«Established in 2000, the Sundaram Tagore Gallery has become one of the most important
alternative cultural spaces in New York, with a focus on a dialogue between Western and non-Western cultures.»
Not exact matches
For education research, Nguyen contributes an important and understudied perspective on popular and
alternative spaces of learning; also she demonstrates the Vietnamese case of public education and
cultural library policy under different political and historical regimes.
Since the nineties, however, the city's art scene has progressively flourished due to a growing number of artists who have either relocated or returned to Guadalajara to set up studios, galleries,
alternative project
spaces or residencies that have positioned the city as a
cultural center rivaling Mexico City.
This exhibition uses these five artists / artist groups» as case studies to trace how their collaborative practices and
alternative cultural infrastructures functioned like laboratories for testing the political possibilities of experimental artist - run
spaces.
The
alternative -
space movement of the last few decades has been characterized by artists developing their own
cultural infrastructure to support changing methods of production, in particular performance and emerging technologies.
One of the historic
alternative contemporary art centers in the United States, 18th Street is a leader in international residencies and
cultural exchange, as well as the home base for seminal not for profit artist organizations Highways Performance
Space, EZTV, and Electronic Café International.
As awareness of the
cultural, economic, and artistic contributions art
spaces make within local and regional areas rises, coupled with drastic reductions in public funding over the past several years; a second wave of «
alternative art
spaces» has emerged.
Sitting on the heights of the historic hill of La Croix - Rousse in Lyon, La Salle de Bains has, over the past 15 years, become a key
alternative not - for - profit exhibition
space for international contemporary artists in the city's
cultural landscape.
In agreeing to curate the 2018 PMA Biennial, Nat May, the former executive director of Portland's groundbreaking
alternative arts venue
SPACE Gallery, wanted to ensure the exhibition raised awareness of the
cultural moment in Maine and America, and focus on artists participating in those conversations.
Exhibition venues include The Flint Institute of Arts, Flint Michigan, the Mint Museum in Charlotte, North Carolina; The Wadsworth Athenaeum, Hartford, Connecticut; Art
Space in Baltimore, Maryland; the Bronx Museum, Bronx, NY; Museum of the City of New York, N.Y. the N.Y. Huntington Hartford
Cultural Center, New York City; and The
Alternative Museum in New York City.
Your first show at the Power Station was in 2011 and you founded the
space as a way to build up the
cultural landscape in Dallas, where
alternative art
spaces were thin on the ground.
Bushwick has been compared to the 1980s East Village6 (validated by the New Museum's East Village USA, 2004, organized by Dan Cameron).7 Many of the exhibition
spaces in Bushwick were in Exit Art's historical survey
Alternative Histories (2010).8 Art
spaces appeared in the East Village in the 1970s, long before the
cultural explosion of the 1980s.
Olly Olly, an
alternative art
space in Fairfax, VA, presents Embracing the Power of Artistic Practice, a new collection of art in conjunction with Al - Mutanabbi Street Starts Here DC 2016, a book arts and
cultural festival taking place throughout the Washington, DC area from January through March 2016, commemorating the 2007 bombing of Baghdad's historic book selling street.
She started her career as a Graphic Designer, and shifted to the field of Art and
Cultural Management by working as an Assistant Curator at Project 304
alternative art
space in 2001.
Founded in 1976 by a passionate group of local artists and supporters, CAF was among a crop of
alternative art
spaces nationwide, which addressed a
cultural void by presenting contemporary, avant - garde art of living artists.
The continued mission of AS - AP at CCS Bard is to preserve, present, and protect the archival heritage of living and defunct, for - and not - for - profit
alternative spaces in an effort to better understand contemporary art and the
cultural and social history of the United States.
The Ho Chi Minh City - based institution is dedicated to promoting contemporary art through providing resources and
alternative exhibiting
spaces for local emerging artists, as well as running lectures and workshops that foster the exchange of
cultural knowledge across disciplines.
The exhibition broadly considers the work of the artists in the context of significant artistic and
cultural movements: mail art and artist correspondences; the rise of Chicano, gay, and feminist print media; the formation of
alternative spaces; fashion culture; punk music and performance; and artist responses to the AIDS crisis.
In collaboration with Icebox Project
Space Distance ≠ Time exhibition and performance, Black Quantum Futurism presents Time Camp 001, a two - day program and interactive installation exploring time,
alternative temporalities, time travel, and temporal shifts from various frameworks, disciplines, and
cultural traditions.
Russian contemporary artist Fyodor Pavlov - Andreevich creates provocative performances and site - specific installations as an
alternative public
space for the discussion of
cultural transformations, social and global processes.
Apart from two main venues in Hong Kong and the capital, a dedicated project
space has been inaugurated to host experimental exhibitions with the goal of breaking down
cultural boundaries and providing an
alternative vision to the global art market.
The screen printing workshop and POCI Figure Drawing class provide two examples of the ways Electric Machete carries out its stated mission of «[intervening] in
cultural displacement and racial inequalities by offering
alternative spaces, counter narratives and community building opportunities.»
Eligible for Q - INTERNATIONAL grants are non-Italian, non-profit public or private organizations whose purpose is the promotion of the contemporary visual arts, such as museums, university institutes, kunsthalle, kunstverein, kunsthaus, centres for contemporary art, foundations,
alternative spaces,
cultural associations and organisations such as biennials, triennials and quadrennials.
The key subject of the course is the Exhibition as Communicative
Space and will include: discussions about criticism and analysis of comprehensive phenomenon of how contemporary art, design, architecture, sound and performance, and publications as dominant art forms of visual culture adapt, co-exist, and conflict with market system; the course will reflect upon creative responses to conflict and crisis versus problems of value judgment on today's market - led
cultural phenomenon and
cultural movement, and the role of curator as a
cultural translator and mediator between the two; and exploration of
alternatives for ecological health of increasingly globalized art and culture.
Over the past two decades,
alternative spaces have proliferated in regional cities such as Accra, Contonou, Dakar and Douala, so it comes as no surprise that such institutions have led the way for
cultural and artistic expression in Lagos.
As social and
cultural space is shifting with the expansion of online accessibility the option to be portable and fluid becomes an
alternative to wholesale relocation.