Sentences with phrase «alternate version of the film»

Well, don't worry on missing out: it looks like the film's home release will include the alternate version of the film, too.

Two alternate versions of the film: director Jacques Tati's 1964 reedit, featuring hand - colored objects and newly incorporated footage, and the full - color 1995 rerelease, completed from Tati's original color negatives

I know the fans want to see this alternate version of the film, which has many different scenes and apparently an alternate ending.

Whether or not the scene Bates referred to was an alternate version of the film death, its absence is still conspicuous.

A recent deep - dive article dedicated to the 20th anniversary of John Woo's Face / Off reveals a very interesting alternate version of that film, with Nicolas Cage potentially having gone up against a young Johnny Depp instead of John Travolta.

Two Original Storybook Openings — Two alternate versions of the film's opening sequence described by co-directors Nathan Greno and Byron Howard.

Not exact matches

But I kept telling the studio, and I kept telling Ryan, I'm like, «No, the director's cut going to come in at like 2:12,»» Leitch explained about his rough cut of the film before elaborating that the extended version contains a montage of Deadpool attempting suicide, some extra material with Domino and alternate takes of existing scenes with different dialogue.

Features both the American and British versions of the film, commentary track by creator / actor Richard O'Brien and co-star Patricia Quinn, an audience participation picture - in - picture track with a live version of the show and a «callback» subtitle track that cues viewers to classic audience responses, featurettes, two deleted musical scenes, outtakes, alternate opening and ending, and other celebrations of the culture of «Rocky Horror.»

The extended clip featured a first look at the film's ridiculously exuberant and nerdy version of Dick Grayson (voiced by Michael Cera), who's shown trying on many of Batman's alternate costumes until he finds his trademark Robin outfit, which the Caped Crusader notes was previously his «Reggae Man» disguise.

Aside from the alternate version, here we have a running commentary track with Peter Bogdanovich (who contributes most of the insightful - if - already - well - acknowledged elements of the film and its place in the Hitchcock legacy), Joseph Stefano, and about two dozen other people.

The Complete Jacques Tati (Criterion, Blu - ray and DVD) collects all six features he directed (including alternate versions of three films) and seven shorts he wrote and / or directed, plus a wealth of other supplements.

Extras: New audio commentary featuring jazz and film critic Gary Giddins, music and cultural critic Gene Seymour, and musician and bandleader Vince Giordano; new introduction by Giddins; new interview with musician and pianist Michael Feinstein; four new video essays by authors and archivists James Layton and David Pierce on the development and making of «King of Jazz»; deleted scenes and alternate opening - title sequence; «All Americans,» a 1929 short film featuring a version of the «Melting Pot» number that was restaged for the finale of «King of Jazz»; «I Know Everybody and Everybody's Racket,» a 1933 short film featuring Paul Whiteman and His Orchestra; two Oswald the Lucky Rabbit cartoons from 1930, featuring music and animation from «King of Jazz.»

Supplements include an alternate version of the song «Rahadlakum» (in B&W) from the archives, an audio - only deleted song, two excerpts from the TV series MGM Parade about the film, the 1955 short The Battle of Gettysburg and Tex Avery cartoon The First Bad Men, and trailers from the film and the earlier 1944 version of the musical.

Extras include an alternate opening that recaps the events of The Exorcist through freeze - frames and Burton voiceover — a 2 - minute prologue whipped up for the TV version of the film; teaser and theatrical trailers for Exorcist II: The Heretic; and filmographies for Blair, Burton, Boorman, and screenwriter William Goodhart.

The second disc contains a treasure trove of found gems: the original and the new re-release trailer, a featurette on Tom Waits and the film's music, alternate versions of said music, rehearsal footage, deleted scenes, a featurette on the «new» electronic cinema, and an all - new «making of» documentary.

There is an extended version of the film that contains an alternate opening.

This could imply that Hopkins» character, assuming the comment was pre-emptively about him, will provide the voice for Goldbug - an evil, alternate reality version of Bumblebee - or possibly another Autobot such as Ultra Magnus (assuming he's not simply playing a human in the film, that is).

With the highly anticipated new Halloween movie, executive produced by John Carpenter and arriving in theaters in October 2018, about to begin filming, co-writer Danny McBride has just revealed a few new details about the project, mostly confirming what Carpenter already said, that the new film will in fact present an «alternate» version of events following the original 1978 Halloween, ignoring all existing sequels, and he's really hoping it doesn't «piss people off».

Davies» comments are somewhat more abundant and insightful in the disc's most substantial supplement, a longer alternate version of a four - scene stretch that occurs early in the film; needless to say, he prefers this extended piece, which was truncated in various ways only for run time considerations.

Midnight features commentary by Lucas, a 2015 interview with Ernesto Gastaldi (31 mins), visual essay «Desperately Seeking Susan» by Michael Mackenzie that explores at the collaboration between Ercoli and Nieves (27 mins), and the alternate TV version of the film, which runs four minutes longer and features additional and alternate footage.

Wong's violent interludes are most often brief riots of slurred or slow - motion action alternating unexpectedly with freeze - frames; these sequences, delivered so rapidly one can often barely perceive what's happening, are obviously abstract versions of the action scenes in conventional martial - arts films (The Eagle Shooting Heroes included).

The film takes place in an alternate version of modern - day Los Angeles.

Extras include a fistful of featurettes, an «all access» mode which plays behind - the - scenes material alongside the film itself, a pre-visualization sequence covering an alternate version of the ending, and a tour of the U.S.S. Missouri battleship which plays a large role in the movie.

Deadpool's sense of humor is dark and pervasive, and some of the film's best lines apparently had many alternate versions.

- New, restored 4K digital transfer of the English - language version of the film, with uncompressed monaural soundtrack on the Blu - ray - Alternate French - language version of the film - Audio commentary from 2005 featuring film scholar Adrian Martin - Portrait: Orson Welles, a 1968 documentary directed by François Reichenbach and Frédéric Rossif - New interview with actor Norman Eshley - Interview from 2004 with cinematographer Willy Kurant - New interview with Welles scholar François Thomas - An essay by film critic Jonathan Rosenbaum

The main selling point is the inclusion of an extended director's cut as well as the theatrical version, but the alternate cut, running about five minutes longer, is of no substantial difference, positive or negative, to the film.

Various bits of ephemera appear in the secondary picture window as the film plays back — interviews, alternate line readings, clips from the edited - for - TV version of the film and the 1932 Scarface.

The Blu - ray also contains the alternate U.K. version of the film.

It's a great way to see a couple of the alternate versions of such a beloved film.

Instead of wrapping things up cleanly, we are treated to an alternate version of the events that may or may not be true, and also does not add anything to the substance of the film or the force of its moral.

English subtitles are offered only for the regular version of the film, and though it's not an option on the Set Up page, using the «Subtitle» button on a DVD remote can yield alternate Spanish subtitles during the songs; these should be selected automatically so long as you choose the Spanish audio from the menu.

James Whale's 1931 film classic went wildly off - book to define cinema's long relationship with the text, and the past few years alone have seen adaptations both faithful (Danny Boyle's stage version, with Benedict Cumberbatch and Jonny Lee Miller alternating roles) and freestyle (I, Frankenstein, Penny Dreadful's heady stew, Paul McGuigan's Victor Frankenstein); even Ex Machina could be seen as an AI - themed retelling of the Frankenstein story.

To these ends, Lucas trained an entire generation of film readers and video renters to manually measure aspect ratios onscreen, hunt down multiple and multi-region releases of the same title, compare alternate run - times and conflicting versions of the same film, and in the process, appreciate the ever - blurring line between exploitation and art house.

Carried over from previous releases is scene - specific commentary by director Mel Brooks, the 28 - minute documentary «Back in the Saddle» (with new interviews with Brooks, Gene Wilder, Harvey Korman, writer Andrew Bergman and others, and plenty of clips from the alternate TV version), 1975 TV pilot Black Bart, inspired by the film and starring Lou Gossett Jr. and Steve Landesberg, ten minutes of deleted and alternate scenes (including the full versions of clips seen in the documentary), and the trailer.

A huge hit at Sundance and the feature film debut from writer / director Boots Riley, Sorry to Bother You offers you an alternate present - day version of Oakland, CA where a telemarketer discovers a magical key to professional success, propelling him into a macabre universe.

Starring Bob Hoskins and John Leguizamo as the brothers, and Dennis Hopper as King Koopa, the film had shockingly little in common with the games, and instead told a cyberpunk - tinged story about inter-dimensional travel and an alternate version of New York populated by human / dinosaur hybrids... Or something.

The suit shown in the photo differs from both the original suit depicted in the mid-credits scene from Ant - Man (pictured below) and Andy Park's painted poster for the film, so it's uncertain whether this will indeed be the Wasp's final costume or some alternate version of her outfit for the film.

For film editors alone, the possibilities are tremendous: Think about being able to preview a scene in a screening room, connected to your work machine, and being able to pause the playback from your iPad, jump into the timeline, and move a clip from one area to the other — or swap between timelines altogether to preview an alternate version of the scene.