Further highlights include a colourfield from conceptual artist Ade Adekola, who explores aspects of Nigerian Culture by combining elements of gestural action and fields of colours,
altering the viewers perception of the photographic frame.
Not exact matches
Production design by Laurence Bennett
alters the
viewer's
perception of reality and engages a time travel experience to Hollywood 1927.
The potentially gimmicky conceit — all dialogue is spoken through sign language with no subtitles — creates a unique, wholly cinematic world where the
viewer's
perception of cinema is radically
altered.
«The juxtaposition of natural and man - made features in combination with the skewing of scale, proportion, and material, helps in creating an
altered perception — forcing the
viewer to look closer.»
Å 1/2 ilvinas Kempinas is best known for his
perception and space -
altering installations, which invite the
viewer to participate in the art event as it unfolds.
Over the past several years, Fred Tomaselli has introduced otherworldly, mind -
altering experiences into his art, transporting the
viewer far from the mundanities of conscious
perception.
The monumental sculptures of Richard Serra, one of the preeminent sculptors of the 20th century, emphasize or
alter viewers»
perceptions of space and proportion.
It makes no difference whether we are face - to - face with one of his large format images, in which he allows the pigments dissolved in epoxy resin to run slowly down the picture carriers in satiated, glistening vertical stripes; or whether we study those works in which small drilled craters disclose many apparently archeological layers of paint, or find ourselves in one of his site - specific, all - over paintings that cover the walls, floors and ceilings, their iridescent stripes of color subduing entire architectures and permanently
altering the
viewer's
perception.
The initial intention of Minimalism, as outlined by a young Donald Judd in his early essays, was not only to take art off the walls, but also to completely
alter the
viewer's
perception of it.
Sarah Sze (b. Boston, 1969, lives and works in New York) has developed a sculptural aesthetic that transforms space through radical shifts in scale, colonizing peripheral spaces, engaging with the history of a building, and
altering the
viewer's
perception and experience of architecture through large, site - specific interventions.
Ella Husband's Embodied Distortion is an immersive piece aiming to
alter the
viewer's sensory
perception, and thus, connect them with the artist's personal experience of sensory distortion brought about by the early stages of Chronic Fatigue Syndrome.
Each layer is a response to the previous pass,
altering the
viewer's
perception of primary colors.
To this end, she
alters structures and creates scenarios to assert improbable circumstances and imaginative places that disrupt the
viewer's existing
perceptions of reality and question the state of their lives.
The concept behind Ring - Chain is that the reflecting surface reconstructs a new paradigm from its urban surroundings and
alters the
viewer's
perception allowing spatial rediscovery.
Her primary focus lies in
perception — how conditions and materials influence our subjective experience, and how the
viewer's movement and position
alter our understanding of her work moment by moment.
He employs what he refers to as «agents» to
alter the
viewer's
perception of a space and exhibition.
His projects combine video, sound and images, often in an attempt to
alter the
viewer's
perception and experience of a given environment.
For the exhibition Sitting on a branch, Wieser has created a photographic wall piece that shows the grand interiors of a building, and
alters the
viewer's
perception of space.
Sited within the Switch House, the exhibition represents the breadth of the American artist's career and includes a variety of influential neon sculptures that confront
viewer's
perceptions as well as
altering relationships with the space.
Chiharu's installations
alter and energise the physical and architectural space, challenging our
perceptions of the immediate environment and embracing the
viewer as an integral part of the experience.
The conceptual work of the Viennese group Haus - Rucker - Co, founded in 1967, explored the performative potential of architecture through installations and happenings in which, using pneumatic structures or prosthetic devices that
altered perceptions of space,
viewers became participants with the possibility of influencing their own environments.
Altering the
viewer's
perception and experience of her objects permeates through her work from its very inception in the 1950s.
He originally began experimenting with painting, using the canvas form as well as the applied pigment, to
alter the
viewer's
perception of the size and limits of the physical object.
He
altered the electronics to distort the broadcast image and placed the sets in the exhibition space to control the
viewer's
perception.
The exhibition overturns the traditional model of the anniversary exhibition, however, by focusing on the relationship between artist and
viewer through a series of thematic exhibitions that explore the potential of art to
alter our
perceptions.
Within Page's practice architecture is used as a rubric for
altering the
viewers»
perceptions of the space they inhabit.
To further complicate the simulacrum, Klamen plays with the
viewer's
perception by drastically
altering the perspective of the painting, tilting the work at an oblique angle within his own canvas.
Swartz's work plays with
perception, where she uses materials such as tubing, lenses and mirrors to
alter and distort the visual experience of the
viewer.
The technique creates visual interest on the surface of the work, and can
alter a
viewer's
perception of the individual colors.
Corse's art practice is rooted in the
viewer's
perception; she creates works that
alter in appearance as they are physically and visually experienced.
Despite a consistency of rules adopted when painting, each work takes on its own unique character and
alters the
viewer's
perception of the original source.