I am particularly interested
in researching the
trading and mutual cultural influences between the Roman and the Chinese
worlds in the 1st to 4th centuries A.D.; however, I have never quite managed to pluck up the necessary courage to pursue this
ambition.
Considered by Guggenheim curator Jeffrey Weiss «one of Land Art's great transgressive masterpieces,» this poetic gesture, situated
in the shadow of the
World Trade Center, challenged the capitalist
ambitions of the NYC downtown landscape.