Among the film clips featuring swearing was The Riot Club, featuring Josh O'Connor (left), who says: «Hands up who did f *** all at the back»
Not exact matches
Despite lacking B - roll, overusing
film clips, and getting comments from Cianfrance, Gosling, and Williams posed next to a poster stand, this piece does a good job of explaining the fascinating, long, unusual production process designed to maximize realism and create histories
among the actors.
Blu - ray and DVD, with original Japanese language and English dub versions (Chloë Grace Moretz, James Caan, Mary Steenburgen, and Lucy Liu are
among the voice performers of the English language cast) and the feature - length documentary Isao Takahata and His Tale of The Princess Kaguya, plus a news
clip of the announcement of the completion of the
film and Japanese and U.S. trailers.
Among the extras on this disc are a segment that pairs warmly anecdotal interviews with the lead actors with
clips from the
film, a comprehensive monologue from the director, and an off - the - cuff chat between Baumbach and his composers, Dean Wareham and Britta Phillips.
Assistant director Terry Sanders,
film critic F. X. Feeney, archivist Robert Gitt and author Preston Neal Jones are gathered to provide commentary and the disc offers the original 40 - minute documentary «The Making of Night of the Hunter,» a video interview with Laughton biographer Simon Callow, an archival interview with cinematographer Stanley Cortez, a 15 - minute episode of the BBC show Moving Pictures about the
film and a
clip from The Ed Sullivan Show with Shelly Winters and Peter Graves performing a scene that was cut from the
film among the wealth of supplements.
The
film, which picks up a decade after the original, teases in the
clip «10 years ago something arrived, now find out why,»
among images of falling buildings and a city in ruins from the original «Cloverfield»
film.
Student
films, slide shows, and audio
clips of student stories are
among the featured works.
Among the works presented in the exhibition are Gestures (1999), Crossfire (2007), Mixed Reviews (1999 — 2001) and the centerpiece of the exhibition Video Quartet (2002), a large, four - screen projection featuring hundreds of
clips from old Hollywood
films, with actors and musicians making sound or playing instruments.
Included
among the more than 300 items on view — artworks,
film clips, music scores, audio recordings, documentary photographs, snapshots, performance props and costumes, ephemera, and correspondence — are 5 cello - based sculptural works that Moorman herself created.
From this beginning the exhibition takes in aerial photography, forensic photography, abstractions of landscapes, ruins, postcards and press photos of the American dust storms, artists videos,
film clips, documentary photography and site specific works, featuring artists like Man Ray, John Divola, Sophie Ristelhueber, Walker Evans, Mona Kuhn, Aaron Siskind, Gerhard Richter, Xavier Ribas, Nick Waplington, Eva Stenram, Georges Bataille, Jeff Wall,
among others.
Set to Kanye West's song «Ultralight Beam,» Love Is the Message contrasts footage of police shootings with,
among other things, archival
films of the Civil Rights movement, Beyoncé concert footage, and YouTube
clips of women twerking; a brief piece of the 2008 monster movie Cloverfield appeared alongside a sliver of Bodomo's Afronauts.