Sentences with phrase «alternative art galleries»

After a brief stint in New York playing music in the mid to late 1960s, the Colorado native returned and founded one of the first alternative art galleries in Denver, 1418 with Kip Farris in 1974.

Not exact matches

This might make a good alternative dating idea as it offers a different experience to more classic culture venues such as art galleries or theatres.

-- Audio commentary with Nicolas Winding Refn — 2 x trailers — Alternative artwork gallery — Fan Art (Photo - gallery)-- Limited edition All City poster concepts (Photo - gallery)

NGV's Digital Creatives initiative, developed in partnership with Telstra, combines the gallery's art collection with digital technology in offering students alternative ways of understanding and engaging with art.

On arrival make a short stop and visit the revitalized downtown core of Nanaimo with its delightful harbourfront promenade, new museum, affordable art galleries and a wealth of shopping and dining alternatives.

Art galleries, surf shops and restaurants surround the zone giving locals and visitors an alternative Santa Barbara experience.

If you're looking for an alternative to classical art and you'd prefer to see what type of modern art London has to offer, be sure to check out the Serpentine Gallery.

Melbourne — This cosmopolitan city boasts a flourishing arts and music scene, packed full of galleries, live music venues and alternative culture.

Montville, Maleny and other villages that perch on or behind the escarpment have restaurants, wineries, alternative - style eateries and produce stores, art galleries, boutiques and curiosity shops catering for tastes refined and earthy.

The Mendocino Art Center's galleries and studios are transformed into a holiday marketplace, providing a pleasant alternative to hectic, stressful mall shopping while supporting local and regional artists.

Of all the concept art that we got from The Force Awakens, we got our first peek at some alternative designs for a Playset piece, something we haven't seen in previous galleries.

Whether it's the work of Keith Sonnier and Joe Zucker (both of whom had shows in 2010 at Mary Boone Gallery in New York) or the prototypes of «Rowing Needles» (1970) by Buckminster Fuller, on view at Meulensteen in a recent show that paired Fuller's streamlined pieces with the lumpy «Floor Cushions» of the 33 - year - old artist - designer Eli Levenstein, or the new crop of alternative spaces (like the intimate and racy Honey Space for site - specific art, on 11th Avenue), a»70s esthetic rules.

Like the landscape, the historical record of postwar art in Southern California is diffuse, held in the archives of individual collectors, alternative art spaces, and university galleries.

This is a workable alternative to the crapshoot of relying on the formal art galleries.

As art critic for Willamette Week, Portland's highly regarded alternative weekly newspaper, Speer has strolled through galleries in and around the Oregon city for more than a decade.

Since the nineties, however, the city's art scene has progressively flourished due to a growing number of artists who have either relocated or returned to Guadalajara to set up studios, galleries, alternative project spaces or residencies that have positioned the city as a cultural center rivaling Mexico City.

The South London Gallery Post-Graduate Residency is an annual open submission six month residency opportunity, available to artists completing an MA, MFA, PGDip, MRes or equivalent programme of study (including alternative, peer organised and non-accredited programmes), from an institution, collective, or art school in the UK.

Abstraction, New Observations, June 1984, No. 24 1984 Is Abstract Painting Regaining its Popularity by Victoria Donohoe, Philadelphia Inquirer, September 14, 1984 1983 Ted Stamm by Sanford Kwinter, Art In America, January 1983, pp. 121-122 1983 Ted Stamm by Stephen Westfall, Arts Magazine, January 1983, p. 3 1983 Ted Stamm at the Far Turn by William Zimmer, Re-Dact 1 by Peter Frank, Published by Willis Locker and Owens, ISBN 093027900X 1982 Ted Stamm, Art Economist, Volume II, No. 14, December 31, 1982, p. 5 1982 Drawing Invitational 1981 by Geynne Vernet, Arts Magazine, February 1982 1982 Two Unprovincial Shows at the Jersey City Museum by Vivien Raynor, The New York Times, New Jersey supplement, October 10, 1982, p. 28 1981 Ted Stamm by Valentine Tatransky, Arts Magazine, February 1981, pp. 35 - 36 1981 Surely Temple Black by William Zimmer, SoHo Weekly News, February 18, 1981, p. 49 1981 Abstraction with a Relaxed Air by David L. Shirey, The New York Times, March 1, 1981, p. 19 1981 Ted Stamm by Tiffany Bell, Arts Magazine, May 1981, p. 8 1981 From the General to the Particular: Some Thoughts on Abstract Painting by Tiffany Bell, Arts Magazine, June 1981, pp. 120-124 1980 Tre Amerikaner i Skaane by by Sune Nordgren, Dagens Nyheter (Stockholm), May 5, 1980 1980 Pool Documentation by Kay Larson, Village Voice, June 2, 1980, p. 85 1980 Jane Highstein and Sensibility Minimalism: A Tissue of Happenstance by Robert Pincus - Witten, Arts Magazine, October 1980 p. 140 1980 La Nouvelle Vogue New Yorkaise est Portee Para La Musie Rock by Daniel Cornu, Tribune De Geneve, December 1980 School's Out by William Zimmer, The SoHo Weekly News, June 11, 1980, p. 61 1980 Old Wine, New Bottles, Bad Year by John Perreault, The SoHo Weekly News, June 18, 1980 1979 Ted Stamm by December Kur, Handelsblatt (Dusseldorf), March 3,1979, p. 21 1979 Entries: Styles of Artists and Critics by Robert Pincus - Witten, Arts Magazine, November 1979, pp. 127 - 28 1979 Where is New York by Peter Frank, ARTnews, November 1979, pp. 59 - 65 1978 Ted Stamm by Tiffany Bell, Arts Magazine, February 1978, pp. 33 - 34 1978 Ted Stamm by Edit De Ak, Artforum, February 1978, pp. 63 - 64 1978 Artful Dodger by Gerald Marzorati, SoHo Weekly News, May 18, 1978, 10 1978 Pittori di New York by Riccardo Guarneri, Visual, April - May 1978, No. 2 - 3, pp. 40 - 43 1978 Ted Stamm at Hal Bromm Gallery by Peter Frank, Village Voice, December 19, 1977, pp. 93, 98 1977 Arts and Leisure Guide by Ann Barry, New York Times, November 27, 1977 1977 Voice Choices by Ali Anderson, Village Voice, December 12, 1977, p. 59 1977 New Museum at the New School by Peter Frank, Village Voice, December 19, 1977, p. 98 1976 Ted Stamm by Barbara Catoir, Das Kunstwerk, January 1976, p. 64 1976 Alternative Arts Spaces: One to one politics for the avant - garde by Stephen Reichard, New York Downtown Manhattan, Akademie Der Kunste - Berliner Festwochen, September 1976, p. 249 1975 Reviews by Susan Heineman, Artforum, March 1975, pp. 62 - 63 1975 Artists Space by Trudie Grace, Art Journal, Summer 1975, XXXIV / 4, pp. 323 - 326.

2013 Carnegie International, Carnegie Museum of Art, Pittsburgh, PA The Alternative Guide to the Universe, Hayward Gallery, London, UK The Encyclopedic Palace: The 55th Venice Biennale, Venice, Italy

He joined fellow likeminded artists early on — like Tom Otterness and Jenny Holzer — and sought to «find alternatives to the gallery scene and make art more accessible to the public.»

Through a series of talks, conversations, and presentations with professional curators, artists, and thinkers, and site visits to museums, galleries, studios, and alternative spaces, participants will be able to engage with the local art community and advance their careers as curators.

Exclusive and disturbing domination of cool art pervades the important museums, commercial galleries, alternative spaces for emerging talent and the media.

As a member of the Art Dealers Association of America (ADAA), Peter Blum Gallery subscribes to the highest standard of connoisseurship, scholarship and ethical practice, and offers an effective and confidential alternative for the resale of important works of art from and on behalf of private individuals and institutioArt Dealers Association of America (ADAA), Peter Blum Gallery subscribes to the highest standard of connoisseurship, scholarship and ethical practice, and offers an effective and confidential alternative for the resale of important works of art from and on behalf of private individuals and institutioart from and on behalf of private individuals and institutions.

Curatorial projects include «Intransit,» Moti Hasson Gallery, NY, «Never Never Land,» University Gallery, Florida Atlantic University, Boca Raton, FL and Museum of Contemporary Art, Tampa, FL; «Crossing the Line» Queens Museum of Art, Queens, NY, among numerous others galleries and alternative spaces.

Through audio interviews with founders and key staff, a reading room of magazines and publications, documentation, ephemera and narrative descriptions, the exhibition will tell the story of pioneering spaces — like P.S. 1, Artists Space, Fashion Moda, Taller Boricua, ABC No Rio, The Kitchen, Franklin Furnace, Exit Art, 112 Greene Street, White Columns, Creative Time, Electronic Arts Intermix, Anthology Film Archives, Storefront for Art and Architecture, Just Above Midtown, and many more — as well as document a new generation of alternative projects such as Cinders, Live With Animals, Fake Estate, Apartment Show, Pocket Utopia, Cleopatra's, English Kills Art Gallery, Triple Candie, Esopus Space, and others.

UD artists explore art as social practice at Front Street By Brittany Erwin Photo: Joel Whitaker's «Alternative Processes» class exhibits at the Index Gallery Front Street Building Co., «home to the largest Community of Artists and Artisans in the Dayton area» has a newly branded University of Dayton - owned resident, Index Gallery.

Chelsea has absorbed alternative galleries before, just as East Village art ended up back in Soho a generation ago.

Peckham has been ripe for blooming for a number of years now, placed between Camberwell School of Art and Goldsmiths, with the South London Gallery and a healthy number of alternative art spaces (both pop - ups and long term enterprises), art students and graduates form a substantial part of the communiArt and Goldsmiths, with the South London Gallery and a healthy number of alternative art spaces (both pop - ups and long term enterprises), art students and graduates form a substantial part of the communiart spaces (both pop - ups and long term enterprises), art students and graduates form a substantial part of the communiart students and graduates form a substantial part of the community.

In New York, Haring found a thriving alternative art community that was developing outside the gallery and museum system, in the downtown streets, the subways and spaces in clubs and former dance halls.

The completed surveys are all available online, providing students, scholars, and the public with an entry point gain insight into the history, evolution, and practices of alternative and avant - garde organizational structures, art spaces, artists» groups, galleries, publications, and collectives nationwide.

Becky Howland's Transmission Towers could stand for the wider dissemination of art or for an alternative to gallery and media concentration.

The New York Times reports that the foundation has dropped the gallery in favour of three alternatives, will now be overseen by these galleries, which are diverse and peppered across the globe: Pace (New York, London, Hong Kong, and Beijing), which represented Rauschenberg near the end of his life, Thaddaeus Ropac (Paris and Salzburg), and Luisa Strina, in the ever - expanding art capital of São Paulo.

Half art stroll, half bar crawl, alternative spaces and reputable galleries will once again welcome the public to see real art in real time, one night only on March 10, 6 - 10 pm with an official after party at English Kills from 10 - 12 pm.

The list of the exhibitors in this sector includes MCHG Maria Casado from Buenos Aires, an alternative to the rigidity of other spaces dedicated to art; Efrain Lopez from Chicago, committed to showcasing work by emerging and established visual artists that is visually engaging and conceptually captivating; Maximillian William from London, a 21st - century nomadic gallery; and Yam Gallery from San Miguel de Allende, an art project located in Central Mexico focusing on contemporagallery; and Yam Gallery from San Miguel de Allende, an art project located in Central Mexico focusing on contemporaGallery from San Miguel de Allende, an art project located in Central Mexico focusing on contemporary art.

Recently, Karline has become a freelance curator for galleries as well as finding alternative exhibition spaces to showcase art in different formats.

Launched in Miami in 2010 as an art fair alternative by seven galleries from New York and London, SEVEN is a unique initiative committed to presenting artworks on their own terms and providing an intimate, personal way to engage the viewer.

Prospect.1.5, an interim - year program focused on artists from or working in New Orleans, was organized in collaboration with public art centers and museums, schools, alternative spaces, and commercial galleries in New Orleans.

NADA Miami is the only major American art fair to be produced by a non-profit organisation and is recognized as a much needed alternative assembly of the world's youngest and strongest art galleries dealing with emerging contemporary art.The 15th edition of the fair, to be held December 7 — 10, 2017 at Ice Palace Studios, remains dedicated to showcasing new art and to celebrate the rising talents from around the globe.

Nestled among the flagship stores and designer boutiques, however, are fantastic opportunities for viewing art in little museums, alternative spaces and galleries — or touring the only single - occupancy building left in SoHo, the Judd Foundation.

Frank has also organized numerous theme and survey shows, including «Driven to Abstraction: Southern California and the Non-Objective World, 1950 - 1980,» for the Riverside Art Museum; «Artists» Books U.S.A.», «Mapped Art: Charts, Routes, Regions» and «Line and Image: The Northern Sensibility in Recent European Drawing», all for Independent Curators Inc.; «Fluxus Film and Video» for the Museo Reina Sofia in Madrid; «Young Fluxus» for Artists» Space in New York; «To the Astonishing Horizon» for Los Angeles Visual Arts; «Southern Abstraction» for the Raleigh (NC) City Gallery of Contemporary Art; «The Theater of the Object, 1958 ‑ 1972» for New York's Alternative Museum; «Visual Poetry» for the Otis / Parsons Art Institute in Los Angeles; «Multiple World» for the Atlanta College of Art; and, most notably, «19 Artists — Emergent Americans,» the 1981 Exxon National Exhibition mounted at the Guggenheim Museum.

Stone has exhibited at nationally and internationally at galleries in New York, Los Angeles, Seattle, San Francisco and Vienna, and at museums including The McNay and the Boise Art Museum and alternative spaces including Suyama Space in Seattle.

The StART Up Art Fair «s Selection Committee, stalwarts of the Southern California scene, seemed to accept the difference between typical art / craft fair staples and what some of us look for in our museums, galleries, alternative spaces, and studio visits with equanimity in the process of the selection of artisArt Fair «s Selection Committee, stalwarts of the Southern California scene, seemed to accept the difference between typical art / craft fair staples and what some of us look for in our museums, galleries, alternative spaces, and studio visits with equanimity in the process of the selection of artisart / craft fair staples and what some of us look for in our museums, galleries, alternative spaces, and studio visits with equanimity in the process of the selection of artists.

It is recognized as an alternative to the established fair, presenting art galleries dealing with emerging Contemporary Aart galleries dealing with emerging Contemporary ArtArt.

Frieze Talks Curated for the first time by Ralph Rugoff (Hayward Gallery, London), Frieze Talks will explore how — in an age of «alternative facts» — art's capacity to beguile, disorientate and disrupt conventional notions of «the real» can take on new meanings.

Janet Borden, Minus Space and Klompching have opened galleries; Smack Mellon remains a nonprofit stalwart; and Art in General, another alternative space showcasing emerging artists, moved from TriBeCa to Dumbo last year.

Simone Leigh's installation in the Hammer Museum's Hammer Projects series proposes an alternative to the typically White, upper - middle - class hegemony of the contemporary art gallery or museum.

The experimental performances, which began in Provincetown and unfolded in New York City in a number of alternative exhibition spaces and galleries, forever changed the definition of art and the possibilities for what it could be.

Curated for the first time by Ralph Rugoff (Hayward Gallery, London), Frieze Talks will explore how — in an age of «alternative facts» — art's capacity to beguile, disorientate and disrupt conventional notions of «the real» can take on new meanings.

In Texas, she has exhibited at the Museum of Fine Arts in Houston, Houston Center for Photography, Laguna Gloria Museum in Austin, Abilene Fine Arts Museum, and The Art Museum of South Texas as well as dozens of universities, art galleries and alternative art exhibition spacArt Museum of South Texas as well as dozens of universities, art galleries and alternative art exhibition spacart galleries and alternative art exhibition spacart exhibition spaces.

No wonder the handful of recent entries at Exit Art amount to neither alternative, but rather to Brooklyn nonprofits taking much the form of traditional galleries.