Sentences with phrase «also on artistic practice»

Not exact matches

Students can also apply their knowledge of numbers in a very practical way, practice their SPANISH spelling, and put their artistic talents to good use at the same time, by creating their own set of question cards on the quiz card template.

Spanning practice and theory, Hockney's investigation of artistic techniques has also developed through art - historical research, resulting in Secret Knowledge (2001), his publication on the optical devices used by the Old Masters, as well as A History of Pictures: From the Cave to the Computer Screen (2016), written in collaboration with art critic Martin Gayford and further exploring the many ways artists have pictured the world.

While they generate personal collections regardless of their artistic practice, they also create collections based on artistic methods.

A: Aside from the focus on artistic practice and rigor, I also think it is important not to shy away from pertinent political and social topics, but rather find ways to have work that critically embraces the moment.

** Though this exhibition concentrates on your artistic practice, there are also elements of curation, particularly the inclusion of the work of your collaborators.

One of the most unique aspects of studying art history at an art school was that I was required to develop my own artistic practice through hours of drawing classes, performance art classes, photography studios, and so on, which allowed me a much more intimate understanding of the artistic process — but it was also important to be surrounded by other ambitious creators.

Princen has also been known to reference scientific measuring systems, mapping, and amateur anthropology in his work, and his artistic practice has involved plotting ecological changes — water currents, wind patterns, and soil erosion, as well as the impacts of urban developments on the Dutch landscape.

Gates himself also provides a rumination on his own artistic practice.

Swedish artist Karl Larsson and curator Laura Mott also provide an audio companion of discussions about the artistic practice and stories from their own 10 - day journey on foot throughout the region.

Art in General also produces an annual educational program on critical and timely issues in artistic and curatorial practice.

With her talk entitled «Subverting the Media as Artistic Practice,» Amin was also a guest of «Fill in the Blanks III,» which is an open platform where discussions on space, history and knowledge take place.

Next to his artistic practice, he has also been developing the Centre for Tanah Runcuk Studies (CTRS) since 2013, a (fictional) institution which conducts «studies» on a (lost) territory in the Dutch East Indies called Tanah Runcuk, involving historians, anthropologists, fellow artists, and academics.

As for the previous editions, also for Conversation Piece Part 3 artists have been asked to reflect on a specific suggestion, linked to the nature of objects and their specific use in the artistic practice.

Sewing together canvases, which had previously been part of Pindell's artistic practice, took on new meaning for her after the accident; while still making use of paint, glitter, and chads in these pieces, she also includes images of body parts, houses, and diners, as if she is stitching herself back together through canvases.

Their current program also concentrates on the revision of certain particularities (metaphors, strategies, etc.) of local art history and artistic practices questioning the limits between document and fiction.

Introducing kinetic movement into her practice, Schneemann pushed the limits of artistic control, insisting on the necessity of chance as a primary factor, not only in making art but also in life.

A wide selection of work proves how that primeval instinct — which leads to the representation of the human being, transferring its features on a pliant, durable, tridimensional medium — is still surprisingly up - to - date and well - present in artistic practice nowadays; here and since the dawn of time, we can see the attempt to embed an inert material with rituals, memories but also events from real life, with the aim of consigning it — potentially — to eternity.

A comprehensive festival programme offers an extensive insight into current artistic practice, but also into current discussions of video art and developments on the art market.

To illustrate this aspect of his artistic practice, The Production Line of Happiness features a series of rarely shown short films shot on a Super-8 camera, made while he was a student, and also features a series of experimental short films curated by the artist.

Artists of the decade often addressed these events specifically in their work, but also situated them within the context of changes particular to the art world, such as the «culture wars» surrounding artistic freedom and censorship; the impact of new media (video, sound, and digital art) on artistic practice; and the expansion of the global art market, with its explosion of art fairs and art markets.

Works were selected to highlight the depth and breadth of artistic practice in Iraq, but also to expose a shared emphasis on the nature of everyday life there, exemplified by a determination «to make do and get by» and an inventiveness borne out of necessity in extraordinary historical circumstances.

Prager draws inspiration from the cinematic work of Alfred Hitchcock and Luis Buñuel and the art of such photographers as William Eggleston or Enrique Metinides, but also frequently cites the major influence her unconventional education has had on her own artistic practice, which combines the use of bold colors, unexpected angles and dramatic lighting.

«It also focuses on the change in Kusama's artistic practice when she returned to Japan in the early 1970s.»