Sentences with phrase «alternative art histories»

Featuring intimate interviews with artists such as Peter Saul and in - depth musings on artists ranging from Kara Walker, Pablo Picasso and Jasper Johns, Dunham offers an alternative art history of the past 100 years with equal parts wit and a keen, discerning eye.

And this literal and metaphoric space seems to be the real subject of Thomas» work, which asks us not just to imagine an alternative art history filled with faces of color but also to envision the equitable creation of black masterpieces now and in years to come.

Not exact matches

Art collection is another alternative investment and has a strong history of being a secure store of wealth.

It brings together arts, history, design, trails for bikers, runners, and walkers, event spaces, alternative transportation avenues, and green, open space.

Though she loves her continued study and teaching of Art History when she isn't at Inner Fire, she has never lost her ties to the mental health community, and she was particularly drawn to the alternative ways of healing at Inner Fire.

BBC4 brings viewers an alternative and wonderful mix of culture, arts, world cinema, science, history, business and current affairs.

The art design on display in Rogers» slightly alternative history of 1941 New York City is, at times, quite striking (Even the post-production 3 - D conversion — one of the better ones — doesn't detract much from it, though the use of the gimmick is still useless).

The Now Museum: Contemporary Art, Curating Histories, Alternative Models conference, co-organized by the Ph.D..

With works like Ferro T, Burri furthered his revolutionary exploration of new and alternative modes to the traditional mark - making that had been favoured throughout Western art history.

AS - AP makes available online several oral history interviews with the founders, current and former directors, and curators of significant alternative art spaces in the United States.

In 2010, she co-produced with Duff Schweninger a 38 - minute documentary on The Live Injection Point at the Franklin Street Art Center as part of the exhibition, Alternative Histories at Exit Art.

In the exhibition Lost and Found: Queerying the Archive these issues are addressed from queer perspectives through art works offering alternative histories and reworked archives.

As part of its mission to document the history of alternative art spaces, AS - AP has been commissioning the production of oral history interviews with the founders, former and current directors, and curators of significant alternative art spaces throughout the United States: http://as-ap.org/oral-histories Oral and video history interviews have been used as key research and documentation tools within art history and its related disciplines as a means of capturing first - person accounts of specific events, individuals, institutions and organizations.

Alternative Histories is a history of New York City alternative art spaces and projects sinceAlternative Histories is a history of New York City alternative art spaces and projects sincealternative art spaces and projects since the 1960s.

As part of AS - AP's mission to preserve, present, and protect the archival heritage of living and defunct for - and not - for - profit art spaces, AS - AP has partnered with Exit Art to make available online dozens of significant interviews conducted by Herb Tam, Associate Curator — Exit Art, and Lauren Rosati, Assistant Curator — Exit Art, as part of the curatorial research conducted for the 2010 exhibition, Alternative Historiart spaces, AS - AP has partnered with Exit Art to make available online dozens of significant interviews conducted by Herb Tam, Associate Curator — Exit Art, and Lauren Rosati, Assistant Curator — Exit Art, as part of the curatorial research conducted for the 2010 exhibition, Alternative HistoriArt to make available online dozens of significant interviews conducted by Herb Tam, Associate Curator — Exit Art, and Lauren Rosati, Assistant Curator — Exit Art, as part of the curatorial research conducted for the 2010 exhibition, Alternative HistoriArt, and Lauren Rosati, Assistant Curator — Exit Art, as part of the curatorial research conducted for the 2010 exhibition, Alternative HistoriArt, as part of the curatorial research conducted for the 2010 exhibition, Alternative Histories.

The completed surveys are all available online, providing students, scholars, and the public with an entry point gain insight into the history, evolution, and practices of alternative and avant - garde organizational structures, art spaces, artists» groups, galleries, publications, and collectives nationwide.

Exit Art has announced their upcoming exhibition Alternative Histories, a history of New York City alternative art spaces and projects since the 196Art has announced their upcoming exhibition Alternative Histories, a history of New York City alternative art spaces and projects sinceAlternative Histories, a history of New York City alternative art spaces and projects sincealternative art spaces and projects since the 196art spaces and projects since the 1960s.

Like Davis, he offers, in fact, an alternative history of Pop Art.

Following each biennial, we self - publish a 350 - page book that provides an overview of current performance practices in contemporary art using the structure of the biennial, as well as the history and geography of the participating artists and collaborating organizations, alternative spaces, and performance sites as a framework.

The Long Run present an alternative viewpoint to MoMA's collection and the history of modern art.

Now it shows that alternatives have a history, while art's history since the 1960s was less a straight line than dozens of alternatives.

«Alternative Histories» documents that period through the fate of well over a hundred alternative art spaces and projects, although none ofAlternative Histories» documents that period through the fate of well over a hundred alternative art spaces and projects, although none ofalternative art spaces and projects, although none of their art.

With luck, Exit Art and «Alternative Histories» will awaken others to try.

«Alternative Histories» ran at Exit Art through November 24, 2010, and Loren J. Munk complained on November 3.

Featuring artists and art historians Cecily Brown, Emmelyn Butterfield - Rosen, and Nick Mauss, and moderated by Jutta Koether, this panel will consider different methods of reading Florine Stettheimer's work, through the lens of social and cultural history, or as an alternative example of modernism, creating its own series of networks from within.

Erin Sweeny shares the 20 - year history of PØST, an alternative art space in Los Angeles founded by artist and curator HK Zamani.

AS - AP is a multifaceted initiative devoted to identifying, documenting, preserving, and providing access to the archival history of alternative art spaces throughout the United States.

Brand New offers a fascinating alternative history of art in the 1980s by tracing how a pioneering group of young downtown artists appropriated the tools and psychology of growing consumer culture — advertising, logos, products, even cable TV — to change the landscape of the art world.

From Russian Constructivists of the 1920s to Turner Prize winners, this collection of interviews constitutes an entertaining and alternative history of 20th - century art written in the first person.

Exit Art set out a history of alternative spaces, and artists started to question whether they need dealers at all.

Charting such a variegated history makes room for von Wiegand's version of abstraction in 1945 and 1946, which bears directly on the art of the 1940s and 1950s and extends into the 1960s as an alternative art to the more famous Abstract Expressionism.

The space, an offshoot of the non-profit Museum of Everything, aims to «communicate an alternative history of art» and will channel all revenue raised back into its parent organisation's non-commercial activities.

The Mind's Eye: The Art of Omni, edited by Jeremy Frommer and Rick Schwartz; Mapping It Out: An Alternative History of Contemporary Cartographies, edited by Hans Ulrich Obrist; #ACCELERATE: The Accelerationist Reader, edited by Robin Mackay & Arman Avanessian; You Are Here: Art After the Internet, edited by Omar Kholeif.

Artists themselves keep asking, as in a recent history of alternative spaces at Exit Art.

is an arts administrator and curator invested in artistic and political expressions that engender alternative, avuncular, and non-hierarchical histories.

George William Price is an arts administrator and curator invested in artistic and political expressions that engender alternative, avuncular, and non-hierarchical histories.

The Intelligent Woman's Guide to Art is a comic alternative to art history, an art - historically minded piece of art, and a beautifully crafted, colored and reproduced work in itseArt is a comic alternative to art history, an art - historically minded piece of art, and a beautifully crafted, colored and reproduced work in itseart history, an art - historically minded piece of art, and a beautifully crafted, colored and reproduced work in itseart - historically minded piece of art, and a beautifully crafted, colored and reproduced work in itseart, and a beautifully crafted, colored and reproduced work in itself.

Light Industry draws equal inspiration from the history of alternative art spaces in New York as well its storied tradition of cinematheques.

From the concept of an «Imperfect Chronology» to the debate on Modernism's alternative histories and how they have shaped contemporary artistic practice in the Arab world, the event unpacks definitions of «Arab art», considering its diasporic and multiple identities.

Not An Alternative is a non-profit organization based in Brooklyn, NY whose mission aims to integrate art, activism, technology and theory in order to affect popular understandings of events, symbols and history.

In this panel discussion, artists Wolfgang Tillmans and Jane & Louise Wilson join former Serpentine Gallery director Julia Peyton - Jones and Guardian art critic Adrian Searle to create an alternative oral history of this turning point in contemporary art.

By absorbing various alternative influences, refereeing to an art history momentous phenomenon, and interfering with pop culture, Sterling Ruby has made quite an effort to position his art practice as the communication tool not just in the purely aesthetic sense, but in social and political as well.

Bushwick has been compared to the 1980s East Village6 (validated by the New Museum's East Village USA, 2004, organized by Dan Cameron).7 Many of the exhibition spaces in Bushwick were in Exit Art's historical survey Alternative Histories (2010).8 Art spaces appeared in the East Village in the 1970s, long before the cultural explosion of the 1980s.

Yiadom - Boakye, meanwhile, conjures her enigmatic fictitious figures directly out of her imagination, proposing alternative narratives and pointing to future art histories and usually painting them in a single day.

Considering the work of a range of artists with a perspective inflected by a deep knowledge of art making, Dunham's writings provide an alternative history of the art of the past 100 years.

[2] David E. Little, «Colab Takes a Piece, History Takes it Back: Collectivity and New York Alternative Spaces,» Art Journal 66, no. 1 (2007): 64.

Examining the role that African art and culture plays in the genesis of Rythm Mastr's main storylines — particularly as a gateway to this alternative reality — this paper posits Marshall's project as a revisionist history in graphic form that offers a world of possibilities outside of the commonly accepted narrative constructed around African art and modernism and its institutional legacy.

To be «new» is of no intrinsic value for M WOODS; an alternative set of guiding principles organizes the collection, which stretches beyond narrow notions of art history to enfold positions as diverse as those of Olafur Eliasson and Buddhist sculptors from the Northern Qi dynasty, or Paul McCarthy and the followers of Hieronymus Bosch.

slavick has explored feminism, body politics, the personal as political, familial relations, memory, alternative histories, memorials, the global economy, contemporary workers, travel / tourist photography, how the media (mis) represents the world, the U.S. military and exported violence, Hiroshima and our post-nuclear world and how art can transform society through her art projects, teaching and activism.

The Now Museum: Contemporary Art, Curating Histories, Alternative Models New Museum CUNY Graduate Center