Sentences with phrase «always standard front»

Placed low below the bumper — and also GTI - specific in design — are the vertically aligned and always standard front fog lights.

Not exact matches

In fact, I think that's the perfect way to sum up their current situation, thoroughly enjoying the early euphoria of a couple of stunning results against Wigan Athletic and Newcastle United before some hardhitting reality against two of the Premier League's most consistent sides, with the always title challenging Chelsea handing out a free lesson in how to play the beautiful game as Blackburn provided a much needed reality check that this league is brutal, that half - decent performances in front of your own fans still get severely punished if your own game isn't up to the high standards the Premier League demands.

Even in a standard, front - facing seat, you can't always have them in your vision and also be able to see your blind spots while driving.

As always, there is no one size fits all answer to what are the correct Front Squat strength standards, as strength levels and strength gains are very individual.

Even the hemline itself is versatile — there's the standard high - low with a strong contrast, but if that's too drastic for your taste, you can always opt for the more subtle difference with a back hemline that's still longer, but doesn't touch the ground, showing off a 360 ° leg view, or a longer front hemline that highlights the ankles.

I hoisted my 89 - year - old mother into the front passenger's seat — always a challenge in any vehicle that has an elevated ride height — and I was a little disappointed that it didn't have power up and down, only back and forth, but she was satisfied with the standard seat height.

Standard equipment consists of electronic stability control (ESC), anti-lock brake system with brake assist (ABS), tire pressure monitoring system (TPMS), tire mobility kit, tilt / slide power glass sunroof, power tailgate, full LED headlights (DRL's low / high beams, turn signals), Audi side assist, auto - dimming and power - folding heated exterior mirrors, heated 12 - way power front seats with driver memory, 4 - zone climate control, Audi advanced key (keyless entry and ignition), Audi MMI navigation plus with MMI touch, Bose surround sound system, Audi connect, Sirius satellite radio, Audi music interface with iPod cable, power adjustable tilting and telescoping steering column, garage door opener, Bluetooth, and Audi parking system plus with rearview camera.For more information on this amazing 2014 Audi RS7 or any of our 100 + High - Performance, Exotic and Special Interest Cars always in stock, please contact one of our friendly and knowledgeable sales consultants or always feel free to stop by our Bellevue, WA Park Place Ltd campus - where we have over 40,000 sq ft of indoor showrooms filled with the finest cars.

Standard equipment consists of; Quattro all - wheel drive system with sports rear differential, electronic stability control (ESC), Audi drive select, energy recuperation without start - stop system, tire mobility kit (without spare tire), power sunroof, full LED headlights (DRL's, low / high beams, turn signals), auto dimming / power folding / heated exterior mirrors, auto dimming interior mirror, front filler panel, front RS 7 heated sport seats, 12 - way power front seats with driver memory, leather - wrapped multifunction steering wheel with shift paddles, carbon fiber inlays, 4 - zone automatic climate control, Bose surround sound, head - up display, Audi navigation plus with MMI touch, Sirius satellite radio, Audi connect, Audi side assist, Audi advanced key, preparation for mobile phone (Bluetooth) with audio streaming, and parking system plus with rearview camera.For more information on this fantastic 2016 Audi RS 7 or any of our other 100 + Exotic, Sports, and Special Interest cars always in our inventory, contact our friendly and knowledgeable sales team, or always feel free to drop by our 40,000 + sq. ft. of Indoor Showrooms in Bellevue, WA - Home of the West Coast's Most Exciting Inventory of Luxury, Exotic, High Performance and Collectible Automobiles.

Standard equipment consists of Quattro all - wheel - drive, ventilated front disc brakes and solid rear disc brakes, electromechanical speed - sensitive power steering, tire pressure monitoring system (TPMS), panoramic sunroof with retractable sunshade, power adjustable heated exterior mirrors, 12 - way power adjustable heated front seats with lumbar adjustment, dual - zone automatic climate control, Audi advanced key, Audi music interface with iPod cable, driver information system, auto - dimming interior mirror with compass, 3 - spoke leather - wrapped multifunction steering wheel, Bluetooth, AM / FM / Satellite / CD / SD card reader, Sirius satellite radio, parking system plus with rearview camera, and rain and light sensor.For more information on this beautiful 2016 Audi Q3 Prestige Quattro or any of the 50 + luxury and high - performance sedans and SUVs always in our inventory, please contact one of our friendly and knowledgeable sales consultants and drop by our Bellevue, WA Park Place Ltd campus - where we have over 40,000 sq. ft. of indoor showrooms filled with the finest!

Spec Includes - Full Full Beluga Leather with Contrast White Stitching, Mulliner Driving Spec, Sports Exhaust, Contrast Stitching, Hand Stitching to Steering Wheel, Contrast Colour, Dark Tint Front & Rear Lamps, Exterior Mirrors in Beluga Gloss, LED Approach Lamps, Neck Warmer, Deep Pile Overmats to Front and Rear, First Aid Kit & Warning Triangle, 3 Spoke Heateded Steering Wheel, Single Tone, Hide, Ski Hatch, Electric + Heated + Memory Seats, 21» Inch Alloy Wheels, Storage Case to Centre Console, Twin Front Armrests, Ventilated Front Seats w. Massage Function, Wind Deflector, Adaptive Cruise Control, Battery Charger - UK adaptor, Bluetooth Telephone System with Privacy Handset, CD Charger, Rear View Camera, Wi - Fi Hotspost 4G, Keyless Entry, Auto Headlights and Wipers, Bi-Xenon Headlights, DAB Radio, Voice Control, Standard Features - Electric Windows Front and Rear, 8in High Resolution Touch Screen, Glacier White, 100 CARS IN GROUP STOCK - WE ALWAYS RECOMMEND CALLING OUR SALES TEAM PRIOR TO VIEWING ONE OF OUR VEHICLES TO AVOID ANY DISAPPOINTMENT IF SOLD - FOR MORE INFORMATION VISIT - www.auto-sportiva.com.

Nine Airbags Always a concern when driving a subcompact, the safety issue is laid to rest with standard airbags protecting the front and rear passengers.

While this layout is standard for rear - drivers, with the modern world and its AWD slap - happiness, ZF also offers a version of the 8HP with a gearset that sends power through a shaft to the front wheels; it's always used in conjunction with rear - drive, so there are no FWD - only 8HP applications.

Always a priority, the safety level has been upgraded by the presence of the «Active Brake Assist» as standard, a system that warns the driver if there is not sufficient distance to the vehicle in front and if required, delivers situation - appropriate braking.

Front and front side / head airbags, a knee airbag on the driver's side and ESP are also always stanFront and front side / head airbags, a knee airbag on the driver's side and ESP are also always stanfront side / head airbags, a knee airbag on the driver's side and ESP are also always standard.

For example, with supplemental side - curtain airbags throughout each seat row, supplemental front seat - mounted side airbags and multi-stage front airbags all standard across the Dodge Grand Caravan's models, you can be confident that you and your passengers are always well protected.

Like the original YotaPhone, the second - gen device features a standard smartphone display on the front and a unique e-ink panel around the back, and it's that «always - on display» which forms the YotaPhone 2's main point of differentiation.

Rebalance IRA embraces a fiduciary legal standard, and we always put the interests of our clients front and center.

David Walsh, Elizabeth Pearce, Jane Clark 2013 ISBN 9780980805888 Lindsay Seers, George Barber, Frieze, January 2013 One of Many, Adrian Dannatt, Artist Comes First, Jean - Marc Bustamante (ed), Toulouse International Art Festival (exhibition catalogue), June 2013 All the World's a Camera: Notes on non-human photography, Joanna Zylinska, Drone ISBN 978 -2-9808020-5-8 (pg 168 - 172) 2013 Lindsay Seers, Artangel at the Tin Tabernacle - Jo Applin, ArtForum, December 2012 Lindsay Seers, Martin Herbert, Art Monthly, October 2012 Exhibition, Ben Luke, Evening Standard, (pg 60 - 61) 20 September 2012 Lindsay Seers @ The Tin Tabernacle, Sophie Risner, Whitehot Magazine, September 2012 Artist Profile: Lindsay Seers, Beverly Knowles, this is tomorrow, 12 September 2012 Dream Voyage on a Ghost Ship, Richard Cork, Financial Times, (pg 15) 11 September 2012 Nowhere Less Now, Amy Dawson, Metro (pg 56) 7 September 2012 Voyage of Discovery, Helen Sumpter, Time Out, (pg 42) 6 - 12 September 2012 Nowhere Less Now, Rachel Cooke, The Observer, (pg 33) 2 September 2012 Divine Interventions, Georgia Dehn, Telegraph Magazine, 25 August 2012 Eine Buhne fur das Ich, Annette Hoffmann, Der Sonntag, 25 March 2012 Das Identitätsvakuum - Dietrich Roeschmann, Badische Zeitung, 27 March 2012 Ich ist ein anderer - Kunstverein Freiburg - Badische Zeitung, 21 March 2012 Action Painting - Jacob Lundström, FLM NR.16, March 2012 Dröm - fabriken - Peter Cornell, Kultur, 21 February 2012 Vita duken lockar Konstnärer - Fredrik Söderling, Dagens Nyheter (pg 4 - 5) 15 February 2012 Personligen Präglad - Clemens Poellinger, SvD söndag, (pg 4 - 5) 12 February 2012 Uppshippna hyllningar till - Helena Lindblad, Dagens Nyheter (pg 8 - 9) 9 February 2012 Bonniers Konsthall - Sara Schedin, Scan Magazine, (pg 48 - 9) Febuary 2012 Ausstellungen - Monopol, (pg 120) February 2012 Modeprovokatörer plockas up par museerna - Susanna Strömquist, Dagens Nyheter (pg 8 - 9) January 2012 Promosing in Kabelvåg - Seers» «Cyclops [Monocular] at LIAF, Kjetil Røed, Aftenposten, 10 September 2011 Reconstructing the Past - Lindsay Seers» Photographic Narrative, Lee Halpin, Novel ², May / June 2011 Lindsay Seers, Oliver Basciano, Art Review, May 2011 Lindsay Seers, Jen Hutton, ArtForum Picks (online), April 2011 Lindsay Seers: an impossibly oddball autobiography, Murray Whyte, The Toronto Star, 13 April 2011 The Projectionist, David Balzer, Eye Weekly, 6 April 2011 dis - covery, exhibition catalogue, 2011 Lindsay Seers: It has to be this way ², Paul Usherwood, Art Monthly, April 2011 Lindsay Seers: Gateshead, Robert Clark, Guardian: The Guide, February 2011 It has to be this way ², 2011, novella published by Matt's Gallery, London Neo-Narration: stories of art, Mike Brennan, modernedition.com, 2010 Steps into the Arcane, ISBN 978 -3-869841-105-2, published 2010 It has to be this way1.5, novella 2010, published by Matt's Gallery, London Jarman Award, Laura McLean - Ferris, The Guardian, September 2009 Top Ten, ArtForum, Summer 2009 Reel to Real - On the material pleasure of film, Colin Perry, Art Monthly, July / August 2009 Remember Me, Tom Morton, Frieze, June / July / August 2009 It has to be this way, 2009, published by Matt's Gallery, London Lindsay Seers at Matt's Gallery, Gilda Williams, ArtForum, May 2009 Lindsay Seers: It has to be this way — Matt's Gallery, Chris Fite - Wassilak, Frieze, April 2009 Lindsay Seers: it has to be this way, Rebecca Geldard, Art Review, April 2009 Review of Altermodern - Tate Triennial 2009, Jorg Heiser, Frieze, April 2009 Tate Triennial: «Altermodern» — Tate Britain Feb 3 — April 26, 2009, Colin Perry, Art Monthly, March 2009 Lindsay Seers: It has to be this way (Matt's Gallery, London), Jennifer Thatcher, Art Monthly, March 2009 No sharks here, but plenty to bite on, Tom Lubbock, The Independent, 6 February 2009 Lindsay Seers: Tate Triennial 2009: Altermodern, Nicolas Bourriaud, Tate Channel, 2009 «Altermodern» review: «The richest and most generous Tate Triennial yet», Adrian Searle, The Guardian, Feb 2009 Critics» Choice for exhibition at Matt's Gallery, Time Out London, January 29 — February 4 2009 In the studio, Time Out London, January 22 — 28 2009 Lindsay Seers Swallowing Black Maria at SMART Project Space Amsterdam, Michael Gibbs, Art Monthly, Oct 2007 Human Camera, June 2007, Monograph book Published by Article Press Lindsay Seers, Gasworks, London, Pil and Galia Kollectiv, Art Papers (USA), February 2006 Review of Wandering Rocks, Time Out London, February 1 — 8, 2006 Aften Posten, Norway, Front cover and pages 6 + 7 for show at UKS Artistic sleight of hand — «Eyes of Others» at the Gallery of Photography, Cristin Leach, Irish Times, 25 Nov 2005 There is Always an Alternative, Catalogue (Dave Beech / Mark Hutchinson) 2005 Wunderkammer, Catalogue, The Collection, October 2005 Lindsay Seers» «We Saw You Coming»;» 20,000 Leagues Under the Sea»; «Apollo 13»; «2001», Lisa Panting, Sphere Catalogue (pg 46 - 50), Presentation House Gallery, 2004 Haunted Media (Site Gallery, Sheffield), Art Monthly, April 2004 Miser and Now, essays in issues 1, 2 + 3 Expressive Recal l - «You said that without moving you lips», Limerick City Gallery of Art, Dougal McKenzie, Source 37, Winter 2003 Braziers International Artists Workshop Catalogue, 2002 Review of Lost Collection of an Invisible Man, Art Monthly, April 2003 Slade - Hannah Collins, Chris Muller, Lindsay Seers, Elisa Sighicelli, Catherine Yass, (A journal on photography, essay by John Hilliard), June 2002 Radical Philosophy, 113, Cover and pages 26/30, June 2002 Elle magazine, June 2002, page 92 - 93 Review, Dave Beech, Art Monthly, June 2002 Nausea: encounters with ugliness, Catalogue Lindsay Seers, Artists Eye, BBC Programme by Rory Logsdail The Fire Station, a film by William Raban and a catalogue by Acme The Double, Catalogue from the Lowry, Lowry Press, July 2000 Contemporary Visual Arts, Roy Exley, June 1999 Hot Shoe, Chris Townsend.

Another opponent of clean technology policies is Dr. Jonathan Lesser, president of the utility - backed consulting firm Continental Economics, who recently claimed in front of the Ohio Senate Public Utilities Committee that the cost of energy efficiency and renewable energy standards would always be more than the savings.