This late medieval
altarpiece panel, attributed to Pere Vall, will become the third work in the museum's collection dating before 1450.
In 2009, he represented Italy at the Venice Biennale with a series of sculptures and paintings, the latter recalling apocalyptic
altarpiece panels.
Not exact matches
He no longer even thought of commissioning
altarpieces for the parish church that included himself on one side
panel and his concubine and son on the other....
I thought of the medieval Netherlandish
altarpieces I love so much: Sometimes the central
panel — be it a picture of the annunciation, the crucificion, or a martyrdom — is flanked by
panels depicting portraits of the
altarpiece donors (often husband and wife, male and female).
Many of the «54 works have an
altarpiece flavor, with doors that look as if they've opened to reveal a painting; Collection has the tripartite structure of a grand cathedral picture, with clunky baroque woodwork fragments atop the center
panel and a little reproduction of a baroque sculpture at the right hand edge.
Exquisite works by Paolo Veneziano and Giovanni di Paolo, and an exceptional Guariento di Arpo
altarpiece, anchor the museum's collection of gold - ground
panel paintings.
At Apollo, we also like to celebrate focused exhibitions that enlighten us with the exceptional intelligence of their curation on a smaller scale: «Piero della Francesca in America» at the Frick Collection brought together most of the
panels of the Sant» Agostino
altarpiece, while the Ashmolean Museum's «Francis Bacon / Henry Moore: Flesh and Bone» tuned into a conversation between two artists that few had previously heard with such clarity.
Significant gifts from collector Caroline R. Hill dramatically enhanced this area in the 1950s and 1960s including a pinnacle
panel from Duccio's iconic Maestà
altarpiece.
The Samuel H. Kress Collection consists of European paintings and sculpture from the 14th through the 19th Century, including the 26 -
panel altarpiece of the Cathedral of Ciudad Rodrigo, Spain, by Fernando Gallego and Maestro Bartolomé and their workshops.
The Frick Collection: «Piero della Francesca in America» (through May 19) Reuniting six
panels from an
altarpiece by Piero, this ravishing show approximates an intimate quattrocento chapel in the Frick's grand Oval Room.
Two paintings by the Renaissance master Fra Angelico were identified as «lost»
panels from a Florentine
altarpiece, and subsequently sold at auction for almost # 2m....
Two
panels from the
altarpiece are among the finest paintings owned by the Morgan Library & Museum, where they have long been on permanent view in Pierpont Morgan's Study.
Hanging alongside the Piero della Francesca works in the oval gallery at the Frick is a computer - generated image with all eight
panels arranged in a virtual rendering of the Sant» Agostino
altarpiece.
In Piero della Francesca in America, now on view at The Frick Collection, guest curator Nathan Silver has attempted to recreate the original Sant» Agostino
altarpiece, borrowing two additional
panels, one from the National Gallery in Washington — an amusing, small picture of St. Apollonia holding a tooth with a pair of pliers — and a full - length
panel of Saint Augustine himself, on loan from Museu Nacional de Arte Antiga in Lisbon.
The only other known
panels from the Sant» Agostino
altarpiece, depictions of St. Nicholas in Milan and St. Michael in London, are not included in this exhibit.
Julian Schnabel, in bright yellow scarf and tinted glasses, was quick to anoint Knoebel's primary - colored paintings on aluminum
panels as modern
altarpieces.