Sentences with phrase «also talked about the film»

We also talked about the film, of course, that it's a film about your soul mate, with a dark twist.
She also talked about filming «Mamma Mia» sequel, Meryl Streep and much more!
Mims also talks about the film Lady Bird, calling it «cute» and «charming,» but he stated that he wasn't impressed.
Middlebrooks also talks about her film production and her award - winning film
The two stars also talk about filming their characters» introductions at the end of the shoot, and what they collect.
He also talked about filming on a «cold North Durham beach» with a cast and crew of two people, saying: «The actor's freezing his a *** off - err, sorry your Highness.»

Not exact matches

Daniels, an adult film star whose real name is Stephanie Clifford, also told Cooper how she was threatened by an unknown man in a Las Vegas parking lot to stop talking about the encounter.
I'm talking about the Disney - Lucas film connection and therefore also the Star Wars franchise.
Also, Gary Dauberman, the screenwriter of the brand new movie Annabelle: Creation talks about the film's real - life, supernatural inspiration.
In this model, in other words, the arrangement of points would be fractal (a term also tossed out as an answer to the shape - of - the - world question), meaning that the distribution is the same whether you're talking about the macro level (the top online publishers) or the micro level (the handful of blogs and Twitter feeds about some obscure film genre).
They're here for a good time, but also hopefully a long time: We talk with brothers Josh Safdie (co - writer / co-director) and Benny Safdie (co - director / actor) about their film Good Time, starring...
At the film's press day, actor Paul Giamatti, who's also an executive producer on the movie, talked about what drew him to John Dies at the End, his most memorable experience of the shoot, working with such new actors, how he sees the industry now, and that he doesn't think a film like Sideways would even get made today.
Over in the acting categories, George Clooney and Tilda Swinton won for «The Descendants» and «We Need To Talk About Kevin» respectively, with both films also ranking as one of the best of the year.
Director Peter Vack also talks about enlisting friend and costar Julia Garner as the film's lead
There's also talk that Scarlett Johansson will be meeting with Jac soon to talk about the film's script and story, giving the impression that Scarlett has some creative say...
The «Tomorrowland» director also acknowledges he's talked with Lucasfilm about helming a «Star Wars» film, but insists he's focused on the Pixar sequel and other projects.
He also talks about Bales performance and the challenge of shooting the film in Spain.
More than that, though, he and Cole have also manufactured the MCU's most explicitly political film, the pair's story talking about issues of race, protectionism, humanitarianism, police brutality, political fascism and immigration policy that comes alive as if it was pulled from today's most recent headlines.
The Martian is one of the most talked about films of the year and has been named one of the best movies of the year by groups such as National Board of Review, which also awarded top honors to Ridley Scott for Best Director, Matt Damon for Best Actor and Drew Goddard for Best Adapted Screenplay.
The Weinstein Co has debuted the official US trailer for Justin Kurzel's Macbeth, the precursor to Fassbender's Assassin's Creed (also directed by Kurzel), and one of the most talked about films coming out of Cannes this year.
He also talked about the experience of being a part of the highly successful The Hangover franchise, whether he and Todd Phillips took the criticism of the second film into account when writing The Hangover Part III, making films for audiences to enjoy, and the animated feature Turkeys (featuring the voices of Amy Poehler, Owen Wilson and Woody Harrelson), which he's writing and producing.
Indiewire recently sat down with Black, who also co-wrote the screenplay for the film, to talk about how the experience of making «Nice Guys» compared to directing «Iron Man 3» and what to expect from his upcoming project, the remake of 1987's «Predator» (in which Black had a supporting actor role).
The co - writer / director, who also made «Drive» and «Only God Forgives,» and the star sat down with us this week in Chicago to talk about the divisive response to the film, the purpose of art, and even «Beyond the Valley of the Dolls.»
He's been talking about it for years, and filming is apparently happening or has happened, and while 2014 is probably more likely, this could also surprise everyone by quietly sneaking into the lineup.
The actress also noted that it was important for her to meet with the director so that they can talk about her execution of Michelle, as she feels how a female character is presented in a horror film is important.
He also talked about returning for the Avatar sequels and his reaction to the scripts for the four films.
There's also a little talk about Kevin's person 24 - hour horror movie marathon and what films he was compelled to watch.
He is there to talk about his third film, the story of a Marvel Comics superhero who is also an African king named T'Challa (Chadwick Boseman).
We also talk about what the best films we've seen in 2014 so far.
Also on this podcast you'll also hear Karina Longworth talking about the Golden Age of Hollywood, Slate culture writer Aisha Harris (host of the show Represent) on the importance of representation of women and people of color in Hollywood and film awards, actor Paul Scheer on some of the worst movies ever made (which he talks about on his own podcast that he co-hosts with his wife, actress June Diane Raphael, and their pal and fellow actor, Jason MantzouAlso on this podcast you'll also hear Karina Longworth talking about the Golden Age of Hollywood, Slate culture writer Aisha Harris (host of the show Represent) on the importance of representation of women and people of color in Hollywood and film awards, actor Paul Scheer on some of the worst movies ever made (which he talks about on his own podcast that he co-hosts with his wife, actress June Diane Raphael, and their pal and fellow actor, Jason Mantzoualso hear Karina Longworth talking about the Golden Age of Hollywood, Slate culture writer Aisha Harris (host of the show Represent) on the importance of representation of women and people of color in Hollywood and film awards, actor Paul Scheer on some of the worst movies ever made (which he talks about on his own podcast that he co-hosts with his wife, actress June Diane Raphael, and their pal and fellow actor, Jason Mantzoukas.
There's also a brief interview with Cimber, who speculates on why his film continues to resonate with audiences and a brief archival chat with Allen Schnitzer, who repeats several of the points made during the newer featurette, and star Richard Lynch, who talks about the evolution of his craft over a 50 - year span.
Aside from talking about abusers, the hosts also touched about some of the year's nominated films, including the infamous «Call Me By Your Name» peach scene.
Leslie Megahey interviews Orson Welles for The Magnificent Ambersons and his unfinished film It's All True, also, Robert Wise and Peter Bogdanovich talk about The Magnificent Ambersons, from the documentary Arena: The Orson Welles Story (1982).
Also, good friend of the show Christopher Jason Bell sits down for a snack - «n» - chat with Bernard to talk about what it's like to be an independent filmmaker presenting a movie at a film festival and conducting a Q&A with a (sometimes tiny) audience.
It also brings in the actors to talk about the film, and Days of Future Past creators Chris Claremont and Len Wein, and gets into one of the biggest challenges of the movie: scheduling the actors, many of whom are in great demand.
Director Lisa Cholodenko talks extensively about her collaboration with Memento's «guyish, techie» cinematographer Wally Pfister on the film in a supplemental 21 - minute interview that tidily sums up her also - included feature - length commentary.
Naturally, Gerwig would have preferred to film all of Lady Bird in Sacramento — just like she and Levy, also the cinematographer for this movie, talked about doing back in the day — but proved her budget savvy by shooting, for instance, the interior of the McPherson home in L.A.'s San Fernando Valley.
Jackie, what Ray Pride calls a mask about the mask,» was another let - down for the panelists, who learned nothing new about Jackie Kennedy Onassis.While there was much debate over the nominated films, there were also talks of snubs, including Disney Pixar's Finding Dory and Clint Eastwood's Sully.
That is, until I talked to our own Zach Gayne and then read his review out of SXSW, which concluded: «The Disaster Artist is not only far funnier than you might expect, it's also far deeper than a film about the worst movie of the 21st century has any right to be.»
We had a great time discovering Winfrey's very impressive fake sneeze abilities, but we also got to talking about topics that have some serious weight throughout the industry right now — original stories vs. films based on existing source material, and also the rise of the streaming service and if they'd rather work on a filming getting a theatrical release or one hitting a streaming platform.
Once the 2000s got underway, he started to get major credits in the feature world, with 2nd unit DoP credits on «28 Days Later,» «Harry Brown» and «Pride & Prejudice,» as well as working on all three of Lynne Ramsay's films, serving as second unit DoP on «We Need To Talk About Kevin» (he also lensed a Doves music video for the director, a classmate at the NFTS).
This year, Doremus was back with the excellent «Breathe In» (which also stars Jones), and the filmmaker clearly still has an eye for talent, as Mackenzie Davis, who co-stars in the film, was one of the most talked about actresses in Park City.
Pegg also says he's going to be back in Mission Impossible 5 (filming next year), he hopes they'll be able to make the next Star Trek sequel in time for the 50th Anniversary, and talks about his problems with Zack Snyder «s Man of Steel.
They also talk about working with John Wick directors Chad Stahelski & David Leitch and to their extensive stunt career when handling the action throughout the film.
She also talks about her two current films.
She talked about how she feels about the impact of her character and whether she'd add onto her range as an actress by not only doing more award contender films but also maybe still playing with genre, specifically if she'd be open to playing in the Disney Marvel sandbox with the likes of Chris Pratt and Bradley Cooper:
Tony Stark, also known as Iron Man (Robert Downey, Jr.), makes a cameo towards the end of the film talking about a group being formed.
You also can't talk about this film without mentioning the Grizzly Bear score, which was my initial draw to the film.
The film also weaves in lots of scenes that are meant to make us think that Barnum was the first 21st century - style «woke» white straight man in America — a goodhearted fellow who gave circus jobs to outcasts of one kind or another (talk about a big tent: the repertory company includes African - Americans, little people, giants, conjoined twins and a bearded lady), not just because they happened to possess certain talents or physical characteristics that Barnum could exploit (often by appealing to the majority's prurient interests or bigotries) but because the onetime poor boy Barnum sees himself in their striving, and wants to build a theatrical - carnival arts utopia in America's largest city with help from his new partner, rich kid turned playwright Philip Carlyle (Zac Efron).
We also talk about Sully and if this «meat & potatoes» film will be a Best Picture contender or not.
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