Organized by P.S. 1 Contemporary Art Center founder, Alanna Heiss, FORTY features work by over 40 artists who were key participants in the 1970s
alternative art spaces movement and the early years of P.S. 1 Contemporary Art Center.
Founded in 1970 as» 112 Greene Street», White Columns was established as an independent platform for artists and was a pioneering force in
the alternative art space movement of the 1970s and 1980s.
Not exact matches
With funding provided by NYSCA, The National Endowment for the
Arts, and the Andy Warhol Foundation for the Visual
Arts, AS - AP has a mandate to help preserve, present, and protect the archival heritage of living and defunct for - and not - for - profit
spaces of the «
alternative» or «avant - garde»
movements of the 1950s to the present.
Recognized as a defining force of the
alternative space movement, MoMA PS1 stands out from other major
arts institutions through its cutting - edge approach to exhibitions and direct involvement of artists within a scholarly framework.
The exhibition broadly considers the work of the artists in the context of significant artistic and cultural
movements: mail
art and artist correspondences; the rise of Chicano, gay, and feminist print media; the formation of
alternative spaces; fashion culture; punk music and performance; and artist responses to the AIDS crisis.
Recognized as a defining force of the
alternative space movement, P.S. 1 stands out from major
arts institutions in its cutting edge approach to exhibitions and direct involvement of artists with in a scholarly framework.
The key subject of the course is the Exhibition as Communicative
Space and will include: discussions about criticism and analysis of comprehensive phenomenon of how contemporary
art, design, architecture, sound and performance, and publications as dominant
art forms of visual culture adapt, co-exist, and conflict with market system; the course will reflect upon creative responses to conflict and crisis versus problems of value judgment on today's market - led cultural phenomenon and cultural
movement, and the role of curator as a cultural translator and mediator between the two; and exploration of
alternatives for ecological health of increasingly globalized
art and culture.
MD: During 1977 and 1978, you participated in two group exhibitions and a solo show at P.S. 1, one of the first
spaces in the country exclusively showing contemporary
art and a defining force in the
alternative space movement.