Sentences with phrase «alternate opening sequences»

Included are over an hour of deleted and extended scenes (including two alternate opening sequences); funny pop - up trivia; and picture - in - picture storyboards, interviews, and behind - the - scenes B - roll.

«Cinderella Alternate Opening Sequence» is a short but still worthwhile extra, which is showcased in the film's original storyboards.

While we wait for the home video release, today we have an hilarious alternate opening sequence and new featurette titled «Pennywise Lives» from the Blu - Ray to show you down below.

Also on the disc are eleven deleted and extended scenes as well as an alternate opening sequence (all with optional director's commentary).

Bonus features include a commentary track with director Julie Anne Robinson and co-producer Jennifer Gibgot, a behind - the - scenes set tour with young co-star Bobby Coleman, an alternate opening sequence, deleted scenes and not only the music video for «When I Look At You» by Miley Cyrus, but a making - of featurette for the video.

Exclusive to the Blu - ray are a horrendously slow and unfunny alternate opening sequence and closing sequence, a 12 - minute behind the scenes featurette that essentially has the cast talk about how funny and great each other is and a short bit that gives a little more screen time to Beth's eccentric suitors.

Another welcome addition is the alternate opening sequence featuring a different musical score cue.

Deleted Scenes: Fifteen minutes worth of deleted scenes are included, standouts being a spectacular looking alternate opening sequence, and a lengthier intro to the Petersen clan.

Not exact matches

DVD Extras Disc 2 holds the goodies, which include an extra butcher's at the opening sequence, deleted and extended scenes, an alternate ending, production designs, stills, notebooks, promo material, and filmographies.

There are the usual extended takes and deleted scenes (including some alternate endings, one of which is only in storyboard form), an exploration of the opening title sequence, the trailer, and several demonstrations of the visual and audio mastering that went into this edition.

The original opening storyboard shows an alternate title sequence with the use of a train.

They depict an alternate opening starting with funeral preparations, a black and white sequence set in 1948, and an alternate ending using period footage.

Extras include a six - minute behind - the - scenes featurette whose highlight is star Wilson suiting up for a pre-production supersonic flight; seven deleted or extended scenes — among them odd alternate opening and closing title sequences — with optional commentary from director Moore and editor Paul Martin Smith — these trims carry a viewer discretion warning, for they would've threatened the film's PG - 13 rating; a fantastic, largely CGI pre-visualization (with, again, optional Moore / Smith commentary) of the virtuoso ejection set piece that at times gives Final Fantasy a run for its money; the teaser trailer for Spielberg's upcoming Minority Report; and two engrossing full - length commentaries, one by Moore and Smith, the other producer John Davis and executive producer Wyck Godfrey.

Over thirty minutes of deleted and alternate scenes, including a reconstructed opening sequence, with commentary by James Ivory

Next Projection: Can you talk a bit about the artistic and stylistic choices you made especially regarding the opening sequence, the intermission, the quotations and the alternating aspect ratios for example?

Extras: New audio commentary featuring jazz and film critic Gary Giddins, music and cultural critic Gene Seymour, and musician and bandleader Vince Giordano; new introduction by Giddins; new interview with musician and pianist Michael Feinstein; four new video essays by authors and archivists James Layton and David Pierce on the development and making of «King of Jazz»; deleted scenes and alternate opening - title sequence; «All Americans,» a 1929 short film featuring a version of the «Melting Pot» number that was restaged for the finale of «King of Jazz»; «I Know Everybody and Everybody's Racket,» a 1933 short film featuring Paul Whiteman and His Orchestra; two Oswald the Lucky Rabbit cartoons from 1930, featuring music and animation from «King of Jazz.»

In Deleted Scenes, we find six sequences that never made the final film (including three alternate openings) and substantial discussion from the filmmakers.

An alternate title sequence (0:48) would have opened the show in a weirder fashion better suited to Tim & Eric.

The film features a stunning opening scene that contains all the cinematic beauty of the title sequence from Watchmen, but without the intellectual spin the alternate history vibe afforded that superhero opus.

The Blu - ray and DVD include the 38 minute documentary «Jackie Brown: How It Went Down,» a nearly hour - long «Look Back at Jackie Brown» interview with Quentin Tarantino, 12 minutes of deleted and alternate scenes (including an alternate opening credit sequence with Grier «surfing» down the moving sidewalk to «Pipeline»), the complete «Chicks With Guns» video, Siskel & Ebert's original Jackie Brown review from At the Movies, «Jackie Brown on MTV,» a trivia track and galleries, the Jackie Brown promotional contest, a stills galleries of art, stills and promotional materials.

Outside of the first sequence (an alternate opening in which Spencer dreams of meeting an attractive older girl), the deletions are very brief moments that would merely have extended existing scenes or montages.

Features deleted and extended scenes, an alternative opening sequence with an alternate narrator, outtakes, ten minutes of cast interviews and a behind - the - scenes tour.

«Abandoned Sequences» contains an introduction by Producer Bonnie Arnold (2 minutes), «Alternate Opening» (2 minutes), «Terk Finds the Human Camp» (2 minutes), and «Riverboat Fight» (4 minutes).

Two Original Storybook Openings — Two alternate versions of the film's opening sequence described by co-directors Nathan Greno and Byron Howard.

Disc two is where a majority of the extras can be found, including 18 - minutes of deleted and extended scenes (as well as an alternate ending where Matthew McConaughey's character doesn't get away), four different production featurettes ranging from the making of the opening battle sequence («The Hot LZ») to special effects («Blowing Shit Up») and production design («Designing the Thunder»), and a cast featurette made up almost entirely of behind - the - scenes antics.

«Abandoned Sequences» is a subsection with 2 deleted concepts: an alternate opening of the movie «Original Museum Opening» (1:44), and an extended version of the circus scene in «P.T.'s Office» opening of the movie «Original Museum Opening» (1:44), and an extended version of the circus scene in «P.T.'s Office» Opening» (1:44), and an extended version of the circus scene in «P.T.'s Office» (1:39).

An Alternate Opening Title Sequence (3 1/2 minutes), rendering in CG animation, can be viewed with or without commentary from Levy.

To get an alternate Naughty Dog Games logo during the opening splash sequence, before you turn on you Genesis hold down A + B + C + Down - Right + Start, then turn your power on.

In an essay written for the catalogue which accompanies this exhibition, featuring photographs of Herrera's New York studio and home, American curator and critic Robert Storr states: «In Alpes (2015) Herrera sets up what promises to be a pattern of green and white triangles alternating like clenched teeth but leaves out the last green «tooth» so that the whole sequence dissolves into an open expanse of white that is barely contained by the outer edge of the diptych.»

Through open and closed spaces, the sequence of works unfolds with an almost musical rhythm that alternates between light and dark, sound and silence.