Sentences with phrase «altered body image»

My body, myself is a new policy report from Breast Cancer Care that looks at the impact of altered body image and challenges to intimate relationships after breast cancer.

Physical changes that occur during puberty alter the body image.

Not exact matches

The promotion of unrealistic body images in some advertisements and magazines is thought to have a role in triggering eating disorders, explains Farid, and some countries, including the United Kingdom, France and Norway, are now considering legislation to require digitally altered images to be labelled as such.

Results of this research showed that the use of positron emission tomography (PET) and single photon emission computed tomography (SPECT), which image physiological functions of the body such as peptide receptor activity, led to dramatically altered dosimetry in all participating patients.

«My parents explained that images and feelings can be self - altered with awareness and then used as comfort to calm the body.»

2018-04-07 17:41 CVS Pharmacy has committed to stop using altered images in advertisements to combat the propagation of unrealistic body images.

CVS Pharmacy has committed to stop using altered images in advertisements to combat the propagation of unrealistic body images.

Yayoi Kusama, ever interested in the proliferation and repetition of image and self - image, contributes surprising new works from a recent body of portrait paintings, while Grayson Perry's ceramic portrait Transvestite looking in a Mirror depicts the artist as his alter ego Claire.

Other works featured in LIVESupport include «Church State,» a two - part sculpture comprised of ink - covered church pews mounted on wheels; «Ambulascope,» a downward facing telescope supported by a seven - foot tower of walking canes, which are marked with ink and adorned with Magnetic Resonance Images (MRIs) of the spinal column; «Riot Gates,» a series of large - scale X-Ray images of the human skull mounted on security gates and surrounded by a border of ink - covered shoe tips, objects often used by the artist as tenuous representation of the body; «Role Play Drawings» a series of found black and white cards from the 1960s used for teaching young children, which Ward has altered using ink to mark out the key elements and reshape the narrative, which leaves the viewer to interpret the remaining psychological tension; and «Father and Sons,» a video filmed at Reverend Al Sharpton's National Action Network House of Justice, which comments on the anxiety and complex dialogue that African - American police officers are often faced with when dealing with young African - American teenImages (MRIs) of the spinal column; «Riot Gates,» a series of large - scale X-Ray images of the human skull mounted on security gates and surrounded by a border of ink - covered shoe tips, objects often used by the artist as tenuous representation of the body; «Role Play Drawings» a series of found black and white cards from the 1960s used for teaching young children, which Ward has altered using ink to mark out the key elements and reshape the narrative, which leaves the viewer to interpret the remaining psychological tension; and «Father and Sons,» a video filmed at Reverend Al Sharpton's National Action Network House of Justice, which comments on the anxiety and complex dialogue that African - American police officers are often faced with when dealing with young African - American teenimages of the human skull mounted on security gates and surrounded by a border of ink - covered shoe tips, objects often used by the artist as tenuous representation of the body; «Role Play Drawings» a series of found black and white cards from the 1960s used for teaching young children, which Ward has altered using ink to mark out the key elements and reshape the narrative, which leaves the viewer to interpret the remaining psychological tension; and «Father and Sons,» a video filmed at Reverend Al Sharpton's National Action Network House of Justice, which comments on the anxiety and complex dialogue that African - American police officers are often faced with when dealing with young African - American teenagers.

The show focuses on several prominent bodies of work from each artist's oeuvre, including Warhol's «Ladies and Gentlemen» series (1975), Christopher Makos's «Altered Images» series of Warhol in drag, Mapplethorpe's photographs of Patti Smith, Lisa Lyon, Bob Colacello, Candy Darling, and Grace Jones.

Bound by a dedication to alter the ways in which women's bodies are represented in both fine art and media, these artists worked independently of one another to create images that unabashedly portray the vagina as a locus of power.

Pratt Institute's Department of Film / Video and Photography will present a solo show of two bodies of work by artist Fred Camper titled «Figments,» that feature digitally altered images of increasingly low resolutions based on original single photographs.

This new body of work, created especially for the exhibition, features a series of found photographs altered with his trademark blocks of rich colour, accompanied by banal snippets of text that appear like captions beneath the images.

Pratt Institute's Department of Film / Video and Photography will present a solo show of two bodies of work by artist Fred Camper titled «Figments,» that feature digitally altered images of increasingly low resolutions based on original...

Guise & Dolls focused on several prominent bodies of work from each artist's oeuvre: Warhol's «Ladies and Gentlemen» series (1975) of drag queen portraits, Christopher Makos's «Altered Images» series of Warhol in drag, Mapplethorpe's photographs of lifelong friend and longtime muse Patti Smith that range from masculine to feminine and Mapplethorpe's photographic series and book Lady: Lisa Lyon (1983) of the female bodybuilding champion in numerous gender - bending guises.

His use of blown glass is an effort to explore materials that allow for both an aesthetic and emotional experience to create a piece that's sinister and somehow active while remaining functionally inert; he cites seeking out images of parasites and viruses as part of his research process for this piece, inspired by their ability to alter the space and living bodies around them without ever fully revealing themselves.

In her sculptures and wall works, Kathryn Andrews appropriates images from popular culture, often from American movies, television, and stock photography archives; she then alters and recontextualizes them into three - dimensional configurations to create new narratives where viewers are invited to rethink the images» content in relation to their own bodies.

Images of altered or slightly mutilated bodies with diseased skin sometimes look like bizarre and colorful fabric costumes.

In his body of work, Wexler creates hand - crafted drawings, multimedia objects and images, and installations that alter perceptions of domestic activities.

In 1974 Semmel began her «Self - Images,» altering the perspective of her compositions towards her own body to capture «the feeling of self, and the experience of oneself.»

like all of the colouring, airbrushing and contouring of models» faces and bodies via computer digital altering procedures prior to their images being put on magazine covers and / or after the the cameras have done their jobs of capturing reality for TV - commercials purposes.