - of - the - century works by Mexican artists living in Paris foreshadow the cross-cultural pollination that happened between artists in Mexico, Europe, and the U.S. over the next several decades.

In recent years, Thompson's work has also been exhibited regularly in group exhibitions worldwide, including Il Secolo del Jazz: Arte, Cinema, Musica e Fotografia da Picasso a Basquiat (The Jazz Century: Art, Cinema, Music and Photography from Picasso to Basquiat) at the Museo di Arte Moderna e Contemporanea in Rovereto, Italy, which traveled to the Musée du Quai Branly in Paris France and the Centre de Cultura Contemporània in Barcelona, Spain (2009); Blues for Smoke at the Museum of Contemporary Art in Los Angeles, CA, which traveled to the Whitney Museum of American Art and Wexner Center for the Arts of the Ohio State University in Columbus, OH (2012); Witness: Art and Civil Rights in the Sixties at the Brooklyn Museum, Brooklyn, NY, which traveled to the Hood Museum of Art, Dartmouth College, Hanover, NH and the Blanton Museum of Art, Austin, TX (2014); Beat Generation at the Centre Pompidou in Paris, France (2016); and The Color Line: African American Artists and Segregation at the Musée du Quai Branly (2016).

The exhibition traces all the stages of Pape's career, beginning with her square paintings, reliefs, and blocks, all done between 1954 and 1956, when Pape was a member of Grupo Frente from Rio de Janeiro, which also included Clark and Oiticica, and which initially followed the tenets of concrete art as outlined by van Doesburg.

His work has also featured in group shows including the Prince Albert II Foundation Exhibition (in Singapore), Le Cirque Autour du Monde (Maison de l'Amérique Latine, Monaco), Grace Kelly Exhibition (Mitsukoshi, Tokyo, Japan).

Also, at this point, I think if you show a work in your gallery and you don't sell it, it somehow accrues value, because all of a sudden it has an exhibition history.

Uniting different perspectives of seeing and subverting spatial conditions of representational forms in the 20th century this exhibition does not only present rarely seen work but also narrates different layers of art historical approaches leading to the long lasting meaning of representational object and space in art.

Not only do the works in this exhibition expound on Thiebaud's signature motifs — objects and figures limned in color against ambiguous backgrounds, and inventive city and landscape scenes — they also convey the range of process, ingenuity and specificity that distinguishes each of Thiebaud's works.

Echoing the BnF French Landscape exhibition, which recounts 30 years of photographic missions on the national territory, the MuMa du Havre has chosen to present some of its photographic works, also part of public commissions.

They were also seeing a great deal of Frank Stella, who had been to school with them (though Andre, who was in a different class, did not get to know him until after they had left), and in 1959 Andre wrote a statement for Stella for the catalogue of the Museum of Modern Art's Sixteen Americans exhibition.

Standby has also done extensive preservation work for exhibitions at MoMA, the Whitney Museum, Artists Space, the New Museum, Albright Knox, and Dia Art Foundation.

There are also forays into iPhone photography, many of which do not sit well with the exhibition's overall cosmic dimensions, although Utah (2017) is an exception, a large - scale recreation of a smartphone snap taken from a moving vehicle, prefab houses blurred and telegraph poles smeared into digital glitches across the desert mountains.

Baron also created a special box assemblage incorporating various German documents, including her father's passport, which Nazi authorities had stamped with a large red «J.» Although Baron did not travel to Germany, she gave specific instructions that this construction and her statement be hung in a hall outside of the exhibition space.

In a 2003 interview with Hans Ulrich Obrist, reprinted in the Tate exhibition's catalog (which also reprints an interview that I did with Jonas last year), she recalls how «that grainy quality of early video was so strange, even otherworldly.

This exhibition is a philosophical inquiry, and Percy's book does both of these things: it is located in New Orleans, but it also deals with ideas that are local to that time place — yet they are universally of importance to humans everywhere.

As if it's not already hard to pick among so many things to see and do during the weekend, there's also the Harbour Arts Sculpture Park, the city's first open - air exhibition of its kind!

That said, «Speaking Back» is not an exhibition tailored to address Cape Town's distinct historical context: a city whose social, cultural, and civic past is mired in hierarchical classifications of race, but also made vibrant by an organic and effortlessly tolerant multiculturalism that flowered in certain locations, despite prohibitions, and may do so again.

The exhibition and series of films highlight in relative terms how opinions can change in short time spans, while also suggesting more can still be done.

People are waiting to see what Tate Britain will do with its collection of Turner paintings to warrant the entrance fee to «Late Turner» (opening 10 September), and also to see which of Britain's cherished Old Masters will come out on top when the V&A opens its Constable exhibition 10 days later (20 September).

Tinterow also pointed out that most free art museums — even those with extraordinary collections such as the Cleveland Museum of Art, the Nelson - Atkins Museum of Art in Kansas City, the Saint Louis Museum of Art, and Houston's own Menil Collection, «do not run the ambitious exhibition schedule that we do.»

«The State is not a Work of Art» does right by its intentions, but it also leaves me cold: I have seen this exhibition before, albeit in various guises.