Sentences with phrase «alternative spaces project»

Not exact matches

I was with reader Steve Pickering 100 per cent until he proposed a crewed space programme as an alternative project...

Projected fuel economy with the V6 engine is a bit disappointing, but the Atlas's space, performance, and European style should make it a viable alternative to rivals such as the Honda Pilot and Chevrolet Traverse.

Upstairs has more in common spiritually with smart, scruffy alternative spaces like Fireplace Project, the East Hampton gallery housed in a former garage, than it does with lavish white - tented to - dos with valet parking.

Ginger Brooks Takahashi's collaborative project - based, socially enraged practice is an extension of feminist spaces and queer inquiry, actively building community and nurturing alternative forms of information distribution.

This fourth installment of the Bloom Projects Exchange Series is generously hosted by the Santa Barbara Center of Arts and Technology (SBCAST), one of Santa Barbara's premier alternative art spaces.

Ms. Pasternak cut her teeth organizing exhibitions like «The Abortion Project» at alternative art spaces.

Since the nineties, however, the city's art scene has progressively flourished due to a growing number of artists who have either relocated or returned to Guadalajara to set up studios, galleries, alternative project spaces or residencies that have positioned the city as a cultural center rivaling Mexico City.

Curatorial projects include «Intransit,» Moti Hasson Gallery, NY, «Never Never Land,» University Gallery, Florida Atlantic University, Boca Raton, FL and Museum of Contemporary Art, Tampa, FL; «Crossing the Line» Queens Museum of Art, Queens, NY, among numerous others galleries and alternative spaces.

Through audio interviews with founders and key staff, a reading room of magazines and publications, documentation, ephemera and narrative descriptions, the exhibition will tell the story of pioneering spaces — like P.S. 1, Artists Space, Fashion Moda, Taller Boricua, ABC No Rio, The Kitchen, Franklin Furnace, Exit Art, 112 Greene Street, White Columns, Creative Time, Electronic Arts Intermix, Anthology Film Archives, Storefront for Art and Architecture, Just Above Midtown, and many more — as well as document a new generation of alternative projects such as Cinders, Live With Animals, Fake Estate, Apartment Show, Pocket Utopia, Cleopatra's, English Kills Art Gallery, Triple Candie, Esopus Space, and others.

So not unlike projects I had done in the past that came from writing, this exhibition was born from an essay that I was asked to write for the 2006 Whitney Biennial, Day For Night, where there was an assignment to address ideas of the underground and the alternative space.

Alternative Histories is a history of New York City alternative art spaces and projects sinceAlternative Histories is a history of New York City alternative art spaces and projects sincealternative art spaces and projects since the 1960s.

The National Endowment for the Arts and The New York State Council on the Arts have both awarded the Art Spaces Archives Project with substantial funding in support of projects relating to archiving alternative and avant - garde arts organizations throughout the United States.

Exit Art has announced their upcoming exhibition Alternative Histories, a history of New York City alternative art spaces and projects sinceAlternative Histories, a history of New York City alternative art spaces and projects sincealternative art spaces and projects since the 1960s.

ART LABS Art Labs are specially curated projects that are created in alternative spaces within the show by several leading Santa Fe - based art institutions, showcasing the thriving art landscape of the city.

The list of the exhibitors in this sector includes MCHG Maria Casado from Buenos Aires, an alternative to the rigidity of other spaces dedicated to art; Efrain Lopez from Chicago, committed to showcasing work by emerging and established visual artists that is visually engaging and conceptually captivating; Maximillian William from London, a 21st - century nomadic gallery; and Yam Gallery from San Miguel de Allende, an art project located in Central Mexico focusing on contemporary art.

The Sunroom Project Space provides an alternative to the kind of white - box setting a contemporary gallery might typically offer.

When the project space materializes in physical space, potential lived alternatives to its dominance by the global economy, political self - understanding becomes a real possibility.

The Velocity Fund, like all Warhol Foundation - supported regional re-granting programs, was created to reach «informal, non-incorporated artist collectives and to support their alternative gathering spaces, publications, websites, events and other projects.»

«Alternative Histories» documents that period through the fate of well over a hundred alternative art spaces and projects, although none ofAlternative Histories» documents that period through the fate of well over a hundred alternative art spaces and projects, although none ofalternative art spaces and projects, although none of their art.

Curated by Cecilia Alemani, (High Line Art, New York), Frieze Projects and Frieze Sounds comprise an annual program of new site - specific artworks, plus a creative tribute to a groundbreaking alternative space or artist project.

This project builds on and expands her approach to include significant museums, galleries and alternative art spaces on the West Coast selected in consultation with an advisory committee of curators, academics and artists.

Presently, Kotik works as a writer, lecturer, and independent curator, and facilitates various project for galleries, alternative spaces, and museums.

Taking its title from anthropologist Mary Douglas's analyses of how disturbances arise in the city's physical contours and social order, Matter Out of Place presents new work by New York — based artists who observe, represent, and activate public sites, generating alternative relationships to such strictly defined spaces as the housing project, park, and museum lobby.

Her practice fluctuates between collaborations and participatory projects with alternative gallery spaces within various communities to projects that are intimate and based upon her private experiences in relationship to historical events and contexts.

1991 14 th Street Dance Center / Emanu - el Midtown YM - YWHA Alternative Museum Karole Armitage / The Armitage Foundation Jeffrey Arsenault Artists Space Robert Ashley Bang on a Can Martha Bowers Sean Bronzell Trisha Brown / Trisha Brown Company The California E.A.R. Unit Bruce Checefsky Rick Cluchey / San Quentin Drama Workshop Coffee House Press Company Appels Composers» Forum Crossings Cunningham Dance Foundation Dancing in the Streets Dixon Place The Drawing Center Douglas Dunn & Dancers Exit Art Phill Niblock / Experimental Intermedia Foundation Molissa Fenley The Field Erin Fitzgerald Ain Gordon David Gordon / Pick Up Performance Company Harvestworks Martine Joste Jin Hi Kim & Joseph Celli The Kitchen Shelley Lee Dance Company David H. Macbride / GAGEEGO Maxine Moerman Meredith Monk / House Foundation for the Arts Ken Montgomery / Generator Movement Research New York Studio School of Drawing, Painting & Sculpture Bruce Odland The Orchestra of the S.E.M. Ensemble The Poetry Project Real Art Ways Roulette Michael Rush and Co. / New Haven Artists» Theater Mercy Sidbury Spencer / Colton (Amy Spencer & Richard Colton) Telluride Institute Donna Uchizono Urban Bush Women Volunteer Lawyers for the Arts Dan Wagoner Dance Foundation ZONE

Previously he was the Founder and Director of the alternative space, Raid Projects, an influential gallery which had an international Artist - In - Residency program (1998 - 2008).

Mark is executive director of Machine Project, a LA - based social experiment and alternative art space in Echo

She is an Associate Professor of Sculpture at The University of Texas at Austin and founded and directs 1/4 Hora Project Space, an alternative space in Elgin, TSpace, an alternative space in Elgin, Tspace in Elgin, Texas.

Strauss is an artist, curator, and the founder and director of White Flag Projects, a not - for - profit alternative art space in St. Louis, Missouri.

During the length of the exhibition the Alternative Spaces will present a week - long special project in a separate space within the show.

There have been subsequent, alternative presentations of the series and / or works at ILLUMInations, 54th Venice Biennale (2011), ICA, London (2011),: Hypercolon:, SMART Project Space (2011) and The Nest, Cobra Museum, Amstelveen (2011 — 12).

2nd Cannons Publications 98weeks Alternative Space LOOP Arrow Factory Arthub Asia Artis Artists Space Artspeak Auto Italia South East Ballroom Marfa Barbur Black Dogs Capacete Entertainment Casa Tres Patios Cinematheque de Tanger cneai = Collective Parasol Dispatch e-flux journal Elodie Royer and Yoann Gourmel - 220 jours Embassy gallery Filipa Oliveira + Miguel Amado FLUXspace FormContent Galerie im Regierungsviertel / Forgotten Bar Project Green Papaya Art Projects Hell Gallery Hermes und der Pfau i - cabin Intoart K48 Kling & Bang Latitudes L'appartement 22 Le commissariat Le Dictateur Light Industry Lucie Fontaine Lugar a dudas Mousse New Jerseyy Next Visit no.w.here Not An Alternative Or Gallery Oregon Painting Society Para / Site Art Space Peep - Hole PiST / / / Interdisciplinary Project Space Post-Museum PSL [Project Space Leeds] Rhizome Sala - Manca + Mamuta Sàn Art Scrawl Collective studio1.1 Swiss Institute The Mountain School of Arts The Museum of Everything The Royal Standard The Suburban The Western Front Society Thisisnotashop Torpedo tranzit.cz Viafarini DOCVA Vox Populi Western Bridge White Columns Y3K

Upcoming and past projects include The Inanimate Vastness of Sidereal Space, an environmental installation exploring 19th - century cosmology, Wave Hill, the Bronx, 2015; Mars Recruitment Center, an exhibition examining the proposed NASA colonization of Mars, Heliopolis, Brooklyn, 2014; and Contemplation Center, a naturally - lit alternative planetarium, DUMBO Arts Festival, Brooklyn, 2013.

Two of Miami's important artist resource programs will now be housed at Locust Projects, Miami's longest - running alternative art space

The program allows the Foundation to reach the sizeable population of informal, non-incorporated artist collectives and to support their alternative gathering spaces, publications, websites, events, and other projects.

The former alternative arts space was just one project launched under Heiss» nonprofit Institute for Art and Urban Resources Inc..

The project unfolds in eighteen chapters, each a distinct exhibition sited in a non-profit or alternative space in Manhattan.

The program allows The Andy Warhol Foundation for the Visual Arts to reach the sizable population of informal, non-incorporated artist collectives and to support their alternative gathering spaces, publications, websites, events and other projects.

In 2004, Sto co-founded the alternative arts space Cinders Gallery in NY which held exhibitions for 7 years and has since become a project - based non profit arts organization.

The students will then reflect on their experiences through a collaborative video performance, which will be installed along with other creative materials in the alternative art venue EFA Project Space in midtown Manhattan.

The pair are co-Directors of New Capital, an exhibition space, curatorial and consultancy working on corporate, public and alternative projects.

Aria Dean comes to Rhizome from Los Angeles where she was a writer, artist, and co-director of As It Stands LA, an alternative gallery and project space.

An excerpt from Time Out Bejing: ALTERNATIVE ART: TELESCOPE As a non-profit gallery, Telescope offers an alternative to commercial ones «As an artist, Telescope is my project, an art work in itself,» says James Elaine, the founder and curator of the Caochangdi - bALTERNATIVE ART: TELESCOPE As a non-profit gallery, Telescope offers an alternative to commercial ones «As an artist, Telescope is my project, an art work in itself,» says James Elaine, the founder and curator of the Caochangdi - balternative to commercial ones «As an artist, Telescope is my project, an art work in itself,» says James Elaine, the founder and curator of the Caochangdi - based space.

Colab was dependent on grants, too, starting with an encouraging sum of $ 6,000 received by the National Endowment for the Arts but, as David E. Little put it in an article on its early activities, the group also «developed a concept of an anti-hierarchical, artists - only organization that would serve as a hothouse for cultivating collaborative projects and would seek out flexible and multiple distribution outlets to reach audiences, from bars and movie houses to cable television and even alternative spaces.»

Mark is executive director of Machine Project, a LA - based social experiment and alternative art space in Echo Park, which creates events and site - specific installations bridging the intersections between seemingly disparate fields.

Tusman has curated dozens of exhibitions and public projects for a diverse group of universities, galleries, institutions, alternative spaces and public interventions including UCLA; California State University, Northridge; University of California, Riverside; Riverside Art Museum; Little Berlin; the Delaware Center for Contemporary Arts; Space 1026; Ontario College of Art and Design; and others.

For the final pair of projects, John Murphy and Suzanne Sebold investigate the potential of the «white cube» gallery as an alternative space for learning.

David Walsh, Elizabeth Pearce, Jane Clark 2013 ISBN 9780980805888 Lindsay Seers, George Barber, Frieze, January 2013 One of Many, Adrian Dannatt, Artist Comes First, Jean - Marc Bustamante (ed), Toulouse International Art Festival (exhibition catalogue), June 2013 All the World's a Camera: Notes on non-human photography, Joanna Zylinska, Drone ISBN 978 -2-9808020-5-8 (pg 168 - 172) 2013 Lindsay Seers, Artangel at the Tin Tabernacle - Jo Applin, ArtForum, December 2012 Lindsay Seers, Martin Herbert, Art Monthly, October 2012 Exhibition, Ben Luke, Evening Standard, (pg 60 - 61) 20 September 2012 Lindsay Seers @ The Tin Tabernacle, Sophie Risner, Whitehot Magazine, September 2012 Artist Profile: Lindsay Seers, Beverly Knowles, this is tomorrow, 12 September 2012 Dream Voyage on a Ghost Ship, Richard Cork, Financial Times, (pg 15) 11 September 2012 Nowhere Less Now, Amy Dawson, Metro (pg 56) 7 September 2012 Voyage of Discovery, Helen Sumpter, Time Out, (pg 42) 6 - 12 September 2012 Nowhere Less Now, Rachel Cooke, The Observer, (pg 33) 2 September 2012 Divine Interventions, Georgia Dehn, Telegraph Magazine, 25 August 2012 Eine Buhne fur das Ich, Annette Hoffmann, Der Sonntag, 25 March 2012 Das Identitätsvakuum - Dietrich Roeschmann, Badische Zeitung, 27 March 2012 Ich ist ein anderer - Kunstverein Freiburg - Badische Zeitung, 21 March 2012 Action Painting - Jacob Lundström, FLM NR.16, March 2012 Dröm - fabriken - Peter Cornell, Kultur, 21 February 2012 Vita duken lockar Konstnärer - Fredrik Söderling, Dagens Nyheter (pg 4 - 5) 15 February 2012 Personligen Präglad - Clemens Poellinger, SvD söndag, (pg 4 - 5) 12 February 2012 Uppshippna hyllningar till - Helena Lindblad, Dagens Nyheter (pg 8 - 9) 9 February 2012 Bonniers Konsthall - Sara Schedin, Scan Magazine, (pg 48 - 9) Febuary 2012 Ausstellungen - Monopol, (pg 120) February 2012 Modeprovokatörer plockas up par museerna - Susanna Strömquist, Dagens Nyheter (pg 8 - 9) January 2012 Promosing in Kabelvåg - Seers» «Cyclops [Monocular] at LIAF, Kjetil Røed, Aftenposten, 10 September 2011 Reconstructing the Past - Lindsay Seers» Photographic Narrative, Lee Halpin, Novel ², May / June 2011 Lindsay Seers, Oliver Basciano, Art Review, May 2011 Lindsay Seers, Jen Hutton, ArtForum Picks (online), April 2011 Lindsay Seers: an impossibly oddball autobiography, Murray Whyte, The Toronto Star, 13 April 2011 The Projectionist, David Balzer, Eye Weekly, 6 April 2011 dis - covery, exhibition catalogue, 2011 Lindsay Seers: It has to be this way ², Paul Usherwood, Art Monthly, April 2011 Lindsay Seers: Gateshead, Robert Clark, Guardian: The Guide, February 2011 It has to be this way ², 2011, novella published by Matt's Gallery, London Neo-Narration: stories of art, Mike Brennan, modernedition.com, 2010 Steps into the Arcane, ISBN 978 -3-869841-105-2, published 2010 It has to be this way1.5, novella 2010, published by Matt's Gallery, London Jarman Award, Laura McLean - Ferris, The Guardian, September 2009 Top Ten, ArtForum, Summer 2009 Reel to Real - On the material pleasure of film, Colin Perry, Art Monthly, July / August 2009 Remember Me, Tom Morton, Frieze, June / July / August 2009 It has to be this way, 2009, published by Matt's Gallery, London Lindsay Seers at Matt's Gallery, Gilda Williams, ArtForum, May 2009 Lindsay Seers: It has to be this way — Matt's Gallery, Chris Fite - Wassilak, Frieze, April 2009 Lindsay Seers: it has to be this way, Rebecca Geldard, Art Review, April 2009 Review of Altermodern - Tate Triennial 2009, Jorg Heiser, Frieze, April 2009 Tate Triennial: «Altermodern» — Tate Britain Feb 3 — April 26, 2009, Colin Perry, Art Monthly, March 2009 Lindsay Seers: It has to be this way (Matt's Gallery, London), Jennifer Thatcher, Art Monthly, March 2009 No sharks here, but plenty to bite on, Tom Lubbock, The Independent, 6 February 2009 Lindsay Seers: Tate Triennial 2009: Altermodern, Nicolas Bourriaud, Tate Channel, 2009 «Altermodern» review: «The richest and most generous Tate Triennial yet», Adrian Searle, The Guardian, Feb 2009 Critics» Choice for exhibition at Matt's Gallery, Time Out London, January 29 — February 4 2009 In the studio, Time Out London, January 22 — 28 2009 Lindsay Seers Swallowing Black Maria at SMART Project Space Amsterdam, Michael Gibbs, Art Monthly, Oct 2007 Human Camera, June 2007, Monograph book Published by Article Press Lindsay Seers, Gasworks, London, Pil and Galia Kollectiv, Art Papers (USA), February 2006 Review of Wandering Rocks, Time Out London, February 1 — 8, 2006 Aften Posten, Norway, Front cover and pages 6 + 7 for show at UKS Artistic sleight of hand — «Eyes of Others» at the Gallery of Photography, Cristin Leach, Irish Times, 25 Nov 2005 There is Always an Alternative, Catalogue (Dave Beech / Mark Hutchinson) 2005 Wunderkammer, Catalogue, The Collection, October 2005 Lindsay Seers» «We Saw You Coming»;» 20,000 Leagues Under the Sea»; «Apollo 13»; «2001», Lisa Panting, Sphere Catalogue (pg 46 - 50), Presentation House Gallery, 2004 Haunted Media (Site Gallery, Sheffield), Art Monthly, April 2004 Miser and Now, essays in issues 1, 2 + 3 Expressive Recal l - «You said that without moving you lips», Limerick City Gallery of Art, Dougal McKenzie, Source 37, Winter 2003 Braziers International Artists Workshop Catalogue, 2002 Review of Lost Collection of an Invisible Man, Art Monthly, April 2003 Slade - Hannah Collins, Chris Muller, Lindsay Seers, Elisa Sighicelli, Catherine Yass, (A journal on photography, essay by John Hilliard), June 2002 Radical Philosophy, 113, Cover and pages 26/30, June 2002 Elle magazine, June 2002, page 92 - 93 Review, Dave Beech, Art Monthly, June 2002 Nausea: encounters with ugliness, Catalogue Lindsay Seers, Artists Eye, BBC Programme by Rory Logsdail The Fire Station, a film by William Raban and a catalogue by Acme The Double, Catalogue from the Lowry, Lowry Press, July 2000 Contemporary Visual Arts, Roy Exley, June 1999 Hot Shoe, Chris Townsend.

Liza Essers, owner and director of the 50 - year - old Goodman Gallery, has long directed outreach efforts, «projects in what we call «alternative spaces» beyond the gallery walls to reach larger audiences.»

As a non-profit project space, A Tale of a Tub faces the constant challenge of achieving sustainability as an alternative project space.