Sentences with phrase «also paintings within paintings»

There are also paintings within paintings, some of which make their own appearance in the show.

Not exact matches

Myles Turner, Oladipo's primary pick - setter, also shoots beyond the arc, a few steps within it, and at the rim — he isn't finishing particularly well in the latter area, but seven - footers in the paint naturally attract attention.
«With this important advance, super-resolution microscopy and DNA - PAINT could become more accessible to biomedical researchers, accelerating our insights into the function of individual molecules and the processes they control within cells,» said Wyss Institute Founding Director Donald Ingber, M.D., Ph.D., who is also the Judah Folkman Professor of Vascular Biology at HMS and the Vascular Biology Program at Boston Children's Hospital, as well as Professor of Bioengineering at SEAS.
The beautiful range of colours within these photos would also lend themselves to painting projects.
The same color is also applied to the AMG multi-spoke 19 - inch alloy wheels which are accented with a red painted rim edge along with red brake calipers sitting just within.
Correspondingly, the re-shaped rear bumper's painted surface area now encompasses the red rear reflectors, also previously located within the black cladding.
Painted Cave is within a Marine Protected Area and also a part of the Channel Islands National Marine Sanctuary.
Visitors can also visit the Aruban Adobe house and explore the indigenous Indian paintings within the caves.
Painted Cave is within a Marine Protected Area and also a part of the Channel Islands National Marine...
Within the grounds guests enjoy the use of the strategically placed infinity pools, the popular yoga class carried out from the most perfect panoramic platform, also classes in Balinese cooking, painting and carving are presented allowing you to experience the culture rather than just view it.
Also, within a couple of blocks of the main plaza, the facade of the houses started looking in need of a coat of paint and a little restoration.
Also, the very definition of classic paints a picture of cars from an era when F1 was in its origins such as in the 1950s or at the very least decades ago between the 1960s and 1980s or alternatively teams that were established and well respected that are no longer in F1 within the season the game is based upon including Alfa Romeo, Brabham and the classic Lotus which participated from 1958 to 1994; yet having a car from the 2010 season seems in total conflict with that very notion, regardless of it being a championship winning car.
Still, there's added incentive to plastering the floors with your paint: you can submerse your character within a puddle, letting you sneak around the world while also refilling your paint blaster.
I have seen over the past few years the example of many artists working within the daily painting groups (which I do also) they have produced more work, less quality and lowest pricing you can imagine.
BB: «The work of the eyes is done» is certainly an interesting quote to hear from an observational painter, as is the notion that images are «imprisoned within...» Applied to your paintings though, these notions speak to the kinds of interior spaces you paint, the rooms of your house at different times of day, for instance, or your color, which can be muted, but also evokes a rich vision of everyday experience.
Walser's constructions of sentence - stories also conjure thoughts of Sienese predella paintings and their stories within stories.
According to a press release, it is «difficult to overstate the importance of Oehlen's work to the recent history of painting, [though] it is also challenging to find a comfortable resting point for him within the story of contemporary art.
Miller's frames - within - the - painting also gently allude to the studio comforts (the familiarity of the floor and the smell of oil paint) and protection — psychological as well as physical — the truck affords him.
Paintings and drawings, either individually or in a collection or series also do well; 15 percent of the top 500 fall within this category.
And there was certainly a time, not so long ago, when I was also a fully paid - up McKeever Believer: his seriousness, his commitment to the act of painting, and the complete absence from his work of what the American painter Gary Stephan has dubbed «visual sarcasm» — that is, the use of paint only in order to flaunt its supposed inadequacy and redundancy — made him seem like a bulwark against the insufferable smart - alec nihilism of Richard Prince, Wade Guyton, or Christopher Wool; and against the prevailing attitudes within the Higher Education establishment at which I both teach, and study on the MA programme, where the buzz - phrase on the Fine Art Critical Studies syllabus is «post-Making»; in other words, goodbye and good riddance to all that messy business with brushes and squeegees and welding torches, once and for all.
Reynolds also pays homage to Andy Warhol's Do It Yourself, paint by numbers series from the 1960s — leaving areas for the viewer to visually fill in the blanks, while also creating a metaphoric ghost - like effect within the snowy mountains.
David Ryan's Set 2 (c) also seems to have some doubling going on, this time within the one painting, in the repetition of rectangles that occupy different spaces, one in lime green, one in yellow ochre and one in white, as well as the containing rectangle of the support.
I can also imagine the whole exhibition as a reply to a previous one, almost as if this first painting, on a wall of its own, announces that the show is the artists reply, situated within a previously established dialogue.
Minimalism also fought Greenberg's orthodoxy at the same time as conceptual art — by rejecting the Modernist idea of painting and instead working with industrial materials — but contained the dialogue within the gallery system.
Examining the paintings on view at the Pollock - Krasner house can help to shed light on this still misunderstood genre while also helping us to recognize Carone's significant accomplishments within the movement as an artist, promulgator and teacher.
While they appear to be clearly abstract, they also have a powerful effect on the viewer to seek out an image within the paint, whether that image is a reference to an art historical moment or another source.
Within the grids and lines on the canvas are not small squares of flat, immobile color, but drips and dimples of very active paint — as if each square could also be a composition unto itself.
Immediate and fresh, they challenge the assumptions of painting as they exist within Hughes» oeuvre while also extending her painterly practice in surprising ways.
If composition with regards to painting involves moving the eye around and within the frame of the canvas, Sammak considers time another variable in the equation of form, that not only the perimeter of the frame but also the length of the video is a compositional limit.
You can get a sense of the history of painting within Saville's work so it also reminds me of other artists who inspire me such as Seventeenth century Dutch still - life painters, Picasso, and Lucien Freud.
Big paintings because the scale is very important, the scale within the picture but also dealing with the periphery, beyond the periphery.
However, they also subvert received notions of painting as strictly paint - on - canvas, by mastering what is essentially paint - within - a-canvas.
It is not the reflected light of the Old Masters, but the illumination from within, the light that also makes the paintings of Barnett Newman so remarkable.
The artist also contextualizes her paintings within larger installations, and artist's books.
The cumulative effect of Whitney's multicoloured palette is not only one of masterly pictorial balance and a sense of continuum with other works in this ongoing series, but also that of fizzing, formal sensations caused by internal conflicts and resolutions within each painting.
A pluralism within painting practice itself was also evident.
This quest for a new logic in painting not only transcends the old (and now somewhat tired and hackneyed) distinction between representational and abstract art — we know that Schnabel vehemently refuses to be trapped within this binary logic — but it also goes way beyond it: Schnabel's unique «logic of painting» transports him beyond the confines of painting itself.
Gesture also places Godwin's work within the context of gestural paintings by a diverse group of artists in VMFA's collection such as Adolph Gottlieb, Norman Lewis, Benjamin Wigfall, Hedda Sterne, James Brooks, Theodoros Stamos, and Joan Mitchell.
They are alone, as paintings and images, within the parameters of the canvas, and also once each painting leaves the exhibition.
A triple exhibition of the recent painting of three of today» evidently most prestigious Chinese medium generation painters, of whom primarily Zhang Xiaogang stands at the absolute peak not only in China but also within the Euro - American art world.
At the same time, they also engage the history of painting: double and triple canvases, also known as diptychs and triptychs, have a long history within Western painting.
Such patches of paint also appear within the main gallery space, and even up the stairs, to the first floor.
Kosuth has also coloured the gallery walls as part of his montage that yields meaning and visual effects not only within individual elements, but also from the collision of, say, a gashed Fontana canvas, the blown - up definition of the word «red», and a wall coloured in Benjamin Moore household paint, an industrial medium favoured by Frank Stella and Andy Warhol.
Early abstract works and mature landscape paintings were also deeply conceptually rooted within the author's mind, but the portrayal of women remains Willem's most intimate creative output.
As Tiffany Bell notes, the square or rectangular configuration of the lights also allowed Flavin to refer to the picture plane of painting and the idea of perspective, and thus to inscribe his work within long - established art - historical categories.
Often in his recent paintings, Noah's Ark and its inhabitants are included within the non-linear composition, while geometric forms also signify the sacred geometry of the universe.
With an environmental pull, Dorothy Robinson «s expressionistic awe inspiring landscapes are also examples of how landscape painting fits within the contemporary cannon.
«The political issues that Wayne raises in his paintings: questions of conspiracy, how power is brokered, and how the masses are lead, resonate in a powerful way within the context of New Orleans, but also carry implications unto the global scene.»
Whoever purchased the blue bas - relief also bought Cy Twombly's Untitled (A Painting in Two Parts)(Bassano in Teverina) for $ 4.8 million, a figure that hit home within the vague ballpark estimate of $ 4 million to $ 6 million.
Maintaining gestural painting's relevance in contemporary culture while also rooting its chief sources of inspiration from within the Western canon is a Herculean task, particularly as the very practice of painting as a discipline continues to erode within the art market, art schools, and public art institutions like museums.
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