All of his sculptures and films are thoughtfully conceived works of art, but they are
also radical experiments the outcome of which we (and the artist) can only guess at before they have come to an end.
Not exact matches
It
also equips politicians, and then later normal citizens, with cameras that broadcast their every move as part of a
radical experiment in transparency.
But while there is some evidence that using a compassionate audience to keep yourself accountable can be an effective way to reach your goals (be cautious, though; science
also suggests that telling all and sundry your aims can backfire), that's not why Reddington claims his
experiment in
radical to - do - list transparency was so effective.
This was near the start of his post-May 1968 rejection of the filmmaking establishment; a period in which his determination to respond to the increasing radicalisation of the world with increasingly
radical cinematic
experiments also coincided with his relationship with the late Anne Wiazemsky (played by Stacy Martin), his wife and muse whom he first cast in 1967's La Chinoise, when she was 17 and he was pushing 40.
His
experiments with the latter commenced in 1968 and were considered
radical, in part because this new form of drawing was purposely temporal and often executed not just by LeWitt but
also by other artists and students whom he invited to assist him in the installation of his works.
She
also experimented with happenings and performances, sometimes appearing as an element in her own installations, other times involving members of the public and entering public spaces in a more
radical way.
Siqueiros — one of the «Big Three» of Mexican muralism along with Diego Rivera and José Clemente Orozco — believed mural art should function as a community service, but it was through his easel painting that he evolved his extensive variety of techniques and styles; it was
also at the easel that he
experimented with new tools and materials, and with
radical works such as these.
Dean's phenomenologically steeped work relates to
radical experiments in film by the Canadian Michael Snow, but they are
also part of a more venerable British pastoral tradition that has affected the arts of that island nation in literature and music as well as the visual arts.