Almost at once — and by sheer chance — a career path opened when he was asked to install
the ambitious loan exhibition of Italian Renaissance paintings that Mussolini sent to London as a gesture of good will.
Not exact matches
Requesting the
loan of Crucifixion to the Royal Academy's major 2003
exhibition, Philip King (President, Royal Academy 1999 - 2004) wrote, «Crucifixion is not only one of the artist's most
ambitious and impressive works, it was also, significantly, the recipient of the Jerwood Prize, an accolade we hope to honour by including the work in the
exhibition.
At MUNAL, he oversaw the development of a five - year
exhibition program, including the organization of an
ambitious series of major international
exhibitions, among them: Landscapes of the Mind: British Landscapes from the Tate Collection (2015); The Male Nude: Dimensions of Masculinity from 19th Century and Beyond (2014); and Yo, el Rey: La Monarquía Hispánica en el arte (2015), which involved over 200
loans from 40 institutions, including the Prado, the Metropolitan Museum of Art, and The Royal House in Spain, and which set recent attendance records for MUNAL.
With the
ambitious plans ahead for the MFAH, including major
loan exhibitions of masterworks from the Prado, the Picasso Black and White
exhibition with the Guggenheim and more still in the planning stages, Deborah's role will be critical to assuring the continued success of the museum's initiatives.»