Sentences with phrase «alternative arts groups»

Prior to opening Machine, Allen was involved with several alternative arts groups as a curator, board member, and director, and co-founded the Los Angeles new media collective c - level.

Prior to opening Machine Project, he was involved with several alternative arts groups as a curator, board member, and director, and he cofounded the Los Angeles new - media collective c - level.

Not exact matches

In addition, the Group offers labels from the award - winning Studio Labels, as well as traditional handcrafted, custom - finished French and American oak barrels and Creative Oak alternatives from their state - of - the - art cooperage, Tonnellerie Ô.

For those who prefer to keep little hands a bit more occupied, a great alternative is to find local art and pottery studios who offer group classes for kids.

However, since they can be downloaded on any device and by anyone 13 +, they provide an excellent programming mechanism: alternative format for assigned reading, discussion group material which all group members can access simultaneously and at no cost, theater arts exposure, and more.

2:00 pm — 2:40 pm Alternative spaces and recent trends in Chinese contemporary art: new institutions and the question of the importance of artist groups — «Crimes» without a scene Speaker: Carol Lu, Beijing

In 2013, Victoria Sobel was elected and served as the Alumni Association's Art Representative on The Working Group to propose alternative strategies to establish financial sustainability while retaining Cooper Union's unique heritage of academic excellence, merit - based admissions, and full - tuition scholarships for all admitted undergraduate students.

is an alternative non-commercial art fair that addresses gender inequality in the art world and beyond; a platform for a diverse and multi-generational group of women artists.

The completed surveys are all available online, providing students, scholars, and the public with an entry point gain insight into the history, evolution, and practices of alternative and avant - garde organizational structures, art spaces, artists» groups, galleries, publications, and collectives nationwide.

2017 Panelist, «Keeping It Real: Interventions, Ruptures and Affirmations», Porter Colloquium, Howard University, Washington, DC 2016 Panelist, Porter Colloquium 2016, Howard University, Black Artists Collective: BAM and its Influences 2015 Presenter: Black Arts United States: Institutions and Interventions Northwestern University; Let the Circle Be Unbroken: BADC an alternative network based on collaboration that prepares Black artists...) 2014 «African American Art: Resistance, Community, and Creativity», Busboys and Poets, Washington DC 2013 Open Studio visit Smithsonian Institute, Anacostia Museum, Washington, DC 2012 «Art and Diversity», panelist, Washington Sculpture Group, Washington, DC 2010 Sam Gilliam» More Than A Room: Effective Studio Practices», interview Washington, DC

The gallery invites photographers, worldwide, to submit their best work using analog, digital, digital manipulation and / or any alternative processes for a group exhibition on the Fusion Art website.

Brand New offers a fascinating alternative history of art in the 1980s by tracing how a pioneering group of young downtown artists appropriated the tools and psychology of growing consumer culture — advertising, logos, products, even cable TV — to change the landscape of the art world.

She has shown extensively for the past five decades, in solo and group contexts, and has been the subject of numerous survey exhibitions including Museu d'Art Contemporani de Barcelona (2003); Generali Foundation, Vienna (2002); New Museum, New York (2000); The Museum of Contemporary Art, Los Angeles (2000); Kunstverein München, Munich (1992); Ikon Gallery, Birmingham, England (1991); and Alternative Museum, New York (1987).

The group was formed as an alternative art platform and gave opportunities to young artists by presenting work in visual art, poetry, film, music, and fashion in ten self - organized, thematic exhibitions and happenings between 1965 - 1970.

So far Liberate Tate's case has been propagated through a series of attention - grabbing, guerrilla - style actions, but in collaboration with Platform — a London - based arts organisation working towards social and ecological justice — Tate à Tête, 2012, an alternative Tate gallery audio guide, has moved both groups» activism into a kind of immaterial territory.

The group aims to collectively examine how small - scale New York arts institutions are perceived and evaluated by audiences, artists and funders alike; to identify the challenges of operating in today's climate and revive discussions of those obstacles and inequalities which have persisted since the rise of the alternative space.

This year alone it has hosted science talks with Richard Dawkins, an art fair for alternative art educational institutions, and a major retrospective of the media art group Ant Farm.

As well as a headline performance by German art - rock group Kraftwerk, fresh from their residency at Tate Modern, this year's Latitude hosts a number of alternative visual artists, including David Shrigley, photographer Mitch Jenkins and graphic novelist Alan Moore.

The group has created events, performances, installations, sculptures, videos, mixed - media projects, and even an art school, founded as an alternative to the university system.

Recent group exhibitions include Alternative Currents, The McKinney Avenue Contemporary, Dallas, Texas (2001), Phoenix Triennial 2001, Phoenix Art Museum, Phoenix, AZ..

ORGASMIC STREAMING — ORGANIC GARDENING — ELECTROCULTURE — «a group exhibition looking at practices that emerge between text and performance, the page and the body, combining a display and events program of historical and contemporary works — seeks an alternative framework to look at the influence of conceptual procedures as well as experimental writing within contemporary feminist performance practices across visual art, sound and text.»

Colab was dependent on grants, too, starting with an encouraging sum of $ 6,000 received by the National Endowment for the Arts but, as David E. Little put it in an article on its early activities, the group also «developed a concept of an anti-hierarchical, artists - only organization that would serve as a hothouse for cultivating collaborative projects and would seek out flexible and multiple distribution outlets to reach audiences, from bars and movie houses to cable television and even alternative spaces.»

Tusman has curated dozens of exhibitions and public projects for a diverse group of universities, galleries, institutions, alternative spaces and public interventions including UCLA; California State University, Northridge; University of California, Riverside; Riverside Art Museum; Little Berlin; the Delaware Center for Contemporary Arts; Space 1026; Ontario College of Art and Design; and others.

A global network of art protest groups, including G.U.L.F. (Global Ultra Luxury Faction), Occupy Museums, Guerrilla Girls, Liberate Tate, People's Climate Arts, Not an Alternative, The Yes Lab, Peng Collective, and many others, has been working hard to highlight the art world's complicit acceptance of the status quo, no matter how immoral or unethical it may be.

TRANSCRIPT May 25 - Jun 23, 2018 Private view Thu May 24 6.30 pm - 8.30 pm Group exhibition investigating the use of text in contemporary art, specifically exploring the transcription of text from low, common, everyday or alternative sources including film, signage, posters, advertising, notebooks, graffiti, tattoo and schizophrenic acoustic hallucinations.

Individually, Tondo members exhibit in various art galleries but, as a group, they seek out alternative spaces in which to exhibit.

Founded in 1976 by a passionate group of local artists and supporters, CAF was among a crop of alternative art spaces nationwide, which addressed a cultural void by presenting contemporary, avant - garde art of living artists.

Opening the Rebecca Hossack Art Gallery's 2017 exhibition programme is Janus, a group show which showcases the gallery's diverse representation of alternative media.

For the past twelve years, Timperio has hosted a regular group exhibition at Sideshow that has become a main event in alternative art.

Lott's work has been featured in numerous group exhibitions at venues including Williams Tower Gallery, Houston, TX (2008); Museum of Fine Arts, Houston, Houston TX (2008); Museo de la Nación, Lima, Perú (2007); Beeville Art Museum, Beeville, TX (2001); Art Car Museum, Houston, TX (1999); The Society of Contemporary Crafts, Pittsburgh, PA (1998 - 2000); Laguna Gloria Arts Museum, Austin, TX (1992); The Lubbock Fine Arts Center (1991); The Lubbock Black Cultural and Heritage Center, Lubbock, TX (1991); Texas Southern University, Houston, TX (1991); Southeastern Center for Contemporary Art, Winston - Salem, NC (1990 - 1992); Samuel P. Harn Museum of Art, University of Florida, Gainesville, FL; Hunter Museum of Art, Chattanooga, TN; Contemporary Arts Center, New Orleans, LA; Orlando Museum of Art, Orlando, FL; Lawndale Art and Performance Center, Houston, TX (1990, 1982); Staten Island Art Center, New York, NY (1998); Contemporary Arts Museum, Houston, TX (1987, 1979); Studio Museum in Harlem, NY (1986); Blaffer Gallery, University of Houston, Houston, TX (1986); Alternative Museum, New York, NY (1982) and the Institute of Contemporary Art, Philadelphia, PA (1978).

He has participated in group exhibitions at the Intar Latin American Gallery, the Bronx Museum of Art and the Alternative Museum in New York, among others.

From 1984 to 1993, Kersels participated in collaborative performances with SHRIMPS, an alternative performance art group associated with artful maladroit actions that he co-founded.

After the war, in 1919, Wyndham Lewis founded another artist association known as Group X. Its purpose was to provide a spiritual home for London's avant - garde exponents of modern art, and an alternative showcase to the London Group.

Organized in New York for the gallery's Shanghai space, DOWNTOWN is a group exhibition featuring eight artists whose work exemplifies the alternative scene in New York City's burgeoning Lower East Side art district.

ALTERNATIVE FIGURES IN AMERICAN ART, 1960 TO THE PRESENT A show that presents an alternative history of contemporary art by focusing on a series of artists associated with several influential groups in differALTERNATIVE FIGURES IN AMERICAN ART, 1960 TO THE PRESENT A show that presents an alternative history of contemporary art by focusing on a series of artists associated with several influential groups in different citiART, 1960 TO THE PRESENT A show that presents an alternative history of contemporary art by focusing on a series of artists associated with several influential groups in differalternative history of contemporary art by focusing on a series of artists associated with several influential groups in different citiart by focusing on a series of artists associated with several influential groups in different cities.

He worked with Lucio Fontana on a really great Concetto Spaziale painting in 1966, he collaborated with Robert Rauschenberg for a show in Israel and was his assistant, and he is mentioned within the context of New York's alternative art space 112 Workshop and was in a group show at White Columns in 1972.

Before 1989 he was part of the international mail - art network, an alternative art movement rooted in the aesthetics of the Fluxus group.

MD: During 1977 and 1978, you participated in two group exhibitions and a solo show at P.S. 1, one of the first spaces in the country exclusively showing contemporary art and a defining force in the alternative space movement.

This year marks the New Art Dealers Alliance's first New York City fair, and it is coming out of the gate running with a group of hip galleries and alternative art spaces stationed in the former X-Initiative building, the same light and airy space as the Armory Week's Independent faArt Dealers Alliance's first New York City fair, and it is coming out of the gate running with a group of hip galleries and alternative art spaces stationed in the former X-Initiative building, the same light and airy space as the Armory Week's Independent faart spaces stationed in the former X-Initiative building, the same light and airy space as the Armory Week's Independent fair.

, LIAF, Lofoten International Art Festival, Norway Rematerialized New Galerie Paris / New York, New Galerie, Paris on Off moments, Grimmuseum, Berlin Le tamis et le sable 2/3: L'Intervalle, Instants Chavirés, Paris New Eyes for New Spaces, ISCP, New York Und everybody says yeah — on internet meme, The House of Electronic Arts, Basel 2012 The End (s) of the Library, Goethe - Institut New York Library, New York The Making of Americans: A marathon reading of Gertrude Stein's novel, Triple Canopy, New York Let us keep our own noon, curated by David Horvitz, West, Den Haag Rome Photo Festival, MACRO, Testaccio, Rome Fair Exchange, curated by Taeyoon Choi, Eyebeam, New York Canceled: alternative manifestations and productive failures, organised by Lauren van Haaften - Schic, Center for Book Arts, New York Frieze, with Triple Canopy, New York Group exhibition, Access Art, Vancouver Matter Out of Place, The Kitchen, New York Scenes of Selves, Occasions for Ruses, Surrey Art Gallery, Vancouver In search of..., curated by Lennard Dost and Daniel Dennis de Wit, Academie Minerva, Groningen the chief on top of the chief, MIRACLE & CONNELLY PRESENTS, Vancouver Force Fields, curated by Alexis Granwell and Jenny Jaskey, Tiger Strikes Asteroid, Philadelphia 2011 The Greater Cloud, curated by Petra Heck, Netherlands Media Art Institute, Amsterdam Worng, IMO, Copenhagen Intimate Bureaucracies: Art and the Mail, curated by Zanna Gilbert, Art Exchange, University of Essex, Essex Subject to Change, Fathom + Hatch, New York The Best of 2011, Soloway, Brooklyn, New York The Open Daybook, Los Angeles Contemporary Exhibitions, Los Angeles FINISHED, Showpaper 42nd St Gallery, New York, New York As Yet UnTitled, SF Camerawork, San Francisco LATE Nights, Berkley Art Museum, Berkeley, California (performance) 2010 FREE, New Museum, New York Different Repetitions, curated by David Senior, Booklyn, New York Palling Around with Socialists, U-turn Art Space, Cincinnati, Ohio We have as much time as it takes, Wattis Institute for Contemporary Arts, San Francisco FAX, Burnaby Art Gallery, Vancouver An Immaterial Survey of our Peers, Chicago (online) 01, Presented by 01 Magazine, 107 Shaw Gallery, Toronto The Page, Guggenheim Gallery, Chapman University, Orange, California Burn, Baby, Burn!

2015 Off the shelf Group Show, / i» klectik / Art Lab, London, UK Offprint London, Tate Modern, with AKINA Factory, London, UK DIY Cultures, Rich Mix, London, UK Alternative Takeover 2015, 47/49 Tanner Street, London, UK Chat / 1, Group Show, I'm Not Done Projects, The Rose Lipman Building, London, UK 2014 State of Origin, Group Show, Unit24 Gallery, London, UK More Than One Point in Space, Group Show, TriSpace Gallery, London, UK Night Contact Open Submission finalist, Brighton Photobiennial, selection by judge Thurston Moore, selection by judge Anne Bourgeois - Vignon Empty Stretch Perfect Wasn't Bad 2 Print Sale, 867 Broadway, Brooklyn, NY, USA Find Rangers Issue 3 Release and Photo Show, 838 Gallery, San Francisco, USA WLAC - West London Arts Collective exhibition at W3 Gallery, London, UK Eccentric Exhibition, The Regent - Islington, London, UK

With the Lower East Side fast losing connections to its history as an alternative neighborhood for art and politics, two summer group shows remind us of artists who lived and worked there, and have, through example, passed its spirit on.

2015 Current Location, Waiting Room, Minneapolis 10th Baltic Biennial of Contemporary Art, Szczecin Aquí hay dragones (Here be Dragons), La Casa Encendida, Madrid Regular Expressions, 221A, Vancouver Ocean of Images: New Photography 2015, at MoMA, New York Bunting, Chemould Prescott Road, Mumbay Transparencies, Bielefelder Kunstverein and Kunstverein Nürnberg Triple Canopy presents Pattern Masters, Performance at Whitney Museum of American Art, New York HPSCHD 1969 > 2015 / Live Arts Week IV, Mambo, Bologna, Italy The Secret Life, Murray Guy, New York Night Begins the Day: Rethinking Space, Time, and Beauty, Contemporary Jewish Museum, San Francisco Im Inneren der Stadt, Künstlerhaus Bremen When we share more than ever, MKG Museum, Hamburg Cool / As a state of mind, MAMO, Marseille Group presentation at Art Cologne, with Chert, Berlin Good luck with your natural, combined, attractive and truthful attempts in two exhibitions, Crac Alsace, Altkirsch Mijn Vlakke Land, FoMu, Antwerp more Konzeption, Conception now, Museum Morsbroich, Leverkusen Tongue Stones, Pioneer Works, Brooklyn, New York 2014 Requiem for the Bibliophile, Museum of Contemporary Art Santa Barbara, CA Scars of Our Revolution, Yvon Lambert, Paris Kochi - Muziris Biennal, Fort Kochi, India Crossing Brooklyn, Brooklyn Museum, Brooklyn, New York Ways of Working, According to an Office Desk, Upominki, Rotterdam AGITATIONISM, EVA International 2014, curated by Bassam El Baroni, Ireland's Biennial, Limerick City Unseen Presence, IMMA, Dublin #nostalgia, Glasgow International 2014, CCA, Glasgow To Meggy Weiss Lo Surdo, Happy Hours, CO2 gallery, Turin Canceled: Alternative Manifestations & Productive Failures, The Orseman Gallery, Smith College, Northampton, Massachusetts Simultáneo, La Tallera, Cuernavaca, México And I laid Traps for the Troubadours who get killed before they reached Bombay, Clark House Initiative, Bombay Flag Stavanger, curated by Randi Grov Berger and co-presented by Entrée, Kunsthall Stavanger, Norway video screening 25, ZERO, Milan 2013 Only to Melt, Trustingly, Without Reproach, curated by Tevz Logar, Skuc Gallery, Ljubljana Editionshow, Chert, Berlin I've Lost My Marbles, Totàl, Athens And So On And So Forth, curated by Margit Sade Lehni, Centre for Contemporary Art Riga, Latvia The Space Between Us, Courtesy, St - Ouen Please Come to the Show: Part II (1980 — Now), organised by David Senior, MoMA Library, New York Canceled: Alternative Manifestations & Productive Failures, Freedman Gallery, Albright College, Reading, PA Stranded Travelers, Atelier 35, Bucharest Just what is it that makes today so familiar, so uneasy?

Yet few artists could give these borrowings such a personal, sculptural immediacy, as exemplified by «Recall,» a 1973 piece now on view in Manhattan as part of a group show at Salomon Contemporary in Chelsea devoted to art once exhibited at an artist - run alternative space in SoHo called 112 Greene Street.

Selected Group Exhibitions 2012 SOFA Chicago, Perimeter Gallery, Chicago, IL 2011 SOFA Chicago, Perimeter Gallery, Chicago, IL 2011 ART Chicago, Perimeter Gallery, Chicago, IL 2010 SOFA Chicago, Perimeter Gallery, Chicago, IL 2010 Olympia Center Lobby Installation, Chicago, IL 2009 SOFA Chicago, Perimeter Gallery, Chicago, IL 2008 SOFA Chicago, Perimeter Gallery, Chicago, IL 2008 Perimeter Gallery, Chicago, IL Ceramic Sculpture, April 2008 - present 2007 «All The Difference» Group Ceramic Exhibition, University of Akron, Akron, OH 2007 Packer Schopf Gallery, Chicago, IL Large Sculpture, Summer 2007 2006 Aron Packer Gallery, Chicago, IL (January - May 2006) 2005 «Living Artists» Invitational Exhibition, Fine Arts Gallery, Chicago, IL 2004 «The More the Merrier» Group Invitational Exhibition, Viridian Artists @ Chelsea, New York, NY 2003 «Objects of Desire» Group Ceramic Exhibition, Northeastern Illinois University, Chicago, IL 2002 SOFA Chicago, Aron Packer Gallery, Chicago, IL 2002 «Natural History» Group Exhibition, Aron Packer Gallery, Chicago, IL 2001 «Member and Guest Exhibition» Fine Arts Building Gallery, Chicago, IL 1998 «New Work» Barat College, Lake Forest, IL 1992 «CAA / MFA: Juried Exhibition» College Art Association, Gallery 2, Chicago, IL 1989 «Artspace» Cleveland Center for Contemporary Art, Cleveland, OH 1988 «Faces at SPACES» (Mixed Media Self - Portrait) SPACES Alternative Gallery, Cleveland, OH 1988 «Off the Wall» (Paintings) Cleveland Center for Contemporary Art, Cleveland, OH 1988 «Three Emerging Artists» (Ceramics and Paintings) Akron Woman's City Club, Akron, OH 1987 «Northeast Ohio Ceramic Invitational» Cuyahoga Valley Art Center, Cuyahoga Falls, OH 1987 «Women at Work» Juried Exhibition, Third Place Award, Perkins Gallery, University of Akron, Akron, OH 1987 «Artists of Studio 828» Studio 828, Akron, OH 1986 «Explore and Discover» Akron Art Museum, Akron, OH 1986 «Drawing in Foundation Studies in Art: Goals and Strategies» National Exhibition, Allen R. Hite Art Institute, The University of Louisville, Louisville,ART Chicago, Perimeter Gallery, Chicago, IL 2010 SOFA Chicago, Perimeter Gallery, Chicago, IL 2010 Olympia Center Lobby Installation, Chicago, IL 2009 SOFA Chicago, Perimeter Gallery, Chicago, IL 2008 SOFA Chicago, Perimeter Gallery, Chicago, IL 2008 Perimeter Gallery, Chicago, IL Ceramic Sculpture, April 2008 - present 2007 «All The Difference» Group Ceramic Exhibition, University of Akron, Akron, OH 2007 Packer Schopf Gallery, Chicago, IL Large Sculpture, Summer 2007 2006 Aron Packer Gallery, Chicago, IL (January - May 2006) 2005 «Living Artists» Invitational Exhibition, Fine Arts Gallery, Chicago, IL 2004 «The More the Merrier» Group Invitational Exhibition, Viridian Artists @ Chelsea, New York, NY 2003 «Objects of Desire» Group Ceramic Exhibition, Northeastern Illinois University, Chicago, IL 2002 SOFA Chicago, Aron Packer Gallery, Chicago, IL 2002 «Natural History» Group Exhibition, Aron Packer Gallery, Chicago, IL 2001 «Member and Guest Exhibition» Fine Arts Building Gallery, Chicago, IL 1998 «New Work» Barat College, Lake Forest, IL 1992 «CAA / MFA: Juried Exhibition» College Art Association, Gallery 2, Chicago, IL 1989 «Artspace» Cleveland Center for Contemporary Art, Cleveland, OH 1988 «Faces at SPACES» (Mixed Media Self - Portrait) SPACES Alternative Gallery, Cleveland, OH 1988 «Off the Wall» (Paintings) Cleveland Center for Contemporary Art, Cleveland, OH 1988 «Three Emerging Artists» (Ceramics and Paintings) Akron Woman's City Club, Akron, OH 1987 «Northeast Ohio Ceramic Invitational» Cuyahoga Valley Art Center, Cuyahoga Falls, OH 1987 «Women at Work» Juried Exhibition, Third Place Award, Perkins Gallery, University of Akron, Akron, OH 1987 «Artists of Studio 828» Studio 828, Akron, OH 1986 «Explore and Discover» Akron Art Museum, Akron, OH 1986 «Drawing in Foundation Studies in Art: Goals and Strategies» National Exhibition, Allen R. Hite Art Institute, The University of Louisville, Louisville,Art Association, Gallery 2, Chicago, IL 1989 «Artspace» Cleveland Center for Contemporary Art, Cleveland, OH 1988 «Faces at SPACES» (Mixed Media Self - Portrait) SPACES Alternative Gallery, Cleveland, OH 1988 «Off the Wall» (Paintings) Cleveland Center for Contemporary Art, Cleveland, OH 1988 «Three Emerging Artists» (Ceramics and Paintings) Akron Woman's City Club, Akron, OH 1987 «Northeast Ohio Ceramic Invitational» Cuyahoga Valley Art Center, Cuyahoga Falls, OH 1987 «Women at Work» Juried Exhibition, Third Place Award, Perkins Gallery, University of Akron, Akron, OH 1987 «Artists of Studio 828» Studio 828, Akron, OH 1986 «Explore and Discover» Akron Art Museum, Akron, OH 1986 «Drawing in Foundation Studies in Art: Goals and Strategies» National Exhibition, Allen R. Hite Art Institute, The University of Louisville, Louisville,Art, Cleveland, OH 1988 «Faces at SPACES» (Mixed Media Self - Portrait) SPACES Alternative Gallery, Cleveland, OH 1988 «Off the Wall» (Paintings) Cleveland Center for Contemporary Art, Cleveland, OH 1988 «Three Emerging Artists» (Ceramics and Paintings) Akron Woman's City Club, Akron, OH 1987 «Northeast Ohio Ceramic Invitational» Cuyahoga Valley Art Center, Cuyahoga Falls, OH 1987 «Women at Work» Juried Exhibition, Third Place Award, Perkins Gallery, University of Akron, Akron, OH 1987 «Artists of Studio 828» Studio 828, Akron, OH 1986 «Explore and Discover» Akron Art Museum, Akron, OH 1986 «Drawing in Foundation Studies in Art: Goals and Strategies» National Exhibition, Allen R. Hite Art Institute, The University of Louisville, Louisville,Art, Cleveland, OH 1988 «Three Emerging Artists» (Ceramics and Paintings) Akron Woman's City Club, Akron, OH 1987 «Northeast Ohio Ceramic Invitational» Cuyahoga Valley Art Center, Cuyahoga Falls, OH 1987 «Women at Work» Juried Exhibition, Third Place Award, Perkins Gallery, University of Akron, Akron, OH 1987 «Artists of Studio 828» Studio 828, Akron, OH 1986 «Explore and Discover» Akron Art Museum, Akron, OH 1986 «Drawing in Foundation Studies in Art: Goals and Strategies» National Exhibition, Allen R. Hite Art Institute, The University of Louisville, Louisville,Art Center, Cuyahoga Falls, OH 1987 «Women at Work» Juried Exhibition, Third Place Award, Perkins Gallery, University of Akron, Akron, OH 1987 «Artists of Studio 828» Studio 828, Akron, OH 1986 «Explore and Discover» Akron Art Museum, Akron, OH 1986 «Drawing in Foundation Studies in Art: Goals and Strategies» National Exhibition, Allen R. Hite Art Institute, The University of Louisville, Louisville,Art Museum, Akron, OH 1986 «Drawing in Foundation Studies in Art: Goals and Strategies» National Exhibition, Allen R. Hite Art Institute, The University of Louisville, Louisville,Art: Goals and Strategies» National Exhibition, Allen R. Hite Art Institute, The University of Louisville, Louisville,Art Institute, The University of Louisville, Louisville, KY

In addition to showings at various galleries and art fairs in the past, Von Bruenchenhein's work has been showcased in numerous museum exhibitions, including the above - mentioned solo survey at the American Folk Art Museum in 2010 - 11; «Alternative Guide to the Universe,» at the Hayward Gallery in London in 2013, and «The Encyclopedic Palace,» the main, international group exhibition at the 2013 Venice Biennaart fairs in the past, Von Bruenchenhein's work has been showcased in numerous museum exhibitions, including the above - mentioned solo survey at the American Folk Art Museum in 2010 - 11; «Alternative Guide to the Universe,» at the Hayward Gallery in London in 2013, and «The Encyclopedic Palace,» the main, international group exhibition at the 2013 Venice BiennaArt Museum in 2010 - 11; «Alternative Guide to the Universe,» at the Hayward Gallery in London in 2013, and «The Encyclopedic Palace,» the main, international group exhibition at the 2013 Venice Biennale.

Olds» research focuses on artists» groups in the 1970s and the networks they forged as alternatives to mainstream institutions such as the art gallery, mass circulation journal, and network television.

But first and foremost, between a place and candy shows the impact of the 1970s Pattern & Decoration (P&D) movement, a group of disparate artists dedicated to providing a viable alternative to the slick Minimalist art pervasive at the time.

January 27th, 8:30 am - 5 pm AST: Community Forum and Arts for Resistance at Humacao with the Community Support Groups (CAM), energy, food sovereignty, and health groups, to combat disaster capitalism and put forth alternative systems for a Just TransGroups (CAM), energy, food sovereignty, and health groups, to combat disaster capitalism and put forth alternative systems for a Just Transgroups, to combat disaster capitalism and put forth alternative systems for a Just Transition.

Abuse and the media / Abuse or neglect / Abused children / Acceptance (1) / Acceptance (2) / Activities (1) / Activities (2) / Activities (3) / Activities (4) / Activities (5) / Activity / Activity groups / Activity planning / Activity programming / AD / HD approaches / Adhesive Learners / Admissions planning / Adolescence (1) / Adolescence (2) / Adolescent abusers / Adolescent male sexual abusers / Adolescent sexual abusers / Adolescent substance abuse / Adolescents and substance abuse / Adolescents in residential care / Adult attention / Adult attitudes / Adult tasks and treatment provision / Adultism / Adults as enemies / Adults on the team (50 years ago) / Advocacy / Advocacy — children and parents / Affiliation of rejected youth / Affirmation / After residential care / Aggression (1) / Aggression (2) / Aggression (3) / Aggression (4) / Aggression and counter-aggression / Aggression replacement training / Aggression in youth / Aggressive behavior in schools / Aggressive / researchers / AIDS orphans in Uganda / Al Trieschman / Alleviation of stress / Alternative discipline / Alternatives to residential care / Altruism / Ambiguity / An apprenticeship of distress / An arena for learning / An interventive moment / Anger in a disturbed child / Antisocial behavior / Anxiety (1) / Anxiety (2) / Anxious anxiety / Anxious children / Appointments: The panel interview / Approach / Approach to family work / Art / Art of leadership / Arts for offenders / Art therapy (1) / Art therapy (2) / Art therapy (3) / A.S. Neill / Assaultive incidents / Assessing strengths / Assessment (1) / Assessment (2) / Assessment (3) / Assessment and planning / Assessment and treatment / Assessments / Assessment of problems / Assessment with care / Assign appropriate responsibility / Assisting transition / «At - risk» / / Attachment (1) / Attachment (2) / Attachment (3) / Attachment (4) / Attachment and attachment behavior / Attachment and autonomy / Attachment and loss / Attachment and placed children / Attachment issue / Attachment representations / Attachment: Research and practice / Attachment with staff / Attention giving and receiving / Attention seeking / Attitude control / Authority (1) / Authority (2) / Authority, control and respect / Awareness (1) / Awareness (2)