Sentences with phrase «also painted from life»

Not exact matches

Aside from the grim image of every living thing on earth gasping for breath and choking on water as they sink beneath the waves, the flood story also paints a troubling portrait of a God who seems incompetent because He regrets that He made mankind (Didn't He know this would happen?)

I also updated my living room with a bright new coat of navy paint and these pretty pieces from Minted!

Caspar David Friedrich, his sourced quotes on painting and life in Romanticism, collected for students and older pupils; But also for teachers in art education; Friedrich's quotes give information directly from the artist himself about his painting art in German Romanticism.

She also doesn't shy away from the reality of life during the Great Depression, showing stark views of poverty and hardship that are matched well with Green's evocative paintings.

This year, Blackbird's Bowl also celebrated its Fourth Annual Holistic Pet Festival, an outdoor festival held in a town park featuring speakers and representatives from the brands in her store, along with fun activities for human attendees, like live music and face painting.

am a 70 some artist who rarely sold anything, despite years of being online... for one, I paint with pen and ink, and do not put out anywhere enough for galleries to want to bother with, plus my work is realistic tho from my head... also, I work from themes, visualizing metaphoric ideas, so they're not the usual still life or landscapes..

Since the 1990s, Peyton began exhibiting her work — paintings of artists, musicians, historical figures, and friends, which she renders from photographs and from life — and more recently, also in still lifes, landscapes and scenes from the opera.

He has also been painting portraits from life.

Also, there is an extremely small number of painters here in San Diego, that I've met anyway, who are serious «modern» perceptual painters — lots of plein - air type painters who have a more regional focus but very few people painting more contemporary realism from life.

He will also be giving two workshops at the Provincetown Art Association And Museum, Still Life Drawing, July 17 — July 21, 2017 and Painting from the Figure, July 17 — July 21 2017

The collection also includes a generous donation from François Depeaux — a major collector of Impressionist painting and patron of Alfred Sisley — who decided to give his beloved Swansea (where he established his business in coal mining) an important group of works by artists from Rouen where he lived.

Previous influential works by their peers and predecessors are also featured, such as examples from Yves Klein's Anthropométrie, which uses the naked female body as a living paint brush, and Andy Warhol's invocation of automatic movement and action through his series of Dance Diagrams.

In its specific sense realism refers to a mid nineteenth century artistic movement characterised by subjects painted from everyday life in a naturalistic manner; however the term is also generally used to describe artworks painted in a realistic almost photographic way

The painterly style also emerges from expressionist painting movements of the time, including CoBrA Group and Art Informel, important movements in art in Europe near the time Golub lived in Paris, and abstract expressionism lurks in the strokes and the scrapes too.

«Current Locations» also speaks to these artists» affinity with creating a sense of place (or places): painter Barbara Marks creates voluminous pictorial & interior spaces with her deeply saturated color palette; Elise Church paints intimate environments based on her travels in space in time; Colombian artist, Esperanza Cortés incorporates natural resources and folklore motifs from her homeland as a means of exploring personal identity; Kyle Vu - Dunn sculpts warped «natural» environments to harbor the self; and Viviane Rombaldi Seppey blends world maps (with emphasis on places she's lived) with morbid imagery from traditional medical textbooks.

Portraiture is also the focus of Californian artist Henry Taylor, whose crude though ravenously observed paintings are populated by African - American subjects, from historical figures like Eldridge Cleaver to people living in his Los Angeles neighborhood.

On view at the Met from October 19 to February 20, 2017, «Max Beckmann in New York,» focuses on 14 paintings the German artist created during the last two years of his life, when he had been living in New York; also included are earlier works culled from New York collections — some 40 pieces in all.

The exhibition also shows how this spirit in painting was fostered by the previous generation, from Walter Sickert to David Bomberg, and how contemporary artists continue to express the tangible reality of life through paint.

Al - Hadid (b. 1981, Aleppo, Syria; lives and works in Brooklyn) received a BFA from Kent State University and an MFA from Virginia Commonwealth University; she also attended the Skowhegan School of Painting and Sculpture.

He was also a co-founder of the Street Painters, a group of eight New York City artists who painted directly from the city life they observed on the streets of America's largest city.

[17] That year the DVD Jon Schueler: A Life in Painting, with excerpts from the 1972 Films of Scotland production, was also released.

The show took its title not only from T.J. Clark's The Painting of Modern Life: Paris in the Art of Manet and his Followers (1985) but also from The Painter of Modern Life (1863), Charles Baudelaire's great call for art to embrace the changes of modernity while keeping its distance.

Also included are paintings with graphic optical effects that Asawa made at Black Mountain College and works on paper of plant life that she drew from direct observation, without lifting her marker.

The exhibition also features classical paintings by the great 19th - century artists Frederic Leighton and Lawrence Alma - Tadema, revealing the Victorian fascination with re-imagining life in Greece and Rome, from lovers» flirtations to dramatic martyrdom.

Whitaker lived and worked in Chicago from 1991 until 2003, during which time she developed «Women in the City», a group of paintings observing the Chicago cityscape; and also, a series of large drawing / paintings on paper called «Ancestral Excavations» which have shown in solo venues around the country and now some of this work will be touring the United States in a group invitational, The Veiling: Visible and Invisible Spaces beginning in Colorado, the Spring of 2008, and traveling to Arkansas, Wisconsin, Connecticut, Indiana, SUNY in NY, California until 2010.

There is a premium for works from the 1950s but «the work has value and market recognition through to the magnificent late paintings», not just in the US, but also in France (where she lived from the mid 1950s), Germany, England, Korea, and Japan.

There are also activities ranging from movie screenings, to miniature figurine painting, celebrations of cultural holidays, Club Rush, live music in the commons and more!

[11] From 1968 - 1988, she also worked on Last Night I Had a Dream, a sculptural relief painting that included many elements from her earlier life and dreFrom 1968 - 1988, she also worked on Last Night I Had a Dream, a sculptural relief painting that included many elements from her earlier life and drefrom her earlier life and dreams.

CA Spectral Hues, curated by Sharon Bliss, Palo Alto Art Center, Palo Alto, CA Art Market, with Chandra Cerrito Contemporary, San Francisco, CA Building the Art House, curated by Katherine Connell and Emma Spertus, Rosenberg Library, City College of San Francisco, San Francisco, CA Big Idea, curated by Sue Collier, Leslie Ford, Jack McWhorter and JoAnn Rothschild, The Painting Center, New York, NY Along the Lines, Harrington Gallery, curated by Julie Finegan, Pleasanton, CA 2016 Plus +1, Trestle Contemporary Art Gallery, Brooklyn, NY Group show, November - December 2016, Galleri Urbane, Dallas, TX Palette, curated by Kelly Inouye, Theodora Mauro and Lisa Solomon, ampersand international arts, San Francisco, CA Small Works, Trestle Gallery, Brooklyn, NY Art Market, with Chandra Cerrito Contemporary, San Francisco, CA 2015 Therely Bare Redux, Zeitgeist Gallery, Nashville, TN Therely Bare Redux, Clara M Eagle Gallery, University of Tennessee, Murray Territory of Abstraction, Pentimenti Gallery, Philadelphia, PA Out of Storage, Studio 110 Projects, Sausalito, CA Art Market San Francisco, (with Chandra Cerrito Contemporary), San Francisco, CA The Airplane Show, B Sakata Garo, Sacramento, CA 2014 un.bound.ed, curated by Brent Hallard and Don Voisine, Root Division, San Francisco, CA (edition) DOPPLER SHIFT, curated by Mary Birmingham, Visual Arts Center, Summit, NJ (catalogue) The Intuitionists, curated by Heather Hart, Steffani Jemison & Jina Valentine, The Drawing Center, New York, NY (catalogue) First / Last, curated by Heather Phillips, Park Life, San Francisco, CA 2013 DOPPLER, Parallel Art Space, Brooklyn, NY (catalogue) Generations IX: The Red / Pink Show, A.I.R. Gallery, Brooklyn, NY Made In Paint: 2012 Artists in Residence, The Sam & Adele Golden Gallery, New Berlin, NY Rituals of Exhibition II, Light Space Project, H Gallery, Chiang Mai, Thailand Rituals of Exhibition, curated by Giles Ryder and Gilbert Hsiao, Don't Be Selfish, Phayao, Thailand POSTE CONCRET II, curated by Richard van der Aa, ParisCONCRET, Paris, FR 2012 Soft Luminosity, curated by Guido Winkler and Iemke van Dijk, IS Projects, Leiden, NL (edition) Art On Paper 2012, The Weatherspoon Museum of Art, Greensboro, NC (brochure) Islands of Order in a Sea of Chaos, curated by Ruth van Veenen, de Vishal, Haarlem, NL Doppler Stop, Amsterdams Grafisch Atelier, Amsterdam, NL (catalogue) Doppler Stop, Kunst & Complex, Rotterdam, NL Doppler Stop, Fluctuating Images / General Public, Berlin, DE Doppler Stop, trenutak.39 / Museum of Contemporary Art, Zagreb, HR Trade - O - Mat, curated by Kathryn Kenworth, Kala Art Institute, Berkeley, CA 2011 A Romance of Many Dimensions, curated by Brent Hallard, Brooklyn Artists Gym, Brooklyn, NY POSTE CONCRET I, curated by Richard van der Aa, ParisCONCRET, Paris, FR BYO, IS Projects, Leiden, NL Stop & Go Rides Again, touring exhibition curated by Sarah Klein, Z Space, San Francisco, US; Kunst & Complex, Rotterdam, NL; Fluctuating Images / General Public, Berlin, DE; Fluctuating Images / Interventionstraum, Stuttgart, DE An Exchange with Sol Lewitt, Massachussetts Museum of Contemporary Art, North Adams, MA (catalogue) ReTrace, Cesar Chavez Art Gallery, San Francisco State University, San Francisco, CA 2010 TOUCH, curated by Brent Hallard, ParisCONCRET, Paris, FR (catalogue) Factor XX, curated by Jenny Balisle, Los Gatos Museum, Los Gatos, CA (catalogue) The Rule of Typical Things, Gregory Lind Gallery, San Francisco, CA 2009 TRANS: form color, Meridian Gallery, San Francisco, CA (catalogue) TRANSformal, Pharmaka, Los Angeles, CA (brochure) The Grid, curated by JT Kirkland, MP5, Portland, OR 2008 Calculated Color, curated by Jane Lincoln, Higgins Art Gallery, Cape Cod, MA (brochure) The Space Between, curated by Cathy Kimbell, San Jose Institute of Contemporary Art, San Jose, CA (brochure) Close Calls, Headlands Center for the Arts, Sausalito, CA (also 2005, 2004) TOUCH, curated by Brent Hallard, Busdori, Tokyo, Japan Out of the Fog: Artists from Headlands Center for the Arts, curated by Dianne Romaine and Holly Blake, Art works Downtown, San Rafael, CA 2007 TRANS: Abstraktion, Weltraum, Munich, DE (brochure) 7 - 07 Hung Liu curates 7 Women Artists in the year of the Pig, b.Sakata Garo, Sacramento, CA (brochure) Bay Area Currents, The Oakland Art Gallery, Oakland, CA Visual Noise, UMC Gallery, University of Colorado, Boulder, CO The Unknown Quantity, Gregory Lind Gallery, San Francisco, CA Systems & Transmutations, Root Division, San Francisco, CA (catalogue) Still, Contemporary Quarterly, curated by Chandra Cerrito, www.ContemporaryQuarterly.com (brochure) 2006 Suitcase: Bus - Dori, curated by Brent Hallard, Tokyo, JP Summertime, Judy Saslow Gallery, Chicago, IL microcosm, curated by Victoria Wagner, Richmond Art Center, Richmond, CA (brochure) Sketch, The Memorial Union Gallery, University of California at Davis, Davis, CA 2005 Contemporary Perspectives, Museum of Contemporary Art, Santa Rosa, CA 2004 and now they aren't.

«Visitors to Bouquets: French Still - Life Painting from Chardin to Matisse will appreciate not only the sheer visual splendor of the works on display, but also the discovery of a clear artistic dialogue among artists of different generations working in the floral still - life tradition,» said Heather MacDonald, the DMA's Lillian and James H. Clark Associate Curator of European Art, who is the exhibition co-curaLife Painting from Chardin to Matisse will appreciate not only the sheer visual splendor of the works on display, but also the discovery of a clear artistic dialogue among artists of different generations working in the floral still - life tradition,» said Heather MacDonald, the DMA's Lillian and James H. Clark Associate Curator of European Art, who is the exhibition co-curalife tradition,» said Heather MacDonald, the DMA's Lillian and James H. Clark Associate Curator of European Art, who is the exhibition co-curator.

Although much of his work is based on loved ones or those around him, Sicile - Kira also paints according to his own life experiences from everyday life, such as his in - progress work

Tapley notes that the five painters in the show, Robert Anderson, Daniel O'Connor, Tim Parsley, Emil Robinson and Tina Tammaro, have each committed to «a curiously old - fashioned choice: to keep making pictures by hand, using simple drawing materials, and a grand old medium, oil paint... these painters [also] devote themselves, at least in part, to another old practice: working from «life.»

Although much of his work is based on loved ones or those around him, Sicile - Kira also paints according to his own life experiences from everyday life, such as his in - progress work Butterflies.

Paintings from his ground - breaking Anthropometry series will also be on display, for which Klein employed models as «living brushes» to create marks on the canvas in front of an audience, as well as Fire Paintings and Klein's later works in gold.

Although he lives in LA (and teaches at UCLA), many of his inspirations also draw from East Coast, New England roots, an interest in painting and a commitment to traditional, as well as experimental, modes of photography.

Apart from portrait paintings she also painted a number of female nudes as well as several still - lifes of Calla lilies.

His paintings show everyday scenes from American life, particularly those of the Midwest, although he also painted cityscapes of New York.

The circular red ribs that make up the urn - like form of Cherubini's «Morning Star» reflect the looping vase handles and linear flowers in Nichols's still lifes; the figure / field spatial disparity in Bischof's «Omi im Bregenzer Wald» is also found in Trudy Benson's «Yes, and...» from 2014 (evidently a play on Yes, but..., Dore Ashton's classic study of Philip Guston's late work, published in 1976), where beads of yellow paint resembling wads of chewed - up chewing gum seem to drift above a receding gray and green field, which is bordered in peach - and - gray shards intersecting with black - and - white stripes.

Naturally, the Brooklyn Museum included Briggs in «Open House: Working In Brooklyn,» and his paintings were also selected for «Back to the Future,» the 2015 Life on Mars exhibition that recognized influential Williamsburg painters from the early 1980s.

Beginning with a display of historic paintings and works on paper drawn from the RA Collection, From Life explores the practice of life drawing, from the origins of the Royal Academy in the 18th century to the present day, whilst also looking to the futfrom the RA Collection, From Life explores the practice of life drawing, from the origins of the Royal Academy in the 18th century to the present day, whilst also looking to the futFrom Life explores the practice of life drawing, from the origins of the Royal Academy in the 18th century to the present day, whilst also looking to the futLife explores the practice of life drawing, from the origins of the Royal Academy in the 18th century to the present day, whilst also looking to the futlife drawing, from the origins of the Royal Academy in the 18th century to the present day, whilst also looking to the futfrom the origins of the Royal Academy in the 18th century to the present day, whilst also looking to the future.

In a similar way, Hockney also investigates the temporal dimension of painting in all its extremes: from the momentary nature of a splash of water left behind by a bather after diving into the pool, to the meditative tranquillity and duration of a precisely composed still - life.

Sam McKinniss, at Team, was also in fine form, with comically accomplished paintings — of Prince and his motorcycle from the cover of Purple Rain, Flipper twirling majestically underwater, and a Fantin - Latour still life — that are by turns melancholy and mirthful.

On the occasion of her 2016 — 17 show at MoMA PS1, curator Peter Eleey wrote: Drawing inspiration from the distorted bodies that litter the histories of modern painting, Braunig adapts these legacies to the discomforts and instabilities of contemporary life... While evocatively dystopic, her paintings also subtly empower their vulnerable subjects, advocating a humanist art for an age in which individual experience seems threatened by forces beyond our control.

Working from photographs and also drawing from life, Joffe has painted «mostly family and a few friends», she explains.

According to the artist, these new paintings are not just about his passion for the landscape, but also about the detailed expression of his journey from his birthplace to New York, where he now works and lives.

Focusing from the beginning on the nude and on portraiture, Barton also painted numerous still - life images and later essayed straightforward cityscapes and surrealist fantasies.

The show will feature Crehore's signature dream - like sequences of iconic nudes and playful animal characters painted on linen and rare 1920's ukuleles. Opening night will also feature a live performance of blues, rags, and jug band songs from the 20's and 30's by Crehore's band, The Hokum Scorchers.Â

Even so, despite earning a living from his commercial projects, he also was resolute in painting every day.

Works from the artist's Signature series also feature alongside four life - size figure sculptures, as well as painted bronze Rubbish pieces.

Masterpieces from the Musée d'Orsay, Paris, including The Bedroom at Arles (1889), are also showcased alongside paintings from the Phillips's permanent collection by artists van Gogh admired, including Gaugin, Honoré Daumier, and Rembrandt van Rijn, to create a richer, more meaningful picture of his personal life and artistic production.