Sentences with phrase «always moves the character»

If you play the game with its original control scheme, pushing up always moves the character forward, while pressing left or right changes which direction they're facing.

This still doesn't solve the issue of the oft - hated «Resident Evil» control scheme, in which pressing up will always move your character forward, regardless of orientation on the screen.

Not exact matches

Joining a club of arsenal s stature has its ups and downs.There is a requirement of how our players should perform when on the pitch.The following is a list of players who were wrong to choose arsenal.Aaron ramsey - Even though he is the most favoured of all players at the club now.I cant help but think how it would have gone for Him if he decided to search for other greener pastures.He was a clear talented footballer during his time at cardiff but he hasnt been raised with the discipline at arsenal.You can always see ramseys all round strengths but sadly Its not helping him or the club with his foward moving pleasurr.He is so Over used and its sometimes difficult for him to get used to the rythm of the game.With time you realise he gets low ib confidence and his engine gets wasted.He needed somebody who would have managed him properly and with care and that person is certainpy not wenger.You would have been better off at Manu mate.Calum chambers - Came us a very talented player from southampton with raw talent.He was very good at first but wenger found a way to reduce his level of confidence.His inexperience was left exposed and wenger did nt do anything to resolve that problem and instead He looked for other talented players.Alex oxlade chamberlain - Another very talented player who needed only his skilled sharpened and his character modelled.That and he was ready to become a world beater.But wenger decided to let him run and run like a headless chicken causing him to be often injured and damaging his confidence.Who knows what would have happened to him gad he decided to look for more greener pasture.He is surely a much better player than this.Theo walcott - Another player who was tipped to have a very bright future.He had it in him.But all he needed was an appropriate manager who would nurture him with discipline and help him with his talent.But on Coming to arsenal he was given Much more responsiblities putting more weight on his shoulders on top of that another player who was recklessly managed with his talent and never coming off age because his character wasnt properly shaped.Mesut ozil - Al right i agree he perfoms well just recently.But imagine all the legendary players he was often compared to during his time at real madrid.On coming to arsenal he found no rotation often overused, suffered many injuries and his confidence dwindled.It is pretty clear arsene does not take any responsibility for players.And when at arsenal you have to be your own manager.You need not rely on your manager otherwise you might continue being the same player for the next many years.That is why each and every player are what they are because of their own efforts and wenger had nothing to do with it.Van persie was the same player for over 7 years untill he himself decided to change.Wenger only organises and prepares tge team while the rest is in your court.It is not what so many people make it out to be.Thats why we need to pressure wenger more than our own players.They are their own self managers and wenger needs to take that responsibility

these were groundbreaking stuff... they had issues with Khabib team and they really fought it out for real... not some fake PR move throwing whatever to the bus injuring others... trash talk was always there, from Tito ortiz to Chael Sonnen, but Chael was / is more comical about his thing and he is playing a character....

You know just like these thriller movies where you are always wondering what will be the next move of the character.

A much more restrained Xavier Dolan after his pretentious previous film, and he displays an assured direction and firm control of this suspenseful thriller, even though the narrative seems to move too fast as the characters start to act in ways that are not always convincing.

But no matter how realistically these characters move or blink or smile, there's always a coldness about them, particularly around the eyes, that makes them a little spooky.

This film is lively, always moving forward, constantly bubbling with mystery and suspicion and secrets, but the characters are always driving the film.

This is Schrader at his sparest; characters rarely look warm — the cinematography by Alexander Dynan («Dog Eat Dog») accentuates the wintry bleakness — the camera rarely moves during scenes, silences and awkward pauses abound, and the score by Brian Williams is used sparingly, but always effectively.

However, the characters the film does focus on get storylines that move them into new directions, something that even their solo films don't always accomplish.

Pausing the game and ordering your teammates to defeat commanders or defend / attack forts works really well, and the characters actually do a good job of fighting by themselves — even if they don't, you can always order them to move there, and then just take control of them when they arrive.

The bite of Baumbach's wit has always been firmly grounded in the absurdity of the familiar; if his characters find themselves stuck in clichéd scenarios, the way they move — and speak — within them never ceases to entertain.

With respect to eating, I've always run Snorlax with Leftovers as an item, and I think it would be very in character to allow it the chance to snack on some as a move.

If there's a real structural flaw here, though, it's one that is perhaps endemic to all comic books and their ceaseless interplay of daddy issues: because comics never move forward in time (and presumably, neither will the MCU), we always see these characters dealing with the mistakes of the past, and never repealing those mistakes for the future.

The main characters move inexorably, helplessly toward disillusionment and alienation even as they seem to be always standing in more or less the same spot: at the edge of a precipice.

The almost always - moving camerawork is dynamic, creepy and almost an additional character.

It's always a pleasure when a treasured character actor is handed a gift of a lead role (see also: Richard Jenkins in The Visitor) and Marsan delivers a quietly dignified, kind - hearted performance that is extremely moving.

As the story unfolds, and evolves from that of John Smith to John Rolfe (Christian Bale), it never loses its dreamlike aesthetic, conveyed through Lubezki's always - moving camera, but also through characters who say more in narration than they do in dialogue.

«So, for instance, sometimes we go a little colder and a little darker when we feel that the characters are maybe going to die, and we're always moving with them,» she says.

It's always a bad move in a screwball comedy to take your own characters and plot too seriously, and for long stretches, director Mel Smith (Bean, The Tall Guy) fancies Blackball as a movie worth taking seriously.

The story is the terrain the characters move through, and they are always the foreground.

«Bleed for This» isn't always subtle — which isn't a bad thing, especially in this case — but Eckhart underplays a character arc that's as moving, although not as prominent, as Vinny's.

The Bad - frustrating Galaxy Mode (single player) makes it difficult to unlock all characters, the right analog stick doesn't always respond to special moves

The camera is always on the move, rising as characters rise from their seats, or staying just a few steps ahead as they sprint from one location to the next.

I main Hammer, SnS and LBG on both MHF, MHFU and MHP3rd, my PSP versions of Monster Hunter, but recently, my analog stick has started «drifting» to the Left, causing my character to always move to the left, and it also hinders my ability to move to the right.

There's also some interesting gameplay choices that tie it better to the story; while characters have always have stat / job proficiencies in line with their personalities, such as Yangus» brutish nature being accompanied by minimal magic ability, DQ8 also acknowledges the Hero's curious exception to Dhoulmagus» curse by making him fully immune to curse moves in battle, complete with specific battle text that highlights this.

Marvel movies have always concentrated on moving the big picture along with the stories of each character and all of that will come full circle in Avengers Infinity War.

If you are moved by the drama of the everyday, if you appreciate a sustained narrative willing to follow its characters to their best and worst places, or if you have ever watched someone who suffers from a fatal illness, or the inevitabilities of aging, lose all quality of life due to the marvels of medicine - and then wondered if medicine always is so marvelous, you will want to give this book a chance.

It's always nice to find new series because you do fall in love with the characters and you want to see how they develop and move along.

Moving on... I did always see Gemma as sardonic, a social commentator in the vein of a Jane Austen character, and I think that stayed the same.

Typing Alt - H will always move your cursor back one space, positioning you to backspace over characters that you've already typed earlier (or to insert new letters).

Lorrie Moore's characters are always interesting and believable, and she peppers her profoundly moving story with great humor and in so doing has created my favorite kind of book, one that is both funny and poignant and provokes thought.

This is sports manga as it should always be done — moving, character (and relationship)- driven, and as deeply rooted in the lives of its characters as it is in the sport that brings them together.

If you compare it to games like Uncharted and Tomb Raider then yes I totally agree but to be fair the way the characters move have always been Remedy's style from Max Payne and Alan Wake.

There are always several characters to use that possess countless move combinations, and deep systems that will take countless hours to master.

This allows you to change each character's available moves, but always leaving the actual decision - making to the AI.

3D Character Artist, Animator The Mr. Nice Guy who's always there to lend you a helping hand, whether is helping someone to move or meet their deadline.

The thing I always loved about Tekken was that it was fairly easy to pick up but hard to master; you could feasibly button mash your way through a match as Eddy, hoping for the best, but if you took the time to actually master a character's complex moves you'd unearth a hidden depth of technicality that sits up there with the best.

Each character comes with their own moves and superpowers, so Megaman can use his power shot to mow down the horde, while Devil May Cry's Dante has his swords and duel pistols always on hand.

The fighting mechanics of Street Fighter II were always deep and intricate, and that all remains true here (though so do the original game's shortcomings, namely stiff character movements and many moves taking a good chunk of health, making for some disappointingly short matches).

it's cool to like the game system you like but to say wii u won't sell this Christmas is not smart plus even if they don't do all that well this holiday do you think when mario kart which I must say sold 34 million that's right 34 million on wii (sold more than all halos combined and gods of wars) when that comes out its gonna move units as well as smash bros... nintendo has an ace always because they have high selling first party characters that will always sell units if needed..

Since each character is fairly distinct (and non-replaceable, you will always have the same squad makeup), once you gain some levels and move into the deeper parts of the skill tree your means of entry into the different facilities opens up significantly.

With charming characters, quirky humor, unique power - ups and well - designed stages, the Shantae games always manage to bring a smile to the fans of a genre which has moved away from the spotlight for far too long.

Pausing the game and ordering your teammates to defeat commanders or defend / attack forts works really well, and the characters actually do a good job of fighting by themselves — even if they don't, you can always order them to move there, and then just take control of them when they arrive.

Whilst Final Fantasy XIII represented some positive moves forward for the series, it's Kingdom Hearts that has always found most favour with me personally: perhaps it's the Disney characters, perhaps it's the real time battles, perhaps it's the consistent story.

One complaint I have always had with these mulit - character / story Yakuza games is that by the time you level the character and get comfortable with them, you have finished their story and move on to the next character and started over from zero again.

The stand - out title for me has always been the last game released for the NES, Castlevania III, with it's branching story paths and ability to swap characters with distinctive move sets, giving the player genuine choices on how to approach the various levels.

But we've always pined to see her move around in a world that reflects the strong character art seen in those games.

While the overall goal was always just to shoot my opponent until their health bar drops to zero, I could move my character in three different states: normal, turbo and slow.

Matches move fast and are always a joy, plus the amazing selection of characters skins and powerful equipment will keep you in for the long haul.