Sentences with phrase «always see my vision»

I have to say, he doesn't always see my vision, but once things are put into action and start coming together, he loves it!

Not exact matches

With epic cinematography, «Amazing China» — produced by China Central Television and the state - owned China Film Group Co. Ltd. — articulates a message of how China would like to be seen as it pursues President Xi Jinping's vision of a globally resurgent nation, against a reality that doesn't always measure up.

But I will always work and pray from within the family to see us rise to who we were meant to be all along, God's glorious vision for humanity in full shalom.

He doesn't see it because of his privilege, because he has always existed in the system which limits his vision.

And any claim or belief that we see more or more deeply is always rightly going to be tested in those encounters where we find ourselves working for a vision of human flourishing and justice in the company of those who do not start where we have started.

This entails an understanding of exactly why the Magisterium is so central to the Church, why it is right to talk of «formal cooperation» with evil as always doing «irreparable harm -LSB-...] to the whole of society» and why the Catholic vision of sex, love and, so crucially, our woundedness (see Fr Cummings» article in this issue), is the right alternative to the prevailing hedonistic humanism.

Ozil has always been high on my list, seen him play at madrid as well, his game is all about beautiful passes, threading the needle, incredible vision, selflessness, perfect weighted balls, he is the guy that makes other players look better, just saying

What a terrifying vision of the future of football we've been served up this week.AC Milan, once the pride of a powerful and thriving seria A now reduced to shadow boxing against a really not that great United.All because they deserted their natural (and rather beautiful) defensive style of football to join the circus, brought in foreign players (especially brazilians) who think jogging back to defend is beneath them and generally put two fingers up to Italy's historic football traditions.Much good as it done them, and what a boring game?I concede that a lot of football fans nowadays do nt remember anything before the cheque book league but even they must have been struck by the sheer mind numbing pointlessness of it.Even the stewards were asleep by half time.As for the porto match well all that can be said is that they made the gooners look like an half decent well balanced football team, no mean achievement when you think about it.At least we, ve had the pleasure of listening to all those gooners and Mancs waffling on about how great they are which is always hilarious.Especially the stuff about Rooney, just wait till the World Cup when some Italian or South American defender takes him under his wing for half an hour and then see how great he is.If he can survive the WC without being sent off it will be a miracle.All the recent hype has done him no favours at all.Not that the World Cup really inspires these days, its glory days are long over and it's become a competition decided by referees rather than great play.Bear that in mind if Roons has to take the walk of shame, it's not his fault, someone told him he was a truly great player like Bobby Charlton or George Best.The problem is he looks like he believes them.

Even in a standard, front - facing seat, you can't always have them in your vision and also be able to see your blind spots while driving.

I always knew that, but seeing all of you across this state during my year has made that vision bigger and better for our future.

An anti-fog treatment keeps your vision clear so you can always see the cool things around you when you're snorkeling.

Valentino pieces are always stunning and I love how the recent resurgence of the house really stays true to Mr. Valentino's original vision that you can see so clearly in pieces like th...

Of course, the industry has always had a knack for trolling, but 2017 saw the carrying out of visions that lacked any and all explanation.

«Expansion has always been part of the vision, I have never been scared of growing the brand — seeing people use the product and buy the product has become a big reason why I do it.

Broaden her mind and vision, travel around the world, live a life that she may have only seen in movies... That's the most interesting part, her reactions to this fascinating lifestyle always determine her future and this relationship's ending.

The film rarely breaks away from Isabelle, but when it does the result always feels significant: when we see Duvauchelle alone on the Metro platform, for example, we may wonder if we are really seeing him or rather the taunting vision that Isabelle has of him in her longing.

It's always great to see Paul Bettany as The Vision, Chris Hemsworth as Thor, and Chris Evans as Steve Rogers.

Malick is always worth seeing, for nothing else but his audacity and vision.

Marvel has had a rocky history with directors with a vision, though I think this narrative is a little overplayed considering what we see on screen — the pre - and non-Avengers films have always had a bit of the filmmaker's character in there, so I expect Derrickson's style to show on screen.

«Our friends at Microsoft have always seen huge potential in Tomb Raider and have believed in our vision since our first unveil with them on their stage at E3 2011,» he writes.

She says, «I was always drawn to mission - and vision - driven organizations that saw a time or space when educational opportunities would be different, and those not receiving an outstanding education experience would.»

Whenever I see a great school, whether in the wealthiest community or the poorest, it always includes a principal with a strong, clear vision and a plan for how to execute that vision.

We see what we want to see in love and our skewed vision doesn't always reveal truth.

Experience — While Apple always wishes to see itself as an innovative company having a forward vision and with others only playing a catch up game, HP too has made its intentions clear in matching up to Apple in this aspect.

We share the same kind of vision and mission, and are always happy to see other players join forces to help books.

As an activist of incisive vision, she insisted that the organisation she created should always strive to see below surface level.

It is always heart - warming to see how having vision - impairing cataracts removed can improve the quality of life of our pets.

Peter Molyneux, one of the game developers for the Fable franchise, always talked of a grand vision for the morality system along with many other ambitious ideals that failed to see the light of day.

Inaba also highlighted the fact that he sees original IP as providing developers with an unrivaled opportunity to succeed: «Our vision has always been to create new IPs.

It always impresses me to see each individual's unique vision and approach to their ideas.

«My work has always been about vision, the process of seeing,» he said.

PJ: The studies are artworks and I see them as no different to the way a seventeenth century painter nearly always had studies as the basis of the larger vision of the painting.

2010 3 minute wonder series, Broadcast commission, Channel 4 (27,28,29,30 Sept; 18, 19, 20, 21 Oct) 06.2010 Persistence of Vision, FACT, Liverpool, UK 05.2010 Steps into the arcane, Kunstmuseum Thurgau, Switzerland 05.2010 It has to be this way ², National Gallery of Denmark, Copenhagen [commissioned solo show] 03.2010 Hands on, (curated by John Hilliard) Galerie Raum Mit Licht, Vienna, Austria 02.2010 Depatterrn, Galleri Erik Steen, Oslo, Norway 10.2009 Performance, Film Weekend: The Jarman Award at KunstHalle, Zurich, Switzerland 09.2009 Performance, Whitechapel Gallery, London, UK06.2009 Mostravideo, Itau Cultural Institute, Sao Paulo, Brazil 02.2009 Altermodern, Fourth Tate Triennial, Tate Britain, UK 01.2009 It has to be this way, Matt's Gallery, London [commissiond solo show] 12.2008 Performance, Event Horizon, Royal Academy of Art [commissioned solo show] 06.2008 Performance, Happy Hand, British Film Institute, London, UK 10.2007 Cinemart, The Auditorium, Rome, Italy 09.2007 Foreign Bodies, White Box, New York, USA 07.2007 Swallowing Black Maria, Smart Project Space, Amsterdam [commissioned solo show] 02.2007 The Believers, Touring show to five cities in Norway, with performances in Stavanger, Forde and Bergen 09.2006 The truth was always there, The Collection, Lincoln [commissioned solo show] 07.2006 UBS Opening, Tate Modern (with Laurie Simmons, Guerilla Girls etc), UK 05.2006 Performance, Human Camera, Mali Salon, Rijeka, Croatia (solo show) 05.2006 I can't tell you, Grundy Gallery, Blackpool [commissioned solo show] 04.2006 Metropolis Rise, CQL Design Centre, Shanghai; DIAF 2006 @ 798 Space, Beijing, China 04.2006 Performance, Inside, Great Eastern Hotel, Masonic Temple, London, UK 03.2006 Performance, Don't Look Through Me, Y Theatre, Leicester, UK 03.2006 Don't look through me, City Gallery Leicester [commissioned solo show] 03.2006 Performance, Screening at Witte de With / Tent, Rotterdam, Holland 03.2006 John Skies or Sally Swims, UKS Gallery, Oslo, Norway 02.2006 Wandering Rocks, Gimpel Fils Gallery, London 11.2005 Image in Me, Market Gallery, Glasgow (solo show) 10.2005 Eyes of Others, Gallery of Photography, Dublin [commissioned solo show] 10.2005 Wunderkammer, The Collection (curated by Edward Allington), Lincoln, UK 09.2005 I saw the light, Gasworks Gallery, London [commissioned solo show] 09.2004 Adam, Smart Projects, Amsterdam, Holland 11.2004 Mind the Gap, La Friche, Triangle, Marseille, France 08.2004 Shattered Love, Keith Talent Gallery, London 04.2004 Eating at Another's Table, Metropole Galleries, Folkestone (performance / exhibition) 04.2004 Tonight, Studio Voltaire, London (curated by Paul O'Neill) 03.2004 Performance, A Variety Night of Ventriloquism, FACT, Liverpool (with Ken Campbell, Aura Satz, Andrew Hubbard) 03.2004 Mesmer, Temporarycontemporary, London 02.2004 Haunted Media, Site Gallery, Sheffield (with Susan Hiller, Susan Collins, Scanner, Thompson / Craighead, S Mark Gubb) 09.2003 The Physical World, APT, London, (with Ian Dawson, Katie Pratt) 09.2003 Sphere, Presentation House Gallery, Vancouver, Canada (with Paul McCarthy, Bruce Nauman, Laurie Simmons and Allan McCollum) 09.2003 You said that without moving your lips, Limerick City Gallery, Ireland (solo show) 08.2003 Calidoscopio, Museo del Barro, Asuncion, Paraguay (solo show) 04.2003 A Taste for Sham, Studio 1.1, London (with Jo Bruton, Kirsten Glass) 01.2003 The Lost Collection of an Invisible Man, The Laing Art Gallery, Newcastle (curated by Brian Griffiths) 09.2002 History Revision, Plymouth Arts Centre (including Terry Atkinson) 06.2002 Nausea: encounters with ugliness, London Print Studio 04.2002 Dramatic Events, Kent Institute of Art and Design 03.2002 Photoscoptocus, Camden Lock / Henley - on - Thames (Public commission) 03.2002 Nausea, Djangoly Art Centre (with Dave Burrows, Beagles and Ramsay, Margarita Gluzberg, Mark Hutchinson) 08.2001 Trinity College, Zwemmer Gallery, London 05.2001 Black Bag, Old Operating Theatre Museum (+ monograph BBC programme, «Lindsay Seers, Artist's Eye», Rory Logsdail) 03.2001 For the dead travel fast, Worcester City Museum and Art Gallery [commissioned solo show] 02.2001 Molotov, Dilston Grove Gallery, London (with Kirsten Glass, Diann Bauer, Annie Whiles, Helen Paterson, Lisa Fielding Smith) 09.2000 Tow, Camden Lock, Millennium Commission Project (with Tim Head, Diana Edmunds, Janice Howard, Zoe Brown) 10.2000 Assembly, Stepney City, London 07.2000 A Shot In The Head, Lisson Gallery, London 07.2000 Unfound, Chisenhale Gallery, London 06.2000 City Projects, Artomatic, London (with Jemima Brown, Marcel Price) 05.2000 The Double, The Lowry Centre, Salford (with Thomas Ruff, James Reilly and Alice Maher) 05.2000 On the rock, APT Gallery, London (with Annie Whiles, Diann Bauer, Kirsten Glass, Helen Paterson) 09.1999 Nerve, ICA, London (with Jeremy Deller, Martin Creed, Dave Beech, John Isaacs, John Beagles, Dave Burrows, Clive Sall) 07.1999 Quotidian, Paper Bag Factory (curated by Julia Lancaster) 06.1999 Autocannibal, Laure Genillard Gallery, London (solo show) 04.1999 Cabin Fever, Gallery Herold Bremen, Germany, (with Caroline Macarthy and Mairead Maclean) 10.1998 Multiples, Temple Bar Gallery, Dublin 09.1998 Cannibal, Old Museum Art Centre, Belfast (solo show) 08.1997 Knock, Knock, Artists Work Programme, Irish Museum of Modern Art, Dublin 11.1996 Stick Your Hands Up, Acorn Storage, Hammersmith, London 10.1996 Ghost, ACAVA Open Studios, Denmark St, London 09.1996 Ad Hoc, London Artforms.

, you are lying on the floor of your place looking up, a small draft runs through the room, between the door and the window, and all things seem perfectly still, wind only disturbs concrete in imperceptible ways, or it may take millions of years to be noticed and, as the air runs through the space, all your plants move and all is animated and all is alive somehow, and here are the thoughts of all men in all ages and lands, they are not original with me, and that wind upon your plants is the common air that bathes the globe, and we have no ambitions of universalism, and I'm glad we don't, but the particles of air bring traces of pollen and are charged with electricity, desert sand, maybe sea water, and these particles were somewhere else before they were dragged here, and their route will not end by the door of this house, and if we tell each other stories, one can imagine that they might have been bathed by this same air, regrouped and recombined, recharged as a vehicle for sound, swirling as it moves, bringing the sound of a drum, like that Kabuki story where a fox recognizes the voice of its parents as a girl plays a drum made out of their skin, or any other event, and yet I always felt your work never tells stories, I tend to think that narrative implies a past tense, even if that past was just five seconds ago, one second ago was already the past, and human memory is irrelevant in geological time, plants and fish know not what tomorrow will bring, neither rocks nor metal do, but we all live here now, and we all need visions and we all need dreams, and as long as your metal sculptures vibrate they are always in the Present, and their past is a material truth alien to narrative, but well, maybe narrative does not imply a past tense at all and they are writing their own story while they gently move and breathe, and maybe nothing was really still before the wind came in, passing through the window as if through an irrational portal to make those plants dance, but everything was already moving and breathing in near complete silence, and if you're focused enough you can feel the pulse of a concrete wall and you can feel the tectonic movements of the earth, and you can hear the magma flowing under our feet and our bones crackling like a wild fire, and you can see the light of fireflies reflected in polished metal, and there is nothing magical about that, it is just the way things are, and sometimes we have to raise our voice because the music is too loud and let your clothes move to a powerful bass, sound waves and bright lights, powerful like the sun, blinding us if we stare for too long, but isn't it the biggest sign of love, like singing to a corn field, and all acts of kindness that are not pitiful nor utilitarian, that are truly horizontal as everything around us is impregnated with the deadliest violence, vertical and systemic, poisonous, and sometimes you just want to feel the sun burning your skin and look for life in all things declared dead, a kind of vitality that operates like corrosion, strong as the wind near the sea, transforming all things,

«I always see the world through color, although my vision, perspective and paintings are constantly influenced by new ideas and changing environments.

In so doing, he pre-empts conventional criticism, which will always be seen as partial and conservatively blinkered compared with his expansive vision.

We have always seen justice as an integral part of our sustainability vision.

While this vision loss is not always the same in every individual, there are common patterns that can be seen in different injuries.

I've had many former students contact me wanting to talk through issues they are encountering in practice, and it's always gratifying to see my vision for the law slowly making its way into the world.

«Since creating a new market space for customizable professional gaming controllers 5 years ago, our vision has always been to see the mass market benefit from the innovative features and functions we patented.

Over the years I have seen how those who share the same vision, who feel they are part of my business» on - going strategy and are on a joint pathway to success with me, are those that will always give my business more and their best.

He embraces vision not always seen by others.

Everything looks so comfortable and welcoming... Don't know about you, but even though I always get anxious for a project to get done I feel a little sad at the same time, because the process of creating it is so much fun — it's so cool to see your vision come together isn't it?

Your house always looks amazing and with those beautiful pumpkins adding to the vision of perfection I'm already looking forward to seeing more Fall related pictures.

I have a nice size kitchen with very little cabinet space.I made a closet into a pantry so all I need is a lil space for dishes.I just got married and received a very nice set of a olive green dish set that I have not opened because my cabinets need a real bad make over.The cabinets over the sink are coming apart from the wall.I know all we would have to do is replace the backs of the cabinet and mount them up properly on the wall.I tried to explain it to my husband < but he understands more when he sees it in writing.I have always loved the idea of cabinets with no doors.I love baskets as well and so I went on a hunt for a idea to bring my vision of what i would love my kitchen to look like.One day I decided to go on my favorite web site and I saw a picture of black cabinets, no doors with baskets.OMG..

I always love to see the completed product after the initial vision and hard work.

Seeing visions come to life is always rewarding.