I'm of the persuasion that trailers should
always accompany the films they promote.
Not exact matches
It's less of an issue here than on the original Toy Story, where the logo change has actually necessitated losing a few seconds of the
film's original opening wallpaper shot, complete with the opening chords of Randy Newman's score that
always accompanied Pixar's Disney castle.
Disneynature
films are
always accompanied by a few standard bonus features.
The Set Up and Scene Selections are just still frames with an
accompanying,
always chipper,
film score.
Lelio lets Marina talk for herself, but he assists her with motifs that become increasingly frequent as the
film progresses, and his use of colour is
always accompanied by meaning.
A
always been the case, Row Three staff and contributors along with a few a regular reader or two provide a tiny capsule, a postcard if you will, of all the
films that they saw at the festival,
accompanied by an identifier - tag: [BEST], [LOVED], [LIKED], [DISLIKED], [DISAPPOINTED], [FELL ASLEEP], [WALKED OUT], [HATED] and [WORST].
As has
always been the case, regular Row Three contributors along with a few readers provide a tiny capsule, a postcard if you will, of all the
films that they saw at the festival,
accompanied by an identifier - tag: [BEST], [LOVED], [LIKED], [DISLIKED], [DISAPPOINTED], [FELL ASLEEP], [WALKED OUT], [HATED] and [WORST].
Tsui and his team follow the setup of Hu's
film exactly, going so far as to imitate the music of the original (the eunuch's arrival is
always accompanied by a memorable fanfare of atonal horns).
Jessie Jones: Working for
film obviously uses a different skill set, even ethos, when producing music as there's
always an image that you're
accompanying.
Edgar, Love your stuff and the music that
accompanies most of it; but dammit, (I don't know if it is intentional), but there
ALWAYS seems to be one track in all three of your feature
films, as well as one from the Spaced series that I can not figure out what it is.
Regarding the use of
film versions to
accompany Shakespeare texts, I've
always found it essential to distinguish that the director and the writer are two different people, and the
film and the play are two different text types.
From her first Houston exhibitions in public spaces, like Two Allen Center supporting the Asia Society's vision of creating their new building where Colton sponsored major contemporary Asian art exhibitions from Thailand, China and Japan in October of 2000, 2001 and 2002... to supporting FotoFest in 2002 by bringing the
film Downtown 81 featuring Jean Michel Basquiat to the Angelika
Film Center and the
accompanying exhibition to a funky art space restaurant in Montrose..., then going to Summer Street and opening Deborah Colton Gallery in 2004, which started the revitalization of that area... Colton has
always paved the way to help positive things happen for Houston in the future.