VOTI was an online forum founded in 1998 — long before such forums were common — as a digital venue for discussion
among contemporary art curators, many of whom are among today's most prominent museum professionals.
VOTI was an online forum that was founded in 1998 — long before such forums were common — as a digital venue for discussion
among contemporary art curators, many of whom are among today's most prominent museum professionals.
Not exact matches
Art Miami art-miami.com In its 25th year, Art Miami is among the most noteworthy contemporary art events in the United States, annually attracting more than 72,500 collectors, curators, museum professionals and art enthusiasts from around the wor
Art Miami
art-miami.com In its 25th year, Art Miami is among the most noteworthy contemporary art events in the United States, annually attracting more than 72,500 collectors, curators, museum professionals and art enthusiasts from around the wor
art-miami.com In its 25th year,
Art Miami is among the most noteworthy contemporary art events in the United States, annually attracting more than 72,500 collectors, curators, museum professionals and art enthusiasts from around the wor
Art Miami is
among the most noteworthy
contemporary art events in the United States, annually attracting more than 72,500 collectors, curators, museum professionals and art enthusiasts from around the wor
art events in the United States, annually attracting more than 72,500 collectors,
curators, museum professionals and
art enthusiasts from around the wor
art enthusiasts from around the world.
Previously, he worked as an independent
curator, co-curating Basquiat (2005) at the Brooklyn Museum and One Planet Under a Groove: Hip - Hop and
Contemporary Art (2002) at the Bronx Museum of the
Arts,
among many others.
BOOKSHELF Published to coincide with the exhibition, «Speaking of People: Ebony, Jet and
Contemporary Art» features full - color images and contributions from Studio Museum in Harlem Director Thelma Golden,
curator Lauren Haynes, and artist Hank Willis Thomas,
among others.
From 2012 until 2015 he was the Manilow Senior
Curator at the Museum of
Contemporary Art Chicago where he curated and co-curated,
among other shows: Kerry James Marshall: Mastry (2016), The Freedom Principle: Experiments in
Art and Music, 1965 to Now (2015), Simon Starling: Metamorphology (2014), and The Way of the Shovel:
Art and Archaeology (2013).
Keith was chosen from
among these nominations by review committee members assembled by the High: Dr. Kellie Jones, the inaugural Driskell Prize recipient and associate professor and director of undergraduate studies in the department of
art history and archaeology at Columbia University; Valerie Cassel Oliver, the 2011 Driskell Prize recipient and senior curator of the Contemporary Arts Museum Houston; and the High's Wieland Family Curator of Modern and Contemporary Art, Michael Roo
art history and archaeology at Columbia University; Valerie Cassel Oliver, the 2011 Driskell Prize recipient and senior
curator of the Contemporary Arts Museum Houston; and the High's Wieland Family Curator of Modern and Contemporary Art, Michael
curator of the
Contemporary Arts Museum Houston; and the High's Wieland Family
Curator of Modern and Contemporary Art, Michael
Curator of Modern and
Contemporary Art, Michael Roo
Art, Michael Rooks.
As the final days of «
Contemporary Art / South Africa» (May 9 — Sept. 14) approach, the museum hosts a panel discussion among curators and artists discussing their «Multiple Perspectives» of the state of contemporary art in S
Contemporary Art / South Africa» (May 9 — Sept. 14) approach, the museum hosts a panel discussion among curators and artists discussing their «Multiple Perspectives» of the state of contemporary art in South Afri
Art / South Africa» (May 9 — Sept. 14) approach, the museum hosts a panel discussion
among curators and artists discussing their «Multiple Perspectives» of the state of
contemporary art in S
contemporary art in South Afri
art in South Africa.
Among the current and upcoming events involving Cameroonian
curators, the 12th edition of Dak»
Art: Biennale of
Contemporary African
Art curated by Simon Njami, opening 3rd May.
Again, the volume's uncanny foresight was born from its all - star lineup of global nominators, which counted
among its experts two future dOCUMENTA
curators, the two future Venice Biennale
curators, and the heads of the Serpentine Galleries, the Stedelijk, the Studio Museum in Harlem, the Ullens Center for
Contemporary Art, and other far - flung luminaries.
Nasher Museum Director Sarah Schroth (left) poses in the gallery
among works by Lynette Yiadom - Boakye with (from left to right) collector Pamela Joyner, artist Shinique Smith and Marshall N. Price, Nancy Hanks
Curator of Modern and
Contemporary Art.
Prior to his appointment with the National Gallery of Victoria, Baker was the
curator of
contemporary art at the Pennsylvania Academy of the Fine Arts and associate curator at the Institute of Contemporary Art, Philadelphia, where he organized exhibitions with artists including Robert Ryman, Ellen Harvey, Barry McGee, Chris Johanson, Margaret Kilgallen, and Laylah Ali, a
contemporary art at the Pennsylvania Academy of the Fine Arts and associate curator at the Institute of Contemporary Art, Philadelphia, where he organized exhibitions with artists including Robert Ryman, Ellen Harvey, Barry McGee, Chris Johanson, Margaret Kilgallen, and Laylah Ali, among othe
art at the Pennsylvania Academy of the Fine
Arts and associate
curator at the Institute of
Contemporary Art, Philadelphia, where he organized exhibitions with artists including Robert Ryman, Ellen Harvey, Barry McGee, Chris Johanson, Margaret Kilgallen, and Laylah Ali, a
Contemporary Art, Philadelphia, where he organized exhibitions with artists including Robert Ryman, Ellen Harvey, Barry McGee, Chris Johanson, Margaret Kilgallen, and Laylah Ali, among othe
Art, Philadelphia, where he organized exhibitions with artists including Robert Ryman, Ellen Harvey, Barry McGee, Chris Johanson, Margaret Kilgallen, and Laylah Ali,
among others.
Among them are Paul Schimmel, the longtime chief
curator at the Museum of
Contemporary Art in Los Angeles, who partnered with Hauser & Wirth two years ago to develop Hauser Wirth & Schimmel, a hybrid, museum - like gallery in a sprawling former flour mill in downtown Los Angeles, which will open early next year.
Prior to joining Artpace, Kanjo served as the
Curator of
Contemporary Art at the Portland Art Museum (1996 - 1999) where she managed a lively contemporary art program within the city's general museum, and secured selected acquisitions by such artists as Robert Irwin, Michael Lazarus, Claes Oldenburg, Diana Thater, a
Contemporary Art at the Portland Art Museum (1996 - 1999) where she managed a lively contemporary art program within the city's general museum, and secured selected acquisitions by such artists as Robert Irwin, Michael Lazarus, Claes Oldenburg, Diana Thater, among othe
Art at the Portland
Art Museum (1996 - 1999) where she managed a lively contemporary art program within the city's general museum, and secured selected acquisitions by such artists as Robert Irwin, Michael Lazarus, Claes Oldenburg, Diana Thater, among othe
Art Museum (1996 - 1999) where she managed a lively
contemporary art program within the city's general museum, and secured selected acquisitions by such artists as Robert Irwin, Michael Lazarus, Claes Oldenburg, Diana Thater, a
contemporary art program within the city's general museum, and secured selected acquisitions by such artists as Robert Irwin, Michael Lazarus, Claes Oldenburg, Diana Thater, among othe
art program within the city's general museum, and secured selected acquisitions by such artists as Robert Irwin, Michael Lazarus, Claes Oldenburg, Diana Thater,
among others.
Among the
curators involved are Laurence Sillars, chief
curator of the Baltic Centre for Contemporary Art; David Falkner, Gallery Director at Stanley Picker Gallery; Laura Sillars, Artistic Director at Site Gallery; Ingrid Swenson, Director of PEER; Alistair Hudson, Director of Middlesbrough Institute of Modern Art; Rosie Cooper, Project Curator at Liverpool Biennial; and Chris Clark critic and Senior Curator at Lewis Glucksman G
curator of the Baltic Centre for
Contemporary Art; David Falkner, Gallery Director at Stanley Picker Gallery; Laura Sillars, Artistic Director at Site Gallery; Ingrid Swenson, Director of PEER; Alistair Hudson, Director of Middlesbrough Institute of Modern
Art; Rosie Cooper, Project
Curator at Liverpool Biennial; and Chris Clark critic and Senior Curator at Lewis Glucksman G
Curator at Liverpool Biennial; and Chris Clark critic and Senior
Curator at Lewis Glucksman G
Curator at Lewis Glucksman Gallery.
No reason was given for the exit of the high - profile
curator, who currently holds positions at the Jewish Museum in New York, the Museum of
Contemporary Art in Detroit, the 2019 Honolulu Biennial, and the 3rd People's Biennial for the Indianapolis Museum of
Contemporary Art in 2019,
among others.
When Frieze Masters opened two years ago it was a very of - the - moment event, combining
contemporary and classical
art in a single setting in a way that has become increasingly voguish
among curators — just look at the last Venice Biennale or dOCUMENTA, for example.
Among the transfixed viewers was Helen Molesworth, the chief
curator at the Museum of
Contemporary Art, Los Angeles.
Egan has participated in many juried group exhibitions including some juried by: Peter Doroshenko (Executive Director, Dallas
Contemporary), Toby Kamps (
Curator of Modern and
Contemporary Art, The Menil Collection), Clint Willour (
Curator Emeritus, Galveston
Arts Center), and artists Annette Lawrence, Vincent Falsetta, and Erick Swenson
among others.
She previously worked as founding
curator of the Elizabeth A. Sackler Center for Feminist
Art at the Brooklyn Museum where she organized,
among other exhibitions, the critically acclaimed Global Feminisms: New Directions in
Contemporary Art (2007), co-curated with Linda Nochlin.
Jamillah James,
curator at the Institute of
Contemporary Art, was
among the jurors.
The exhibition
curator Simon Njami (b. 1962) has organized numerous exhibitions of
contemporary African
art,
among them «Africa Remix» (2004 — 2007).
Now in its ninth edition, «this program has been recognized as one of the most prestigious of its kind
among the Latin American
contemporary art community,» said Jesús Fuenmayor, CIFO Director and
Curator.
Before assuming her post at the Stedelijk Museum in 2010, Goldstein worked at the Museum of
Contemporary Art, Los Angeles (MOCA) for 26 years, holding the position of Senior
Curator,
among other roles.
Sherald was chosen from
among these nominations by review committee members assembled by the High: Andrea Barnwell Brownlee, the 2013 Driskell Prize recipient and director of the Spelman College Museum of Fine
Art; Valerie Cassel Oliver, the 2011 Driskell Prize recipient and curator of modern and contemporary art at the Virginia Museum of Fine Arts; and the High's Wieland Family Curator of Modern and Contemporary Art, Michael Roo
Art; Valerie Cassel Oliver, the 2011 Driskell Prize recipient and
curator of modern and contemporary art at the Virginia Museum of Fine Arts; and the High's Wieland Family Curator of Modern and Contemporary Art, Michael
curator of modern and
contemporary art at the Virginia Museum of Fine Arts; and the High's Wieland Family Curator of Modern and Contemporary Art, Mi
contemporary art at the Virginia Museum of Fine Arts; and the High's Wieland Family Curator of Modern and Contemporary Art, Michael Roo
art at the Virginia Museum of Fine
Arts; and the High's Wieland Family
Curator of Modern and Contemporary Art, Michael
Curator of Modern and
Contemporary Art, Mi
Contemporary Art, Michael Roo
Art, Michael Rooks.
Organized by Curatorial Director and
Curator of
Contemporary Art JoAnne Northrup with Collaborating
Curator, iconic Los Angeles artist Ed Ruscha, Unsettled makes connections
among the diverse cultures and artistic practices of this super-region.
He has been part of many juried group exhibitions including some juried by: Peter Doroshenko (Executive Director of the Dallas
Contemporary), Toby Kamps (
Curator at the Menil Collection), Clint Willour (curator at the Galveston Arts Center) and artists Annette Lawrence, Vincent Falsetta, and Erick Swenson among
Curator at the Menil Collection), Clint Willour (
curator at the Galveston Arts Center) and artists Annette Lawrence, Vincent Falsetta, and Erick Swenson among
curator at the Galveston
Arts Center) and artists Annette Lawrence, Vincent Falsetta, and Erick Swenson
among others.
Stevens was formerly the
curator and head of programs of San Francisco's CCA Wattis Institute for
Contemporary Art, where he curated shows devoted to work by Josephine Pryde, Carissa Rodriguez, and Ellen Cantor,
among others.
Cox began working as FAMSF's chief
curator in 2010, overseeing exhibitions and collection hangs in the museums» European paintings and decorative
arts, American
art, and
contemporary art departments,
among others.
The Canadian - based award carries a substantial $ 50,000 prize and features an impressive international list of nominators and judges, including Bisi Silva, an independent
curator and the founder / director of Centre for Contemporary Art, Lagos and Jennifer Blessing, Senior Curator of Photography at the Solomon R. Guggenheim Museum, New York, among
curator and the founder / director of Centre for
Contemporary Art, Lagos and Jennifer Blessing, Senior
Curator of Photography at the Solomon R. Guggenheim Museum, New York, among
Curator of Photography at the Solomon R. Guggenheim Museum, New York,
among others.
Devrim Bayar is
curator at WIELS
Contemporary Art Center, where she recently organized the exhibitions of Daan van Golden, Thomas Bayrle, Allen Ruppersberg and Robert Heinecken,
among other projects.
Abel has presented artist lectures at Independent
Curators International in NYC, Zoma
Contemporary Art Center in Addis Ababa, the National Museum of Ethiopia, AEF, ASU, and Staatliche Kunstsammlungen Dresden,
among others.»
Based in Berlin, Thomas Scheibitz's recent notable exhibitions include ONE - Time Pad originating at MMK, Museum für Modern Kunst, Frankfurt Am Main and traveled to Baltic Center for
Contemporary Art, 2012 - 2013 (solo); Thomas Scheibitz: Lineage ONE / Stilleben & Statistics, Jarla Partilager, Berlin, 2011 - 2012 (solo); Thomas Scheibitz: Il flume e le sue fonti / The River and its Source, Collezione Maramotti, Reggio Emilia, Italy, 2011 (solo); Surveyor: An exhibition of human exploration, observation, and construction of the landscape, organized by
Curator Heather Pesanti, Albright - Knox
Art Gallery, Buffalo, NY, 2011 (group); If Not in This Period Of Time -
Contemporary German Painting1998 - 2010, Museu de Arte de São Paulo, Brazil, 2010 - 2011 (group); A moving plan B - chapter ONE, Selected by Thomas Scheibitz, The Drawing Room, London, 2010 (group); Der ungefegte Raum, Galerie im Taxispalais, Innsbruck, Austria, 2010 (solo);
among others.
Foremost
among the
curators bringing international attention to African
contemporary art is Nigerian - born Okwui Enwezor, director of the Haus der Kunst museum in Munich, Germany.
RITA GONZALEZ is
Curator and Acting Department Head in
Contemporary Art at the Los Angeles County Museum of
Art (LACMA) where she has curated «Phantom Sightings:
Art after the Chicano Movement»; «Asco: Elite of the Obscure» (during the Getty's Pacific Standard Time festival); «Lost Line:
Contemporary Art from the Collection»; and «Agnès Varda in Californialand»,
among other exhibitions and programs.
Frieze Week: «
Curator Francesca Gavin's group show, which includes work by Cory Arcangel and Frankie Martin,
among others, highlights the relationship between
contemporary art and electronic music, and shows us that rave culture isn't dead — yet.»
In 2013, Dong conceived of a publication initiative with three other
curators and critics, which is the annual publication of a journal focused on the topic research, discussion, archiving, and exhibition study of Chinese
contemporary art, with support from the formation of an alliance
among art professionals and non-profit
art museums across China.
Seminars, site visits, individual meetings, and roundtable discussions will be led by a group of professionals that includes Andrea Andersson (Chief
Curator of Visual Arts, CAC New Orleans), María del Carmen Carrión (Director of Public Programs & Research, ICI), Tumelo Mosaka (independent curator, New York), Beatriz Santiago Muñoz (artist, San Juan), Valerie Cassel Oliver (Senior Curator, Contemporary Arts Museum Houston), Elvira Dyangani Ose (Lecturer in Visual Cultures, Goldsmiths, University of London and Curator of the 8th Edition of the Göteborg International Biennial for Contemporary Art, GIBCA 2015), Renaud Proch (Executive Director, ICI), Franklin Sirmans (Artistic Director, Prospect.3, New Orleans and Terri and Michael Smooke Department Head and Curator of Contemporary Art, LACMA, Los Angeles), and Claire Tancons (independent curator, New Orleans), as well as the soon - to - be-announced Artistic Director of Prospect.4, among
Curator of Visual
Arts, CAC New Orleans), María del Carmen Carrión (Director of Public Programs & Research, ICI), Tumelo Mosaka (independent
curator, New York), Beatriz Santiago Muñoz (artist, San Juan), Valerie Cassel Oliver (Senior Curator, Contemporary Arts Museum Houston), Elvira Dyangani Ose (Lecturer in Visual Cultures, Goldsmiths, University of London and Curator of the 8th Edition of the Göteborg International Biennial for Contemporary Art, GIBCA 2015), Renaud Proch (Executive Director, ICI), Franklin Sirmans (Artistic Director, Prospect.3, New Orleans and Terri and Michael Smooke Department Head and Curator of Contemporary Art, LACMA, Los Angeles), and Claire Tancons (independent curator, New Orleans), as well as the soon - to - be-announced Artistic Director of Prospect.4, among
curator, New York), Beatriz Santiago Muñoz (artist, San Juan), Valerie Cassel Oliver (Senior
Curator, Contemporary Arts Museum Houston), Elvira Dyangani Ose (Lecturer in Visual Cultures, Goldsmiths, University of London and Curator of the 8th Edition of the Göteborg International Biennial for Contemporary Art, GIBCA 2015), Renaud Proch (Executive Director, ICI), Franklin Sirmans (Artistic Director, Prospect.3, New Orleans and Terri and Michael Smooke Department Head and Curator of Contemporary Art, LACMA, Los Angeles), and Claire Tancons (independent curator, New Orleans), as well as the soon - to - be-announced Artistic Director of Prospect.4, among
Curator,
Contemporary Arts Museum Houston), Elvira Dyangani Ose (Lecturer in Visual Cultures, Goldsmiths, University of London and
Curator of the 8th Edition of the Göteborg International Biennial for Contemporary Art, GIBCA 2015), Renaud Proch (Executive Director, ICI), Franklin Sirmans (Artistic Director, Prospect.3, New Orleans and Terri and Michael Smooke Department Head and Curator of Contemporary Art, LACMA, Los Angeles), and Claire Tancons (independent curator, New Orleans), as well as the soon - to - be-announced Artistic Director of Prospect.4, among
Curator of the 8th Edition of the Göteborg International Biennial for
Contemporary Art, GIBCA 2015), Renaud Proch (Executive Director, ICI), Franklin Sirmans (Artistic Director, Prospect.3, New Orleans and Terri and Michael Smooke Department Head and
Curator of Contemporary Art, LACMA, Los Angeles), and Claire Tancons (independent curator, New Orleans), as well as the soon - to - be-announced Artistic Director of Prospect.4, among
Curator of
Contemporary Art, LACMA, Los Angeles), and Claire Tancons (independent
curator, New Orleans), as well as the soon - to - be-announced Artistic Director of Prospect.4, among
curator, New Orleans), as well as the soon - to - be-announced Artistic Director of Prospect.4,
among others.
Exhibitions include a solo show at Sloan Fine
Art in New York City, the Soap Factory in Minneapolis, a solo show at
Curators Without Borders Gallery in Berlin, Germany, Hudson D. Walker Gallery in Provincetown, Massachusetts, group shows in Cheim and Read, Caren Golden in New York City, Portland Institute for
Contemporary Art (PICA) in Oregon, and the Corcoran Museum of
Art in Washington D.C,
among others.
She works as a freelance
curator, obstinately and she is obsessed about two things: disseminating
contemporary art among the general public, which means creating a «mass avant - garde», and finding emerging talents —
among her «discoveries» there are Nathalie Djurberg and Ragnar Kjartansson, while she was the
curator of the Nordic Pavilion at the Venice Biennale in 2004.
«He's really
among the top two or three most brilliant practitioners of the monotype,» says Hilarie Faberman,
curator of modern and
contemporary art at Stanford's Cantor Center, which owns about 40 of Oliveira's drawings, paintings, prints and sculptures.
Jessica Morgan was previously Chief
Curator at the Institute of
Contemporary Art, Boston where she organised exhibitions of work by,
among others, Carsten Höller, Ellen Gallagher, Olafur Eliasson, Rineke Dijkstra, Marlene Dumas and Cornelia Parker.
Seminars, site visits, individual meetings, and roundtable discussions will be led by the following faculty: Bruce Altshuler (Director, Program in Museum Studies, New York University), Nicholas Cullinan (
Curator of Modern and
Contemporary Art, Metropolitan Museum of Art), Reem Fadda (Associate Curator of Middle Eastern Art, Abu Dhabi Project, Solomon R. Guggenheim Foundation, New York), Kate Fowle (Chief Curator, Garage, Moscow, and Director - at - Large, ICI), Dóra Hegyi (Project Leader, tranzit.hu, Budapest), Todd Levin (art advisor), Chus Martínez (Chief Curator, El Museo del Barrio, New York), Gabriela Rangel (Director of Visual Arts and Curator, Americas Society, New York), and Jenny Schlenzka (Associate Curator, MoMA PS1, New York), among othe
Art, Metropolitan Museum of
Art), Reem Fadda (Associate Curator of Middle Eastern Art, Abu Dhabi Project, Solomon R. Guggenheim Foundation, New York), Kate Fowle (Chief Curator, Garage, Moscow, and Director - at - Large, ICI), Dóra Hegyi (Project Leader, tranzit.hu, Budapest), Todd Levin (art advisor), Chus Martínez (Chief Curator, El Museo del Barrio, New York), Gabriela Rangel (Director of Visual Arts and Curator, Americas Society, New York), and Jenny Schlenzka (Associate Curator, MoMA PS1, New York), among othe
Art), Reem Fadda (Associate
Curator of Middle Eastern
Art, Abu Dhabi Project, Solomon R. Guggenheim Foundation, New York), Kate Fowle (Chief Curator, Garage, Moscow, and Director - at - Large, ICI), Dóra Hegyi (Project Leader, tranzit.hu, Budapest), Todd Levin (art advisor), Chus Martínez (Chief Curator, El Museo del Barrio, New York), Gabriela Rangel (Director of Visual Arts and Curator, Americas Society, New York), and Jenny Schlenzka (Associate Curator, MoMA PS1, New York), among othe
Art, Abu Dhabi Project, Solomon R. Guggenheim Foundation, New York), Kate Fowle (Chief
Curator, Garage, Moscow, and Director - at - Large, ICI), Dóra Hegyi (Project Leader, tranzit.hu, Budapest), Todd Levin (
art advisor), Chus Martínez (Chief Curator, El Museo del Barrio, New York), Gabriela Rangel (Director of Visual Arts and Curator, Americas Society, New York), and Jenny Schlenzka (Associate Curator, MoMA PS1, New York), among othe
art advisor), Chus Martínez (Chief
Curator, El Museo del Barrio, New York), Gabriela Rangel (Director of Visual
Arts and
Curator, Americas Society, New York), and Jenny Schlenzka (Associate
Curator, MoMA PS1, New York),
among others.
The acquisition of Marcia H Travels is
among the first initiatives by the DMA's new Hoffman Family Senior
Curator of
Contemporary Art, Gavin Delahunty.
The artist was selected from
among the 206 galleries taking part in the fair by an international jury composed of Fawz Kabra, an independent
curator and writer based in New York; Abaseh Mirvali, independent
curator of
contemporary art and architecture, designer, Mexico City and Berlin; and Nicola Ricciardi, artistic director of OGR — Officine Grandi Riparazioni of Torino.
Katarina Wong (b. 1966, York, Penn.): A visual artist and
curator based in New York, Wong has exhibited nationally and internationally, and has had solo exhibitions in the Hallwalls
Contemporary Arts Center in Buffalo, the Anton Gallery and the Andrea Pollan Gallery in Washington, D.C., and the Arlington
Arts Center in Virginia,
among other venues.
«They're
among the most thoughtful and progressive and innovative artists working in
contemporary art today,» said Kathy Halbreich, an associate director and curator at the Museum of Modern Art in New Yo
art today,» said Kathy Halbreich, an associate director and
curator at the Museum of Modern
Art in New Yo
Art in New York.
Also included in the German quinquennial — considered
among the most important iterative exhibitions of
contemporary art globally — were the artist's paintings and site - specific performances, which took place both in Documenta's traditional home of Kassel, as well as the half of the show that
curator Adam Szymczyk mounted in Athens.
George Lappas, gained international recognition through his participation at the Sao Paulo Biennale (1987) and Aperto of the Venice (1988) and by representing Greece
among Giannis Bouteas in the Venice Biennale (1990) with Maria Maragou as
Curator, Kwangju Biennale (1995) and he also participated in the 4th Thessaloniki Biennale of
Contemporary Art (10/3-30 / 11/13), with the exhibition «Documents and sculptural landscapes» at the Jewish Museum of Thessaloniki.
A Crisis of Brilliance The
contemporary passion
among curators and
art historians for British modernism continues in this show dedicated to the generation of artists who graduated from the Slade on the eve of the first world war.