After all, it's not
always about the image you're seeing, but the light behind it.
Not exact matches
«She was
always very thoughtful
about how her clothes would be interpreted, it was something that really mattered to her,» Anna Harvey, Vogue's former deputy editor who helped the princess to craft her
image, told the Telegraph.
Is «
image»
always about hiding what's inside?
It helps me (at least) to keep in mind that what ever we say and however
about «these things» we are
always inadequately indicating beyond our words and
images and myths — but also literalizing them, getting stuck inside our ways of talking.
But sometimes we earthlings can not get much further in our thinking
about such things as love, fidelity, commitment and caring than to summon forth the
image of some mama somewhere who will
always be for us the concrete human experience of such divine ideas.
It's hard to write
about anything else because my mind keeps returning to certain
images and scenes that I suspect will be with me
always:
Even though that
image may not
always be easy to see in me and in others, I choose to honor others and the
image of God in them by getting to know them so that I may learn to care
about them and love them with the love of Jesus.
Getting more hits, and concert tours, often did depend on the celebrity - friendly - manners and publicity - work that labels like Motown emphasized, but still, pop - music celebrity
always remained somewhat different from the
image - drenched Hollywood method of star - creation, which especially in the early days tended to be far more
about the star's type - cast and sex - appeal possibilities than acting talents.
images we want amangyang and Evans for me ud get two players for 90 # million with a lot change I mean a lot but my point is we want two them and yet can't get but we were offering 90 for lemer hahahaha think
about it there's smell off afc for years and years oh just mention we sold walcott, coq and Sanchez and ox and Gabriel haha only replacement is miki haha question is will
always is wenger or board who is playing chess with fans cheque mate all of us oh just pop in ozil doesn't no how sign he's name and jack went gluten - free and hasn't strength sign with lack gluten my god welcome to our promise with having better team than Bayern Munich dream on we be lucky get 5 this year sad state affairs
Same applies with this, there is
always an initial backlash when companies panic
about their
image
Embed from Getty
Images Unlike their Premier League form, Arsenal's approach to this competition has
always had a consistency
about it and we can expect a number of youngsters to feature...
You get angry cuz I am right and you claim I'm not but that's to keep your
image up as a loving person but your not it's all
about number one and trust me when I say this guy's can be bad but women are
always worse and deep down they know and use it but never admit it cuz they care what people think.
Think
about the
images that we see of breastfeeding — almost
always out the top of the shirt / buttoning down — this gives the impression to non-mothers and pregnant women that that's the only way to get boob out of clothing so they think they need to FLASH EVERYONE every time they go to feed the baby.
In cases like these, it's
always for your own good to be using a trendy diaper bag so that you won't have to worry
about projecting a professional
image among your associates anymore.
That way you won't have to worry
about where you take it or what kind of room it's in — it
always provides good
images.
Swimming is akin to meditation for Me, Something
about being weightless really makes me forget all of my insecurities and hang ups, even the niggling ones related to my body
image... I
always do swimming as the second half of my workout and as a reward for cardio / strength training alongside the sauna.
We
always try to promote a healthy body
image even when there are things you want to change
about yourself.
I don't know why people
always assume a rough look
image when they hear
about sportswomen where I think they possess a heart of looking stylish & seriously they do look super cool when they are playing.
Every time a new season is around the corner, I
always find it a little easier to get excited
about it after I've poured over pretty
image after pretty
image.
If you've ever seen my blog you know I blog
about fashion law so I
always like to give the heads up if I am making use of people's
images — even if I think it is a legal «fair use» of an
image.
One of the things I love most
about blogging is that I will
always have a visual record of my travels and experiences, but it's still really wonderful to physically have
images printed and displayed at home.
I continued to practice photographing my food so I had imagery for my column and would
always post my
images to my personal Facebook account, where my friends and family could comment on them and write
about recipes.
Alexandra [Shulman](formerly of British Vogue) was
always so narrow - minded
about her covers, they
always must be looking directly at the camera etc etc, but I genuinely think the most effective cover
images don't play by the rules in that way at all,» he pointed out.
«I first heard
about Mitra from a co-worker of mine; I was told that Mitra would help me find clothes that I feel comfortable in, that fit my body type, and that help represent the
image I've
always wanted to exude.
Dear Over-Exercising Lindsay at Lindsay's List has
always been pretty upfront
about her struggles with an eating disorder and body
image issues.
Hi Janet,
always beautiful
images it's no wonder your floral arrangment on that amazing chair went viral... As for being a big ebay seller, I think I remember this, I too was a big shabby chic seller when actions went crazy on us, then it slowed down to almost nothing, now it's all
about buy it now!
Upbeat, positive, friendly, great smile, working on the body
image,
always walk with crutches, 40 in January (2014) so reckon
about time to move my life forward and seek a new lady in my life, had a loving relationship with a suggar mummy but alas she passed on 6 years ago so im now looking for...
The President and his evil new oily gamesmaster (Philip Seymour Hoffman, bringing his» A» game as
always) have some fascinating conversations
about the right way to manipulate Katniss «public
image to the government «s advantage.
He explains that it's not
always about the sport but the
image and presentation, which highlights her class discrimination in the glamorous competition.
Included is an excellent new audio commentary by the
always informative film historian / author Troy Howarth; an additional audio commentary by director Peter Duffell and author Jonathan Rigsby; a new 10 - minute interview with second assistant director Mike Higgins; A-Rated Horror Film, a 17 - minute vintage featurette
about the film featuring interviews with director Peter Duffell and actors Geoffrey Bayldon, Ingrid Pitt, and Chloe Franks; the English and Spanish theatrical trailers for the film, both in HD; 4 radio spots; an animated
image gallery with 68 stills containing on - set photos, promotional materials, and advertisements; and a collection of Amicus radio spots and still galleries for Asylum, At the Earth's Core, From Beyond the Grave, Madhouse, Scream and Scream Again, Tales from the Crypt, The Beast Must Die, The Land That Time Forgot, The Mind of Mr. Soames, The People That Time Forgot, and Vault of Horror.
The real Abagnale made a very profitable life out of people's predetermined notions
about image (a couple of million dollars worth), and the film's humor comes from the way a charming young man, nicely dressed,
always ready with a smooth word or two is able to get whatever he wants.
I've
always been asked
about image and crushes - that infuriated me, says Oscar - nominated Saoirse Ronan
There are follow up activities that include * recognising the influences on our prejudices * reflecting on each person * defining prejudice * defining discrimination * Quick look at Galatians 3:28 * Consideration of lyrics from songs
about prejudice NB all
images are either personal
images or selected using BING where license has been selected as Free to modify, share and use commercially * I designed this lesson on my teaching practice and it has been a staple of my teaching every year since, when used for inspection or performance management observations (it has been used for both and interview) it has
always been rated as an excellent lesson.
Our online resources are
always developing and growing, to help us shape these resources for the better, please comment or complete the evaluation form via the link below to let us know
about your experience in using them: https://www.surveymonkey.co.uk/r/W6B3LYM Each
image is of a specimen within the University Museum of Zoology collection.
Rather than wait for the regulators to have their say — and, as former deputy secretary at the U.S. Department of Education Jim Shelton has observed, when regulators weigh in, they almost
always do so in a way that overreacts and far overshoots their mandate — those bootcamps that were concerned
about maintaining high quality and not conning students, got together to ensure that bootcamps would keep a good name and a positive
image by, in essence, self - regulating.
Which brings us to a conversation I've
always imaged must have happened in Japan, probably at Yamaha, probably
about 1979, when the Yamaha marketing staff brought a Harley to show the designers and engineers, probably in Hamamatsu.
When I was in college and graduate school, I wrote several short stories
about close extended families,
always with this central
image — the aunts around the dining room table, the uncles gathered around the TV, the quiet emphasis on food and children.
Originally from Colombia, she has
always been passionate
about the interplay between
image and word in newspaper strips, editorial cartoons, and the book arts in the Anglophone world and Latin America.
Whether she's writing
about Elvis Presley's megacolon or the stock
images that are used in flatulence advertisements, she's
always moving in a direction towards explaining or exploring her subject from another angle.
On Twitter,
images always receive far more retweets than my tweets
about my most researched blog posts.
Yes, people have a place in your brand story (let's face it, stories are
ALWAYS about people), but it is time to think beyond stock
images.
The big carrot is to create your own cohesive
image of the abandoned world, to get real big geeky
about the lore, something fans of Myst
always seemed to appreciate.
«As a film director, I feel it is my job to
always be telling the viewer what to think
about an
image or moment,» says photographer and director John Jencks.
It used to be so very frustrating to me that when I submitted my site to any analysis, it would
always make some comment
about having too many
images, and No content.
I'm
always conscious of the importance of naming conventions after working in the game industry for awhile — It's so easy to let things get out of control when you feel rushed or you haven't gotten your folders organized yet — I did go a step further and created an xml site map that also calls
images — At first I spent
about an hour looking for a free
images sitemap generator with no luck!
One belief that has remained constant with the gallery is that the work twe display is not
always about the name, but chiefly
about the
image and the art itself leading the way and leading the story.
Coming from a mechanical engineering background, I have
always been curious
about the paper, the chemicals and the inks used to produce photographic
images.
Metabolism and Communication, Zentrum fur Kunst und Medientechnologie, Center for Art and Media, Karlsruhe, Germany 2003 Love, Magazin4 Vorarlberger Kunstverein, Bregenz, Germany Patty Chang, Tracy Emin, Naomi Fisher, Paul McCarthy, The Moore Space, Miami, FL (performance, April 26) Water, Water, curated by Lilly Wei, The Rotunda Gallery, Brooklyn, NY Awakenings, Center for Curatorial Studies at Bard College, Annandale - on - Hudson, NY Feminine Persuasion, The Kinsey Institute and the School of Fine Arts Gallery, Indiana Univeristy, Bloomington, Indiana 2002 Videos in Progress, The RISD Museum, Providence, Rhode Island Le Plateau Frac Ile - de-France (performance only, November 7), Paris, France Mirror, Mirror on the Wall, MASS MoCA, North Adams, MA The Body Electric: Video Art and the Human Body, Cheekwood Museum of Art, Nashville, TN Americas Remixed, La Fabbrica del Vapore, Milan, Italy (performance / exhibition) Extreme Existence, curated by Klaus Ottmann, Pratt Manhattan Gallery, NY (performance / exhibition)(catalogue) Moving Pictures, Guggenheim Museum, New York Fusion Cuisine, Deste Foundation Centre for Contemporary Art, Athens, Greece (performance / exhibition), (Catalog available) Time Share, Sara Meltzer Gallery, NY Le Studio, Yvon Lambert, Paris, France Oral Fixations, curated by Sandra Firmin, Center for Curatorial Studies, Bard College, Annandale - on - Hudson, NY Panorama, curated by Carmen Zita, Room Interior Products, NY Superlounge, curated by Andrea Salerno & Mari Spirito, Gale Gates, Brooklyn, NY
About the Mind (Not Everything You
Always Wanted to Know), Video Cafe, organized by Hitomi Iwasaki, Queens Museum, NY Mirror
Image, curated by Russell Ferguson, UCLA Hammer Museum, Los Angeles, CA Traveled to: Bard College, Center for Curatorial Studies Museum, Annadale - on - Hudson, NY Perspectives: Artists of Chinese Descent in New York, Queens College Art Center, NY Traveled to: Firehouse Art Gallery, Nassau Community College, Garden City, NY, March - April 2003 2001 Bodily Acts, curated by Jennifer L. Gray, Center for Curatorial Studies, Bard College, Annandale - on - Hudson, NY Circus Maximus, BeganeGrond, Center for the Contemporary Arts, Utrecht, Holland Group Show, Hamburg Kunstverein, Germany (performance) Mimic, Gale Gates et al., Brooklyn, NY Casino 2001, 1st Quadrennial of Contemporary Art, Stedelijk Museum Voor Actuele Kunst and the Bijloke Museum, Gent, Belgium (performance / exhibition) Looking for Mr. Fluxus: In the Footsteps of George Maciunas, Art in General, NY La Hijas de la Tierra (The Daughters of the Earth), IODAC Museum of Contemporary, Spain Panic, Julie Saul Gallery, New York Video Jam, Palm Beach Institute of Contemporary Art, Lake Worth, Florida (brochure) 2001 Art + Performance + Technology, in conjunction with the 19th International Sculpture Conference, Wood Street Galleries, Pittsburgh, PA (performance) WET, Luise Ross Gallery, New York Trans Sexual Express Barcelona, Centre d'Art Santa Monica, Barcelona, Spain Smirk: Women, Art, and Humor, curated by Debra Wacks, Firehouse Art Gallery, Nassau Community College, New York 2000 Uncomfortable Beauty, Jack Tilton / Anna Kustera Gallery, New York Cross Female, Kunstlerhaus Bethanien, Berlin, Germany (performance / exhibition): Traveled to: Kunst - und Kunstgewerbeverein Pforzheim, Germany (April / May 2001) The Art of the Screen Saver, Stanford Art Museum / Cantor Art Center, Stanford, CA Traveled to: ICA, London, England (Feb - March 2002) Steamroller, performance festival organized by Galerie MXM, Prague, Czech Republic (Catalog available) Soma, Soma, Soma, The Sculpture Center, New York Performance Festival, Kunstpanorama, Lucern and USINE, Geneva The Standard Projection: 24/7, Standard Hotel, Los Angeles Deja vu, Art Miami 2000, Miami Beach Convention Center, Miami Beach Galerie Fons Welters (two person exhibition with Atelier van Lieshout), Amsterdam ID / y2k, Identity At The Millennium, Castle Gallery, College of New Rochelle, NY 1999 - 2000 Illusion Delusion Denial, 450 Broadway Gallery, New York Mug Shots, Center for Visual Art and Culture, University of Connecticut, Storrs, CT. 1999 IDENDITAT, hat man doch zu viel, Ort halle fur kunst, Feldstr.
This never stopped her from continuing to try new things, however, and she
always embedded an unapologetically feminist agenda within them: from using male pseudonyms to write
about her work when no one else would to her investigation of the abuse of women's
images through new media.
Aus dem Nachlass was produced in 2007 to accompany Oehlen's Whitechapel Gallery show I will
always Champion Good Painting and combines
images of artefacts belonging to Surrealist André Breton, which were
about to be sold at auction, with a portrait of Breton.