It is important to the artist that in the intentional
ambiguity of his abstract forms lurk chance reminders of human figures, animals and landscapes.
Not exact matches
Kate Hoffman's Dream Home series, photographs taken from performative collage collaborations, has a malleable quality that emphasizes the viewer's own socio - political leanings; Samira Yamin's intricate patterns
of Islamic sacred geometries cut into TIME Magazine photos
of war oscillate between greater
ambiguity and flirting with the didactic depending on the density
of the cuttings; Sandra de la Loza's photographs
of Stoner Spots underscore the politics
of leisure through the exploration
of pot - safe spaces, with a subtext
of the not - quite - yet absorbed by development; Scott Short's «
abstract» paintings replicate multiple generations
of photocopying through the prism
of Walter Benjamin; and Suzanne Wright will exhibit a deftly humorous Étant donnés-esque collage alongside mandala targets — each salves, in their respective
forms, for our tumultuous zeitgeist.
I have created rich fields
of marks that are clearly
abstract, mysterious and full
of ambiguities while paradoxically introducing the gestalt
of forms and metaphors.
While the paintings
of Wendell Gladstone's «Fever Pitch» at Shulamit Nazarian in Los Angeles are figurative in
form, the
ambiguity of the narratives they propose leans more in the direction
of the
abstract.
She filters the heroic style
of Michelangelo through her feminist and lesbian subject matter, yet in recent years her work has become more
abstract and less overtly narrative, encompassing psychological
ambiguity and looser painterly
forms.
Note: The auction record for a painting is nearly 1 800 000 USD (in 2011) The auction record for a lithograph is nearly 8 000 USD (in 2009) By the late 1950s Vieira da Silva was internationally known for her dense and complex compositions, influenced by the art
of Paul Cézanne and the fragmented
forms, spatial
ambiguities, and restricted palette
of cubism and
abstract art.
By the late 1950s she was internationally known for her dense and complex compositions, influenced by the art
of Paul Cézanne and the fragmented
forms, spatial
ambiguities, and restricted palette
of cubism and
abstract art.
[3] By the late 1950s she was internationally known for her dense and complex compositions, influenced by the art
of Paul Cézanne and the fragmented
forms, spatial
ambiguities, and restricted palette
of cubism and
abstract art.
Departing from elements
of landscapes like Berlin's construction sites or micro - and macroscopic pictures as a raw material, she rearranges those
forms, structures, colors and fields in an image making process which arrives at
abstract compositions
of ambiguity and multiple meaning.