This summer, 12 leading non-profit and
alternative art spaces in New York co-host a city - wide exhibition of the work of pioneering artist John Giorno, curated by Ugo Rondinone.
A few years back, he turned the living room of his ground - floor Brooklyn apartment into one of the more interesting
alternative art spaces in the city.
Founded in 1973 as a grassroots photography cooperative, the Nexus Contemporary Art Center became one of the strongest and most influential
alternative art spaces in the Southeast.
She has curated numerous exhibitions in galleries and
alternative art spaces in the DC area.
About White Columns: Founded in 1970 (and known until 1979 as «112 Greene Street») White Columns is the oldest of the first generation of
alternative art spaces in New York.
The event will also mark the soft launch of the digitised archival collections of two pioneering
alternative art spaces in Vietnam — Salon Natasha (Hanoi) and Blue Space Contemporary Arts Center (Ho Chi Minh City)-- on Asia Art Archive's digital platform.
Light Industry draws equal inspiration from the history of
alternative art spaces in New York as well its storied tradition of cinematheques.
Produced by Jason Andrew and organized by the non-profit art gallery Norte Maar, Beat Nite is an evening gallery crawl featuring a special selection of ten
alternative art spaces in Gowanus, Brooklyn.
AS - AP makes available online several oral history interviews with the founders, current and former directors, and curators of significant
alternative art spaces in the United States.
Michelle Grabner (Professor in the Painting and Drawing Department at the School of the Art Institute of Chicago, who also teaches at Yale, is an artist herself, and oversees two
alternative art spaces in the Midwest) noted that her section of the 2014 Whitney Biennial «features artists who have come to the fore as figures of influence, both inside and outside the geographic and commercial centers of the art world.
Despite the rise of
alternative arts spaces in New York and around the world, especially within the last decade, we are still unable to shed pressures to define nontraditional arts spaces.
This is
our alternative art space in the first floor bathroom.
Erin Sweeny shares the 20 - year history of PØST,
an alternative art space in Los Angeles founded by artist and curator HK Zamani.
He is the founding member and director of Alabama Song,
an alternative art space in Houston.
[2] While Krasiński co-founded and regularly exhibited at the Foksal Gallery in Warsaw — a pivotal
alternative art space in state - socialist Poland — he also exhibited his work in the West.
Mark is executive director of Machine Project, a LA - based social experiment and
alternative art space in Echo
Strauss is an artist, curator, and the founder and director of White Flag Projects, a not - for - profit
alternative art space in St. Louis, Missouri.
As explained on the website of the present - day Studio One, «Steen's Studio One was one of the earliest
alternative arts spaces in the city, presenting exhibitions, lectures, film screenings, musicians, and performances [and] inspired Charles Gallagher to open DiverseWorks in 1982.»
Mark is executive director of Machine Project, a LA - based social experiment and
alternative art space in Echo Park, which creates events and site - specific installations bridging the intersections between seemingly disparate fields.
Olly Olly,
an alternative art space in Fairfax, VA, presents Embracing the Power of Artistic Practice, a new collection of art in conjunction with Al - Mutanabbi Street Starts Here DC 2016, a book arts and cultural festival taking place throughout the Washington, DC area from January through March 2016, commemorating the 2007 bombing of Baghdad's historic book selling street.
She started her career as a Graphic Designer, and shifted to the field of Art and Cultural Management by working as an Assistant Curator at Project 304
alternative art space in 2001.
Founded as a for - profit
alternative arts space in 1976 by artists and artworke...
Jessica Kallista, founder of Olly Olly
alternative art space in Fairfax, Virginia, juried the exhibition.
Flux Factory —
an alternative art space in Queens — hit the road for the Fung Wah Biennial on March 5th.
An alternative art space in the Factory 798 District, it tries to bridge the gap between a museum and a gallery by showing and selling art by established and emerging Chinese artists.
Free Oakland UP is a multi-purpose,
alternative art space in East Oakland with curated exhibitions featuring local...
Matthew Higgs is director and chief curator of White Columns,
an alternative art space in New York.
Not exact matches
I mentioned this
in a previous post, but, as reminder, Garden Center growARTS artisan training program provides a
space for individuals of all abilities to create stunning pieces of
art as a means of self - expression and as an
alternative path to self - employment.
She has studied English literature at Goldsmiths University of London, run an
alternative art space called JAGO, and opened a pop - up shop
in London called theworldthewayiwantit.
Whether it's the work of Keith Sonnier and Joe Zucker (both of whom had shows
in 2010 at Mary Boone Gallery
in New York) or the prototypes of «Rowing Needles» (1970) by Buckminster Fuller, on view at Meulensteen
in a recent show that paired Fuller's streamlined pieces with the lumpy «Floor Cushions» of the 33 - year - old artist - designer Eli Levenstein, or the new crop of
alternative spaces (like the intimate and racy Honey
Space for site - specific
art, on 11th Avenue), a»70s esthetic rules.
As this issue of ARTnews went to press, the Pioneer Works
space in Red Hook, Brooklyn, was preparing an «
Alternative Art School Fair,» a kind of job fair for these types of schools.
Like the landscape, the historical record of postwar
art in Southern California is diffuse, held
in the archives of individual collectors,
alternative art spaces, and university galleries.
Limitations
in some templates; too much wasted white
space (would love my work to be displayed much larger); integration of pages to sell prints and / or products with my work on it
in pages with the original artwork (lower priced or
alternative options for folks who aren't yet ready to invest
in fine
art); room setting view where customers can see the size / shape of a painting / print
in an actual room like over a couch or bed,
in a kitchen, etc; greater options
in template layout (social buttons and email NL signup at top of page, etc).
2:00 pm — 2:40 pm
Alternative spaces and recent trends
in Chinese contemporary
art: new institutions and the question of the importance of artist groups — «Crimes» without a scene Speaker: Carol Lu, Beijing
ALTERNATIVE SPACES illuminated new or unknown
art in invaluable ways.
Abstraction, New Observations, June 1984, No. 24 1984 Is Abstract Painting Regaining its Popularity by Victoria Donohoe, Philadelphia Inquirer, September 14, 1984 1983 Ted Stamm by Sanford Kwinter,
Art In America, January 1983, pp. 121-122 1983 Ted Stamm by Stephen Westfall,
Arts Magazine, January 1983, p. 3 1983 Ted Stamm at the Far Turn by William Zimmer, Re-Dact 1 by Peter Frank, Published by Willis Locker and Owens, ISBN 093027900X 1982 Ted Stamm,
Art Economist, Volume II, No. 14, December 31, 1982, p. 5 1982 Drawing Invitational 1981 by Geynne Vernet,
Arts Magazine, February 1982 1982 Two Unprovincial Shows at the Jersey City Museum by Vivien Raynor, The New York Times, New Jersey supplement, October 10, 1982, p. 28 1981 Ted Stamm by Valentine Tatransky,
Arts Magazine, February 1981, pp. 35 - 36 1981 Surely Temple Black by William Zimmer, SoHo Weekly News, February 18, 1981, p. 49 1981 Abstraction with a Relaxed Air by David L. Shirey, The New York Times, March 1, 1981, p. 19 1981 Ted Stamm by Tiffany Bell,
Arts Magazine, May 1981, p. 8 1981 From the General to the Particular: Some Thoughts on Abstract Painting by Tiffany Bell,
Arts Magazine, June 1981, pp. 120-124 1980 Tre Amerikaner i Skaane by by Sune Nordgren, Dagens Nyheter (Stockholm), May 5, 1980 1980 Pool Documentation by Kay Larson, Village Voice, June 2, 1980, p. 85 1980 Jane Highstein and Sensibility Minimalism: A Tissue of Happenstance by Robert Pincus - Witten,
Arts Magazine, October 1980 p. 140 1980 La Nouvelle Vogue New Yorkaise est Portee Para La Musie Rock by Daniel Cornu, Tribune De Geneve, December 1980 School's Out by William Zimmer, The SoHo Weekly News, June 11, 1980, p. 61 1980 Old Wine, New Bottles, Bad Year by John Perreault, The SoHo Weekly News, June 18, 1980 1979 Ted Stamm by December Kur, Handelsblatt (Dusseldorf), March 3,1979, p. 21 1979 Entries: Styles of Artists and Critics by Robert Pincus - Witten,
Arts Magazine, November 1979, pp. 127 - 28 1979 Where is New York by Peter Frank, ARTnews, November 1979, pp. 59 - 65 1978 Ted Stamm by Tiffany Bell,
Arts Magazine, February 1978, pp. 33 - 34 1978 Ted Stamm by Edit De Ak, Artforum, February 1978, pp. 63 - 64 1978 Artful Dodger by Gerald Marzorati, SoHo Weekly News, May 18, 1978, 10 1978 Pittori di New York by Riccardo Guarneri, Visual, April - May 1978, No. 2 - 3, pp. 40 - 43 1978 Ted Stamm at Hal Bromm Gallery by Peter Frank, Village Voice, December 19, 1977, pp. 93, 98 1977
Arts and Leisure Guide by Ann Barry, New York Times, November 27, 1977 1977 Voice Choices by Ali Anderson, Village Voice, December 12, 1977, p. 59 1977 New Museum at the New School by Peter Frank, Village Voice, December 19, 1977, p. 98 1976 Ted Stamm by Barbara Catoir, Das Kunstwerk, January 1976, p. 64 1976
Alternative Arts Spaces: One to one politics for the avant - garde by Stephen Reichard, New York Downtown Manhattan, Akademie Der Kunste - Berliner Festwochen, September 1976, p. 249 1975 Reviews by Susan Heineman, Artforum, March 1975, pp. 62 - 63 1975 Artists
Space by Trudie Grace,
Art Journal, Summer 1975, XXXIV / 4, pp. 323 - 326.
As an advocate for and an active participant
in the Washington, D.C., metropolitan area
arts scene, she has served on the directorial boards of
alternative art spaces, various local and national boards and national peer - review panels.
Alternative art spaces play a vital role
in facilitating conversation, building community, and inspiring creative collaborations.
Founded
in 1970 as» 112 Greene Street», White Columns was established as an independent platform for artists and was a pioneering force
in the
alternative art space movement of the 1970s and 1980s.
In the words of British
art critic Guy Brett, Weiss «provides an
alternative experience of
space and time, which is not end - driven but steady and enduring, establishing and deepening a human presence».
Also featured
in this year's
Art Walk is an exhibition presented by Girls» Club, a non-profit alternative space exhibiting contemporary art by wom
Art Walk is an exhibition presented by Girls» Club, a non-profit
alternative space exhibiting contemporary
art by wom
art by women.
His thesis and work explores the modernization of the L.A. infrastructure, the politics of
art in public
space, ethical strategies of community engagement and
alternative pedagogical strategies.
One of the historic
alternative contemporary
art centers
in the United States, 18th Street is a leader
in international residencies and cultural exchange, as well as the home base for seminal not for profit artist organizations Highways Performance
Space, EZTV, and Electronic Café International.
As awareness of the cultural, economic, and artistic contributions
art spaces make within local and regional areas rises, coupled with drastic reductions
in public funding over the past several years; a second wave of «
alternative art spaces» has emerged.
The green woven mats on the floor and on the wall of Hamilton's display — «
alternative plinths»
in her words — force you to think about the
space, but they also nod to the unique way that Ede's collection combines natural objects and works of
art.
In New York, Haring found a thriving alternative art community that was developing outside the gallery and museum system, in the downtown streets, the subways and spaces in clubs and former dance hall
In New York, Haring found a thriving
alternative art community that was developing outside the gallery and museum system,
in the downtown streets, the subways and spaces in clubs and former dance hall
in the downtown streets, the subways and
spaces in clubs and former dance hall
in clubs and former dance halls.
It faces
alternatives in pop - up
spaces, DIY and artist collectives, Long Island City, Governors Island, the Brooklyn waterfront, Bushwick open studios, and unending
art fairs.
The National Endowment for the
Arts and The New York State Council on the Arts have both awarded the Art Spaces Archives Project with substantial funding in support of projects relating to archiving alternative and avant - garde arts organizations throughout the United Sta
Arts and The New York State Council on the
Arts have both awarded the Art Spaces Archives Project with substantial funding in support of projects relating to archiving alternative and avant - garde arts organizations throughout the United Sta
Arts have both awarded the
Art Spaces Archives Project with substantial funding
in support of projects relating to archiving
alternative and avant - garde
arts organizations throughout the United Sta
arts organizations throughout the United States.
We'll disclose more details about the show
in the coming weeks, but we're pretty excited about this new
alternative to
art fairs, which will feature installations from international artist - run
spaces and collectives
in Miami Beach's defunct Ocean Terrace Hotel.
Thriving
in a subgenre of
alternative spaces, The Company has performed
in the UK and US including seasons and appearances at: Conway Hall, London («15), The Broadway Theatre, London («13), Roehampton University («10), The Place («06), Bonnie Bird Theatre, London («04, «05); The Brooklyn Museum («14), Centre for Performance Research, Brooklyn («11, «12), Dance at Socrates («14, «15, «16, «17), National Academy Museum («12), Black Mountain College Museum +
Arts Center, Asheville («11), Bushwick Starr («09), Fete de Danse («04,» 05,» 06,» 07, «14), Joyce SoHo, New York («01, «03) with critical notice
in The New York Times, Village Voice, New Criterion and Brooklyn Rail among others.