Sentences with phrase «alternative art exhibition»

In Texas, she has exhibited at the Museum of Fine Arts in Houston, the Houston Center for Photography, the Laguna Gloria Museum in Austin, the Abilene Fine Arts Museum and The Art Museum of South Texas, as well as dozens of universities, art galleries and alternative art exhibition spaces.

Riley's photographs and paintings have been included in exhibitions at the National Museum of Women in the Arts, Santa Barbara Museum of Art, Laguna Art Museum, Museum of Fine Arts in Houston, Center for Photography, Abilene Fine Arts Museum, and the Art Museum of South Texas, as well as dozens of universities, art galleries and alternative art exhibition spaces.

In Texas, she has exhibited at the Museum of Fine Arts in Houston, Houston Center for Photography, Laguna Gloria Museum in Austin, Abilene Fine Arts Museum, and The Art Museum of South Texas as well as dozens of universities, art galleries and alternative art exhibition spaces.

Home is Something I Carry With Me is an alternative art exhibition that features emerging, Bay Area artists whose work...

Not exact matches

As a reflection of the mentorship program itself, this exhibition will feature a diverse array of media including alternative process photography, old masters oil painting, plein air painting, creative writing, stainless steel sculpture, drawing and mix - media; all art forms taught in this year's spring and summer mentorships.

Ms. Pasternak cut her teeth organizing exhibitions like «The Abortion Project» at alternative art spaces.

She is the co-founder of microWave project, a curatorial partnership that acts as a conduit between artists and businesses, exploring alternative exhibition venues with an emphasis on site - specific installation art.

Divided into seven chronological chapters, from early twentieth century avant - garde movements such as the Harlem Renaissance to current debates around «Post-Black» art, this exhibition opens up an alternative transatlantic reading of Modernism and its impact on contemporary culture for a new generation.

The exhibition and its related public programs act as an alternative syllabus for art - life learning.

Founded in 1973 as an alternative to the more established art and culture hierarchy — Atlanta Contemporary was founded on the principles of engaging in experimentation and risk - taking through varying exhibitions, programming, and support of working artists.

Eco-Visionaries is an art exhibition that presents alternative views and creative solutions for mankind's and societies relations to nature and the global enviromental problems that we are facing.

Through audio interviews with founders and key staff, a reading room of magazines and publications, documentation, ephemera and narrative descriptions, the exhibition will tell the story of pioneering spaces — like P.S. 1, Artists Space, Fashion Moda, Taller Boricua, ABC No Rio, The Kitchen, Franklin Furnace, Exit Art, 112 Greene Street, White Columns, Creative Time, Electronic Arts Intermix, Anthology Film Archives, Storefront for Art and Architecture, Just Above Midtown, and many more — as well as document a new generation of alternative projects such as Cinders, Live With Animals, Fake Estate, Apartment Show, Pocket Utopia, Cleopatra's, English Kills Art Gallery, Triple Candie, Esopus Space, and others.

Also featured in this year's Art Walk is an exhibition presented by Girls» Club, a non-profit alternative space exhibiting contemporary art by womArt Walk is an exhibition presented by Girls» Club, a non-profit alternative space exhibiting contemporary art by womart by women.

This is the ninth in a series of public forums investigating the exhibitions Project X produced in the 90s at 18th Street Arts Center, with a focus on the conditions facing Los Angeles artists at that time, and the way they shaped artist - run organizations, alternative exhibitions and publications.

This is the sixth in a series of public forums investigating the exhibitions Project X produced in the 90s at 18th Street Arts Center, with a focus on the conditions facing Los Angeles artists at that time, and the way they shaped artist - run organizations, alternative exhibitions and publications.

Since 2011, she has been mounting alternative and pop up exhibitions under the Sloan Fine Art banner all over the country.

In 2010, she co-produced with Duff Schweninger a 38 - minute documentary on The Live Injection Point at the Franklin Street Art Center as part of the exhibition, Alternative Histories at Exit Art.

In the exhibition Lost and Found: Queerying the Archive these issues are addressed from queer perspectives through art works offering alternative histories and reworked archives.

As part of AS - AP's mission to preserve, present, and protect the archival heritage of living and defunct for - and not - for - profit art spaces, AS - AP has partnered with Exit Art to make available online dozens of significant interviews conducted by Herb Tam, Associate Curator — Exit Art, and Lauren Rosati, Assistant Curator — Exit Art, as part of the curatorial research conducted for the 2010 exhibition, Alternative Historiart spaces, AS - AP has partnered with Exit Art to make available online dozens of significant interviews conducted by Herb Tam, Associate Curator — Exit Art, and Lauren Rosati, Assistant Curator — Exit Art, as part of the curatorial research conducted for the 2010 exhibition, Alternative HistoriArt to make available online dozens of significant interviews conducted by Herb Tam, Associate Curator — Exit Art, and Lauren Rosati, Assistant Curator — Exit Art, as part of the curatorial research conducted for the 2010 exhibition, Alternative HistoriArt, and Lauren Rosati, Assistant Curator — Exit Art, as part of the curatorial research conducted for the 2010 exhibition, Alternative HistoriArt, as part of the curatorial research conducted for the 2010 exhibition, Alternative Histories.

Exit Art has announced their upcoming exhibition Alternative Histories, a history of New York City alternative art spaces and projects since the 196Art has announced their upcoming exhibition Alternative Histories, a history of New York City alternative art spaces and projects sinceAlternative Histories, a history of New York City alternative art spaces and projects sincealternative art spaces and projects since the 196art spaces and projects since the 1960s.

Recently, Karline has become a freelance curator for galleries as well as finding alternative exhibition spaces to showcase art in different formats.

All alternative exhibition spaces — if they're worth talking about at all — attempt to function in an idealistic mental space, where direct communion with the work of art is paramount.

Frank has also organized numerous theme and survey shows, including «Driven to Abstraction: Southern California and the Non-Objective World, 1950 - 1980,» for the Riverside Art Museum; «Artists» Books U.S.A.», «Mapped Art: Charts, Routes, Regions» and «Line and Image: The Northern Sensibility in Recent European Drawing», all for Independent Curators Inc.; «Fluxus Film and Video» for the Museo Reina Sofia in Madrid; «Young Fluxus» for Artists» Space in New York; «To the Astonishing Horizon» for Los Angeles Visual Arts; «Southern Abstraction» for the Raleigh (NC) City Gallery of Contemporary Art; «The Theater of the Object, 1958 ‑ 1972» for New York's Alternative Museum; «Visual Poetry» for the Otis / Parsons Art Institute in Los Angeles; «Multiple World» for the Atlanta College of Art; and, most notably, «19 Artists — Emergent Americans,» the 1981 Exxon National Exhibition mounted at the Guggenheim Museum.

For this reason, The World According to New Orleans proposes that a historical backdrop to New Orleans art — particularly one that suggests an alternative artistic canon --- is appropriate for an exhibition that attempts to explore the essence of the city's current art scene.

DIY Cultures is a day - long festival of zines, artist books, comics, talks, films, animation, video art, exhibitions, workshops - the spirit of independence, autonomy & alternatives.

The experimental performances, which began in Provincetown and unfolded in New York City in a number of alternative exhibition spaces and galleries, forever changed the definition of art and the possibilities for what it could be.

Although a vast majority of exhibitions of art made in the 1980s zeroes - in on the return to figuration or the new rise of painting, Brand New: Art and Commodity in the 1980s goes down a different rout by introducing an alternative view, one with much greater complexiart made in the 1980s zeroes - in on the return to figuration or the new rise of painting, Brand New: Art and Commodity in the 1980s goes down a different rout by introducing an alternative view, one with much greater complexiArt and Commodity in the 1980s goes down a different rout by introducing an alternative view, one with much greater complexity.

The 2017 Frieze Teens learn about the inner workings of the contemporary art world through visits with leaders in the field including artists Nicole Eisenman, Caroline Larsen and Jean Shin; trips to major exhibitions at city museums including The MET Breuer and the New Museum; and participation in events such as Pioneer Works» Alternative Art School Faart world through visits with leaders in the field including artists Nicole Eisenman, Caroline Larsen and Jean Shin; trips to major exhibitions at city museums including The MET Breuer and the New Museum; and participation in events such as Pioneer Works» Alternative Art School FaArt School Fair.

In 1932, when most important art exhibitions in America were conservative affairs administered by academic judges, the one - year - old Whitney Museum unveiled an alternative aimed at leveling the ground to survey the more unruly range of the day's visual expression.

The gallery invites photographers, worldwide, to submit their best work using analog, digital, digital manipulation and / or any alternative processes for a group exhibition on the Fusion Art website.

In agreeing to curate the 2018 PMA Biennial, Nat May, the former executive director of Portland's groundbreaking alternative arts venue SPACE Gallery, wanted to ensure the exhibition raised awareness of the cultural moment in Maine and America, and focus on artists participating in those conversations.

Alternative Figures in American Art, 1960 to the Present, Curated by Dan Nadel, Matthew Marks, New York, NY 1995 Pacific Dreams: Currents of Surrealism and Fantasy in Early California Art 1934 - 1957, Oakland Museum, UCLA Hammer Museum of Art and Nora Eccles Harrison Museum of Art, UT 1993 Selections from the Permanent Collection - California: Art from the 1930s to the Present, San Francisco Museum of Modern Art 1989 Forty Years of California Assemblage San Jose Museum of Art, Fresno Art Museum and Joslyn Art Museum 1986 California Sculpture: 1959 - 1980, San Francisco Museum of Modern Art 1985 Art in the San Francisco Bay Area 1945 - 1980, Oakland Museum 1984 Contemporary American Wood Sculpture, Crocker Art Museum, University of Arizona Museum of Art, Huntsville Museum of Art and Chrysler Museum The Dilexi Years 1958 - 1970, Oakland Museum 1982 100 Years of California Sculpture, Oakland Museum Northern California Art of the Sixties, De Saisset Museum, University of Santa Clara 1976 California Painting and Sculpture: The Modern Era, San Francisco Museum of Modern Art and National Collection of fine Arts, Smithsonian Institution 1975 Masterworks in Wood: The Twentieth Century, Portland Art Museum First Artists» Soap Box Derby, San Francisco Museum of Modern Art 1971 Continuing Surrealism, La Jolla Museum of Art 1969 An American Report on the Sixties, Denver Art Museum American Sculpture of the Sixties, Grand Rapids Art Museum 1968 On Looking Back: Bay Area 1945 - 62, San Francisco Museum of Art The West Coast Now: Current Work from the Western Seaboard, Portland Art Museum, Seattle Art Museum and De Young Museum 1967 FUNK, University Art Museum, Berkeley, and Institute of Contemporary Art, Boston American Sculpture of the Sixties, Los Angeles County Museum of Art and Philadelphia Museum of Art 1966 Twenty Drawings: New Acquisitions, Museum of Modern Art, New York Two - Dimensional Sculpture, Three - Dimensional Painting, Richmond Art Center, CA 1964 Annual Exhibition of Contemporary American Sculpture, Whitney Museum of American Art 1962 Fifty California Artists, Whitney Museum of American Art, Walker Art Center, Albright Knox Art Gallery and Des Moines Art Center Public Collections

To the Getty, for its role in organizing the 2011 exhibition Pacific Standard Time: Art in LA 1945 - 1980, and for initiating and stimulating the development of a panoramic network of exhibitions in Southern California museums, galleries, alternative spaces, schools, and homes.

Coinciding with the 20th anniversary of groundbreaking alternative art and culture magazine Giant Robot, OMCA features the major exhibition, SuperAwesome: Art and Giant Robot featuring works by 15 contemporary artists who have been a part of the magazine's social and cultural evolutiart and culture magazine Giant Robot, OMCA features the major exhibition, SuperAwesome: Art and Giant Robot featuring works by 15 contemporary artists who have been a part of the magazine's social and cultural evolutiArt and Giant Robot featuring works by 15 contemporary artists who have been a part of the magazine's social and cultural evolution.

Recognized as a defining force of the alternative space movement, MoMA PS1 stands out from other major arts institutions through its cutting - edge approach to exhibitions and direct involvement of artists within a scholarly framework.

Among Sigmund's solo exhibitions were those at Eighth Street Gallery, Los Angeles (1984); Koplin Gallery, Los Angeles (1987); Ananda Ashram, Monroe, New York (1999); and Crozier Fine Arts, Warehouse, Alternative Space, New York (1999).

With topics such as luxury objects in the pre-Columbian Americas, 20th - century Afro - Brazilian art, alternative spaces in Mexico City, and boundary - crossing practices of Latino artists, exhibitions will range from monographic studies of individual artists to broad surveys that cut across numerous countries.

Zarina has participated in numerous exhibitions, including most recently Mind and Matter: Alternative Abstractions from 1940s to Present at the Museum of Modern Art, New York; Gouge: The Modern Woodcut at the Hammer Museum, Los Angeles; and WACK!

1980 Islamic Illusions, Alternative Museum, New York, NY Retour Aux Sources, Une Exposition en Afrique D'Artistes Afro - Americains 1980, Galerie D'Art Mitkal, Abidijan, Cote D'Ivoire Afro - American Abstraction: An Exhibition of Contemporary Painting and Sculpture by Nineteen Black American Artists, Institute for Art and Urban Resources - PS 1, Long Island City, NY; Everson Museum of Art, Syracuse, NY; Los Angeles Municipal Art Gallery, Los Angeles, CA; Oakland Museum of California, Oakland, CA; Memphis Brooks Museum of Art, Memphis, TN; Art Center, South Bend, IN; Bellevue Arts Museum, Bellevue, WA Dialects, Franklin Furnace, New York, NY Color and Surface, Touchstone Gallery, New York, NY The Nineteen Seventies: Prints and Drawings, Museum of the National Center of Afro - American Artists, Boston, MA 10 + 10: An Invitational, Miami - Dade Public Library, Miami, FL

She has shown extensively for the past five decades, in solo and group contexts, and has been the subject of numerous survey exhibitions including Museu d'Art Contemporani de Barcelona (2003); Generali Foundation, Vienna (2002); New Museum, New York (2000); The Museum of Contemporary Art, Los Angeles (2000); Kunstverein München, Munich (1992); Ikon Gallery, Birmingham, England (1991); and Alternative Museum, New York (1987).

Exhibition venues include The Flint Institute of Arts, Flint Michigan, the Mint Museum in Charlotte, North Carolina; The Wadsworth Athenaeum, Hartford, Connecticut; Art Space in Baltimore, Maryland; the Bronx Museum, Bronx, NY; Museum of the City of New York, N.Y. the N.Y. Huntington Hartford Cultural Center, New York City; and The Alternative Museum in New York City.

It was there that he found a thriving alternative art community developing outside of the gallery and museum system, with events and exhibitions taking place in the downtown streets, subways and nightclubs.

Under the direction of Andrea Grover, Century Arts Foundation Curator of Special Projects, the exhibition features twenty - five artists with works that range from artist - made vessels, to documentation of creative expeditions, to speculative designs for alternative communities on the water.

The group was formed as an alternative art platform and gave opportunities to young artists by presenting work in visual art, poetry, film, music, and fashion in ten self - organized, thematic exhibitions and happenings between 1965 - 1970.

The Let Down Reflex is an exhibition that attempts to recognize the complexities of parenting in the art world, and asks if a better alternative for families can exist.

Hard by the freeway, a warehouse of creativity by MIMI CROSSLEY Post Art Writer, Houston Post Nov. 1980 «JUST OVER A YEAR ago, sculptor James Surls opened Houston's first alternative gallery in an old warehouse off the Gulf Freeway, The day before the inaugural exhibition called POIV - WOW, water still covered the floor from a leak -LSB-...]

Art Platform — Los Angeles has announced that it will return to the Santa Monica Air Center on September 26 - 29 with «approximately 100 exhibitors, non-profits, alternative art spaces and special exhibitions by individual artists.&raqArt Platform — Los Angeles has announced that it will return to the Santa Monica Air Center on September 26 - 29 with «approximately 100 exhibitors, non-profits, alternative art spaces and special exhibitions by individual artists.&raqart spaces and special exhibitions by individual artists.»

The curators have selected two artists from each city / art scene, a Correspondent and an Alternative Space, - an artist run exhibition space.

He has extensive experience in exhibitions and events in public art organisations as well as alternative spaces.

Linwood's work has been exhibited in venues such as the Alternative Museum and Artists Space in New York City; the Center for Photography in Woodstock, New York; Randolph Street Gallery in Chicago, Illinois; the Institute of Contemporary Art in Boston, Massachusetts; Diverse Works in Houston, Texas; Intersection for the Arts, SF Cameraworks, the de Young Museum, and Yerba Buena Center for the Arts in San Francisco, the John Thomas Gallery and Highways Exhibition Space in Santa Monica, and the Palm Springs Art Museum, in California.