The people who created these posters — trained artists such as John Alvin and Drew Struzan — are royalty
among cinephiles and film memorabilia collectors.
But perhaps because he's rarely, if ever, worked outside his native Canada, he's yet to be a familiar name
among cinephiles around the world, something that will hopefully change thanks to his superb work on Sarah Polley «s «Take This Waltz.»
Christopher Nolan's name arouses a special kind of attention, not only
among cinephiles but, crucially, for once - a-year film - goers as well, an audience majority whose decision to go see a film relies...
His name doesn't spark an immediate opinion
among cinephiles in the fashion of Christopher Nolan, M. Night Shyamalan or Alfonso Cuarón, to name some filmmakers who have been releasing movies for roughly the same amount of time.
The lineup for the Cannes Film Festival is one of cinema's most closely guarded secrets, a super-exclusive list of auteurs and Hollywood faces that provokes intense speculation
among cinephiles worldwide.
It wasn't long after her 1998 graduation that the aspiring actress made her feature debut in the 2000 drama Our Song, with nominations for the film at the Independent Spirit Awards and the Sundance Film Festival serving to increase her exposure
among cinephiles, even if the film did go largely unseen by the masses.
Notwithstanding the recent interest, at least
among the cinephile set, in such films as this year's Cannes Grand Prix winner Old Boy (Park Chan - wook, 2003), and Spring, Summer, Fall, Winter... and Spring (Kim Ki - duk, 2003), Korean cinema remains an unknown quantity to most filmgoers.
Put a hype, young filmmaker who is already known
among cinephile circles (Pusher series) and team him with a versatile, talented actor who has a knack for choosing roles that only show his prowess and you've got a match made in heaven.
Not exact matches
A Lover's Discourse was published in 1977, three years before Barthes's death and eleven years before Denis made her first feature, and he was certainly a known quantity
among the Parisian
cinephile generation of the 1970s, when Denis was coming of age — for example, before starring in Jean Eustache's The Mother and the Whore (1973), Françoise Lebrun was a contributor to his journal Communications, and several critics, including Alain Philippon, have speculated as to Barthes's influence on the lovers» dialogues in Eustache's movie.
His films were huge box office hits, were critically celebrated, and won numerous international awards, yet he is not a household name, even
among many
cinephiles.
Even forgetting the completely silly and incongruous ending — which, in characteristic Italian fashion, implies that marriage is a fate far worse than death — «The 10th Victim» is a messed - up ball of competing impulses and half - baked ideas, and probably most famous
among younger
cinephiles, in pay - it - forward fashion, for inspiring the machine - gun - bosom lampooned in «Austin Powers.»
Arthur Penn may not be a household name
among young
cinephiles, but his iconic 1967 film «Bonnie and Clyde» was a brash boundary - pusher that opened the New American Cinema of the 1970s to extreme sex, violence, and a European sensibility.
For a
cinephile, Film Festivals represent the utmost excitement of being
among the first of audiences to partake in the year's newest cinematic offerings, and there is the anticipation of sussing out the buzz - worthy from the non-starters; the good from the bad.
The prospect of new work from 81 year - old veteran Jacques Rivette (whose «Celine and Julie Go Boating» ranks high in my personal canon) always sets mouths watering
among serious
cinephiles, while I'm personally most excited about a second consecutive trip to the Lido from Claire Denis.
Get in while you can, become the first
among your group of
cinephiles to see this film, recommend it to others and look like a genius.