could have easily been
an alternate title for the film.
An alternate title for the film is Solarwarriors.
Not exact matches
In the
film,
titles such as «house,» «mother,» and «reading» emphasize how the subculture the
film depicts has taken words from the straight and white worlds, and imbued them with
alternate meanings, just as the «houses» serve as surrogate families
for young ball - walkers whose sexual orientations have sometimes made acceptance and love within their own families hard to come by.
Extras include a six - minute behind - the - scenes featurette whose highlight is star Wilson suiting up
for a pre-production supersonic flight; seven deleted or extended scenes — among them odd
alternate opening and closing
title sequences — with optional commentary from director Moore and editor Paul Martin Smith — these trims carry a viewer discretion warning,
for they would've threatened the
film's PG - 13 rating; a fantastic, largely CGI pre-visualization (with, again, optional Moore / Smith commentary) of the virtuoso ejection set piece that at times gives Final Fantasy a run
for its money; the teaser trailer
for Spielberg's upcoming Minority Report; and two engrossing full - length commentaries, one by Moore and Smith, the other producer John Davis and executive producer Wyck Godfrey.
Extras: New audio commentary featuring jazz and
film critic Gary Giddins, music and cultural critic Gene Seymour, and musician and bandleader Vince Giordano; new introduction by Giddins; new interview with musician and pianist Michael Feinstein; four new video essays by authors and archivists James Layton and David Pierce on the development and making of «King of Jazz»; deleted scenes and
alternate opening -
title sequence; «All Americans,» a 1929 short
film featuring a version of the «Melting Pot» number that was restaged
for the finale of «King of Jazz»; «I Know Everybody and Everybody's Racket,» a 1933 short
film featuring Paul Whiteman and His Orchestra; two Oswald the Lucky Rabbit cartoons from 1930, featuring music and animation from «King of Jazz.»
But while the
title and
film's opening setup may lead you to believe you're going down the road of typical alien - invasion sci - fi, the romantic comedy journey that the
film takes instead makes
for a very enjoyable
alternate route.
Special Features: • Brand new 2K transfer from the original camera negative • High Definition Blu - ray (1080p) and Standard Definition DVD presentations • Optional English SDH subtitles
for the deaf and hard of hearing • Audio commentary with co-writer and producer Mardi Rustam, make - up artist Craig Reardon and stars Roberta Collins, William Finley and Kyle Richards • New introduction to the
film by director Tobe Hooper • Brand new interview with Hooper • My Name is Buck: Star Robert Englund discusses his acting career • The Butcher of Elmendorf: The Legend of Joe Ball — The story of the South Texas bar owner on whom Eaten Alive is loosely based • 5ive Minutes with Marilyn Burns — The star of The Texas Chain Saw Massacre talks about working on Eaten Alive • The Gator Creator: archival interview with Hooper • Original theatrical trailers
for the
film under its various
titles Eaten Alive, Death Trap, Starlight Slaughter and Horror Hotel • US TV and Radio Spots •
Alternate credits sequence • Reversible sleeve featuring original and newly commissioned artwork by Gary Pullin • Collector's booklet featuring new writing on the
film, illustrated with original archive stills and posters
(No
alternate English - language
titles are generally provided
for French - language
films here, but that translates as You're Sleeping Nicole.)
Her series of works on paper The Russian Ending 2001 borrows its
title from the early Danish cinema tradition of making two
alternate endings
for a
film: one happy
for the American market and one tragic
for the Russian market.