Sentences with phrase «aluminum oil paint on canvas»

The shaped canvases of the Copper and Aluminum Paintings (completed between 1960 and 1962) are just as funny as their black counterparts, if not more so — especially «Avicenna» (1960), made from aluminum oil paint on canvas with a literal hole in its middle.

Aluminum oil paint on canvas, 74 1/2 x 72 in.

Not exact matches

David Humphrey's acrylic on canvas Heat Cycle, David Diao's acrylic and collaged on canvas Hammered Black and Blue, 2011, behindDonald Moffett's Untitled, Lot 010804, 2004/2011 oil and aluminum paint on linen with wood panel support with steel tacks, galvanized bucket, concrete, rebard, wood, sheet metal, rusted chains.

Center: Jackson Pollock, Number 27, 1950, Oil, enamel, and aluminum paint on canvas.

It is fabricated from oil paint, enamel paint, and alkyd paint on canvas, etched magnesium, aluminum and fiberglass.

Multi-panel paintings in oil and smaller paintings on canvas and aluminum formats explore the tundra fragmented into puddles and bits of ice with small cascades flowing over the rocks, reminders of accelerated seasonal changes melting ice fields and sea ice.

Other artists included Jim Dine, who had a one - person show; Renée Rubin, whose Coney Island Pinball (1958), made of aluminum and oil on canvas and wood, is on view; Martha Edelheit, represented by her multi-media painting Frabjous Day (1959); and Rosalyn Drexler, whose one - person show included works made of found objects, plaster, and melted lead.

The paintings represent a striking variety of surfaces and materials including oil on canvas, pastel graphite and charcoal on paper, vinyl polymer paint on aluminum, double - baked porcelain enamel on oxidized copper panels, and ink on glassine, to name some.

Fair use rationale for Image: La scienza della laziness (The Science of Laziness) by Frank Stella, 1984, oil, enamel and alkyd paint on canvas, etched magnesium, aluminum and fiberglass, National Gallery of Art (Washington, D. C.).

Image: La scienza della laziness (The Science of Laziness) by Frank Stella, 1984, oil, enamel and alkyd paint on canvas, etched magnesium, aluminum and fiberglass, National Gallery of Art (Washington, D. C.).

Steel frame, plywood, oil, paint and oil stick on canvas, 3 porcelain sculptures with painted aluminum, 3 concrete balls, and beer bottle caps, 41 x 64 1/4 x 64 1/4 inches (104 x 163 x 163 cm).

1 / 29 — David Maljković, All Day All Year, 2016, inkjet on canvas painted with oil colors mounted on aluminum composite panel and inkjet print on archival paper mounted on archival carboard, 150 x 224 cm

From 1947, the year he began to paint with aluminum and commercial paints, and to «drip» as well as brush his pigment on canvas, Pollock strained against the limits of oil painting.