Sentences with phrase «among paintings on view»

Alfredo Scaroina's «It's Never Enough» is among paintings on view in his show «Reclaimed Matter» through Aug. 23 at Deborah Colton Gallery.

Alfredo Scaroina's «God's Will» is among paintings on view in his show «Reclaimed Matter» through Aug. 23 at Deborah Colton Gallery through

At the opening, New York dealer Gavin Brown wandered, seemingly nonplussed, among the paintings on view.

Among the paintings on view is «Moody Blues for Jack Whitten» (2018), a composition of rhythmic lines and shades of blue that Bradford initiated before the death of his friend Jack Whitten, and completed for this exhibition.

Not exact matches

From Megan Marrin & Tyler Dobson's Postkartenständer (Postcard Stand, 2014), on which photo - realist selfie paintings were offered as postcards stacked among kitschy tourist views, to Allora & Calzadilla's Contract (SWMU 10)(2015), a huge silkscreen of the lush, tourist brochure - style palm trees printed over a Warholish sweep of grey paint (a sign of the silkscreen medium itself), representation was shown helplessly submitting to the production which makes it visible.

Among the exhibitions on view: new and recent paintings by Amy Sherald, who created the official portrait of former First Lady Michelle Obama.

On view will be prints, drawings and paintings, among them also works by James Rosenquist, Jim Dine, Julian Opie, Keith Haring, Marc Chagall, Markus Lüpertz, Matthias Meyer, Mel Ramos, Mimmo Rotella, Peter Doig, Robert Indiana and Robert Longo.

On view will be prints, drawings and paintings among them also the new Mel Ramos Edition «Hunt's» after the famous painting «Hunt for the best» and «Voyeur».

Among the work on view will be mural - scale oil paintings from the Power Play series (1982 - 86) and a large free - standing stained glass Rainbow Shabbot from The Holocaust Project (1985 - 1993).

On view will be prints, drawings, paintings and sculptures, among them also works by Thomas Ruff, Maurizio Cattelan, Jeff Koons and Julian Opie.

«Waxing Prosaic» is among the small paintings by Randy Twaddle on view in his solo show «Sham - A-Ling-Dong-Ding» at Moody Gallery through July 2.

Keith Gill, Head of Sale, Impressionist and Modern Art Evening Sale, Christie's, London: «Among the most iconic works of Fauvism, many of this rare series of London paintings are now housed in museum collections across the world, including the Musée d'Orsay, Paris; Museum of Modern Art, New York; The Metropolitan Museum of Art, New York; and the Tate Gallery, London, where a selection of other works from this groundbreaking London series are currently on view in the exhibition, «Impressionists in London».

These smaller works in the Painting Gallery's foyer are among those from the holdings at the Glass House that have never been on view to the public.

Formal analysis, then, is fair game, and strikingly noticeable among the two - dimensional works on view on all three curators» floors is the dominant presence of grisaille paintings and drawings.

This is the summer in New York of Joan Mitchell, with her work on view at Cheim & Read, Lennon, Weinberg, Tibor de Nagy, among other galleries, and viewers leaving the Whitney's Paintings of Joan Mitchell are bound to feel somewhat elated and more than a little disappointed.

A diverse selection of paintings and works on paper, both grand and intimate, are on view, featuring the art of Ansel Adams, Romare Bearden, Emil Furst, Louis - Gabriel - Eugene Isabey, Robert C. May, Ralph Eugene Meatyard, and Doris Ulmann, among others.

The Stylist Project (on view through April 3rd) presents Brooks» latest body of work — a series of oil painted portraits of fashion industry insiders, including stylist to the starts and Bravo TV fixture, Rachel Zoe, and award winning costume designer and Madonnaʼs personal stylist Arianne Phillips, among others.

Installed among a number of large, monochromatic pictures, now known as the White Paintings (1951), and a few Elemental Sculptures (ca. 1953)-- objects combining stone, wood, rusted metal, and found objects — was a selection of his Black paintings, an imposing series of large canvases layered with newspaper and dark paint of varying finish and consistency.1 Among the works on view was this untitled canvas, now known as Untitled [black painting with portal form](1952 — 53), which the artist is believed to have begun in early 1952.2 This painting was one of several compositions that originated at Black Mountain College near Asheville, North Carolina (fig. 2), where Rauschenberg studied intermittently between 1948 and among a number of large, monochromatic pictures, now known as the White Paintings (1951), and a few Elemental Sculptures (ca. 1953)-- objects combining stone, wood, rusted metal, and found objects — was a selection of his Black paintings, an imposing series of large canvases layered with newspaper and dark paint of varying finish and consistency.1 Among the works on view was this untitled canvas, now known as Untitled [black painting with portal form](1952 — 53), which the artist is believed to have begun in early 1952.2 This painting was one of several compositions that originated at Black Mountain College near Asheville, North Carolina (fig. 2), where Rauschenberg studied intermittently between 1948 Paintings (1951), and a few Elemental Sculptures (ca. 1953)-- objects combining stone, wood, rusted metal, and found objects — was a selection of his Black paintings, an imposing series of large canvases layered with newspaper and dark paint of varying finish and consistency.1 Among the works on view was this untitled canvas, now known as Untitled [black painting with portal form](1952 — 53), which the artist is believed to have begun in early 1952.2 This painting was one of several compositions that originated at Black Mountain College near Asheville, North Carolina (fig. 2), where Rauschenberg studied intermittently between 1948 paintings, an imposing series of large canvases layered with newspaper and dark paint of varying finish and consistency.1 Among the works on view was this untitled canvas, now known as Untitled [black painting with portal form](1952 — 53), which the artist is believed to have begun in early 1952.2 This painting was one of several compositions that originated at Black Mountain College near Asheville, North Carolina (fig. 2), where Rauschenberg studied intermittently between 1948 and Among the works on view was this untitled canvas, now known as Untitled [black painting with portal form](1952 — 53), which the artist is believed to have begun in early 1952.2 This painting was one of several compositions that originated at Black Mountain College near Asheville, North Carolina (fig. 2), where Rauschenberg studied intermittently between 1948 and 1952.

Over the past year and a half, the artists and individual works on view in American Legends have rotated for various reasons, among them conservation requirements (works on paper and photographs can typically be on view for only six months) and loan commitments (for example, Marsden Hartley paintings are on view in Berlin and the White House is borrowing work by Edward Hopper), but the inclusion of postwar artists was a substantive change, inspired in part by our simultaneous work on the Whitney's Robert Indiana retrospective.

Compositionally related to nine other paintings on view in the main gallery, it is among the most ambitious works Moyer has ever produced.

I think, however, that the best place to begin is with the paintings themselves, bracketing the works on view in Per Kirkeby: New Paintings within his artistic trajectory, the contexts he is usually inserted in (often among German painters), and what he says in his writings [Michael Werner Gallery; September 15 - November 1paintings themselves, bracketing the works on view in Per Kirkeby: New Paintings within his artistic trajectory, the contexts he is usually inserted in (often among German painters), and what he says in his writings [Michael Werner Gallery; September 15 - November 1Paintings within his artistic trajectory, the contexts he is usually inserted in (often among German painters), and what he says in his writings [Michael Werner Gallery; September 15 - November 12, 2011].

These works document their exchange of ideas — among them are paintings and drawings discussed and sketched by... read more... «Blockbuster artists van Gogh, Renoir, Monet on view in Philadelphia, NYC and Columbus»

On view are more than 1.200 works, among them nearly 700 drawings and hundreds of flyers, record covers and fanzines as well as films, artist's books, paintings and wall drawings.

Included are favorite artworks that have not been on view in years, such as large - scale installations by Spencer Finch, Robert Gober, Jannis Kounellis, Bruce Nauman, and Ernesto Neto, as well as paintings and sculptures by Janine Antoni, Aligheiro e Boetti, Cai Guo - Qiang, Isa Genzken, Alfred Jensen, and Brice Marden, among others.

Among the works on view at Gladstone gallery will be Reality Painting # 6 (A Wall in My Bedroom) part of Aldrich's «Reality Painting Series,» a body of work that playfully adopts the art - historical idea of a series as a way to organize ideas, and which depicts scenes from Aldrich's everyday life.

On view in the current show are large oil paintings, including PieFace (2008), Travellers (2008), Figure in Interior (2008), Snowman (2008), Reclining Nude (2009), The Smoker (2008), Pond (2007), among others, in addition to small oil paintings, including Figure in Landscape (2008) and Chrissy (2009).

Alongside this extravagance, Stefan Bondell's paintings of floating silhouettes will be on view, coupled with a poetry reading on December 12 featuring Jonas Mekas, Bob Holman, and Lizzi Bougatsos, among others.

Among them, Lehmann Maupin will show new photographs by Catherine Opie; Cheim & Reid will unveil new large - scale sculptures by Lynda Benglis; at PPOW, Dotty Attie's subversive gridded narratives painted from photographs are on view; and David Zwirner continues the gallery's 25th anniversary celebration with gallery artists including Annie Albers, Ruth Asawa, Marlene Dumas, Sherrie Levine, Alice Neel, Bridget Riley, and more.

A work by Nellie Nangala Wayne is among paintings and prints on view through Sept. 6 at Booker - Lowe Gallery during the exhibition «A5: Annual Affordable Australian Aboriginal Art Show.»

There are more than two dozen New American Paintings alumni on view this month, and some of our favorites are among them.

The works on view include icons of British painting, such as Mr and Mrs Andrews and The Watering Place, which count among the most famous paintings of all time in the English - speaking world.

Works on view include 24 x 20 - inch large - format, single - image Polaroids Ray, 1979, and Self - Portrait, 1979 Known for depicting images of friends and family in his paintings, Close expanded his subject interests in his photographic work to include people he has met throughout his career, such as artists, dancers, actors, or politicians: Jasper, 1997 (Jasper Johns); Robert, 1997; Hillary Rodham Clinton, 1999; Renée, 2007; Bill T.Jones, 2008, and Alec Baldwin, 2010, among others.

Following on the heals of Jaune Quick - to - See Smith's inclusion in the critically acclaimed Metropolitan Museum of Art exhibition, The Plains Indians, Artists of Earth and Sky (reviewed in the New York Times and The New Yorker among other publications and on view through May 10, 2015), her newest body of oil paintings as well as early watercolors and prints will be exhibited with Accola Griefen.

Among the works on view are Carrie Mae Weems's Untitled (Man Smoking / Malcolm X), 1990, which explores human experience from the vantage point of an African American female subject; a «femmage» painting by Miriam Schapiro titled Agony in the Garden that pays homage to Frida Kahlo; a haunting print by Kara Walker of a self - empowered heroine from the American antebellum South; and a «bunny» sculpture by Nayland Blake that challenges constructions of masculinity.

Among some of the works currently on view at George Billis Gallery are Sarah Williams's oil paintings on panels.

Among the works on view will be the «Taking Flight» series, a collection of small - scale paintings on linen, featuring details drawn from his larger works.

Among these works are Cindy Sherman's Untitled Film Still # 19, two early silhouette collages by Kara Walker, a painting by Mickalene Thomas, neon work by Tracey Emin, digital animation by Jennifer Steinkamp, wall relief by Teresita Fernandez and woven trompe l'oeil sculpture by Miami artist Frances Trombly, all of which will be on view in the NSU Art Museum exhibition.

In Sean Scully Encounters: A New Master among Old Masters, the artist's first exhibition in Oxford, eleven paintings and thirty - three prints by Scully will be on view.

Spanning painting, sculpture, performance, and video, among other mediums, the works on view come from a multigenerational group of artists including Elizabeth Catlett, Faith Ringgold, Betye Saar, Ana Mendieta, Lorna Simpson, and Carrie Mae Weems, and many others.

Among the 26 paintings on view (supplemented by journals, jottings and works on paper) are loans from the Hirshhorn Museum and Sculpture Garden in Washington, the Albright - Knox Art Gallery in Buffalo and the Provincetown Art Association and Museum.

Nathan Randall Green's «Sheetrock Slip / Strike (SB12C)» is among the large - scale paintings on view through Oct. 22 at Art Palace in the solo show «Over the Sun.»

On the occasion of his show at Betty Cunningham, Bailey, in an interview published in the Huffington Post, mentions a wealth of figurative painting being done by young artists, «at a time when painting is being viewed more and more as a niche activity» and «with little recognition among the museum curators and the galleries.»

In Schneemann's suite of photos, Eye Body: 36 Transformative Actions (1963, also currently on view at MoMA PS1's survey of Schneemann's work, Kinetic Painting), the artist integrates her figure into the clutter of her studio among dramatic assemblages of light and shadow, translucency and reflectivity.

Twelve of Richard Tuttle's subtle but poetic and lyrical watercolor paintings on sheets of notebook paper will be among the many captivating works on view.

Textiles designed by Sheeler will also be on view, along with paintings and photographs on loan from the Metropolitan Museum of Art, Whitney Museum of American Art, and Philadelphia Museum of Art, among others.

The works on view included four paintings and selection of research materials, among them «Into Bondage» (1936) by Aaron Douglas, «Autumn Drama» (circa 1969) by Alma Thomas, and «Mamie Harrington» (1985), an acrylic on Masonite painting by Snowden.

Large - scale works like Dusk (2007) and The Dark (2007), which are on view in this exhibition, are examples for this technique, while works like So Long Black, Silver and White (2009) and So Long Black, Red, Yellow and Blue (2009) take this approach into her so - called Split Surface Paintings which pay homage to Barnett Newman and have been a prominent feature among her works of the last decade.

Among the Impressionist and Post-Impressionist paintings on view will be landscapes by Van Gogh, Pissarro, Sisley, Monet, Caillebotte and Cross.

Parasnis, whose vivid new «Serenity» paintings are on view at Caldwell Snyder Gallery, cites Abstract Expressionist and Bay Area figurative painters — namely Richard Diebenkorn, Nathan Oliveira and Willem de Kooning — among his influences for their expressive marks and «spirituality and color.»

Among his works on view was Painting (1946), a bleak portrait of an unnamed figure, which is now part of MoMA's collection.