Not exact matches
Some
scenes are
amusing as stand - alone vignettes, but they have tissue - thin connections to the rest of the movie.
Due to a high - energy pace (with several
scenes set to a catchy soundtrack) and a humorous tale of average people getting in over their heads with the law, I, Tonya plays
as an
amusing blend of Martin Scorsese and the Coen brothers, keeping the audience engaged throughout its brisk 2 - hour runtime.
Julian Sands, who is so often cast in heavy - handed roles, is afforded here a very
amusing role
as a dopey new age masseur who is in the office from
scene to
scene massaging the toes, ears, scalps and shoulders of whoever will stay still for long enough.
Here, we get a few more
amusing scenes involving the shenanigans — or,
as is apparently, according to the movie itself, preferred in Canada, chicanery — of the gang of misfit highway patrol officers.
As for me, I found most of the sex and spurned - lover
scenes involving a slightly less ugly version of the possessed doll from The Conjuring
amusing (though I do hope the doll is supposed to be «of age»), but it's a mostly tedious experience when the doll's not on the screen.
Scenes of Segel on the job
as a TV show composer are more distracting than
amusing, and a strange choice considering the character himself is supposed to be lazy and unambitious.
Crystal's one -
scene cameo
as a fairy inventor provides the film's only remotely
amusing moments, and merely exists to highlight how fucking awful the rest of the movie is.
On the rare occasions that the pirates are left to be the scurvy dogs they are, the movie finds its humor (the brethren court
scene is funny
as it turns into an all - out brawl and punctuated by a unfortunately forgettable cameo by Keith Richards, Depp's inspiration for the role of Sparrow), but otherwise, two seamen (Lee Arenberg and Mackenzie Cook) who have traveled the whole of this voyage provide
amusing asides to the proceedings while a monkey steals every
scene it's in.
Her insertion into the
scene proved simultaneously an
amusing foil for the authorities currently working the case — mostly for Denis Leary
as a abrasive but ultimately lonely detective heading up the investigation —
as well
as a worthy adversary of sorts for the brilliantly evasive Thomas Crown.
Adopting a priceless voice, Cage
amuses with his sledgehammer subtlety in his few
scenes as a shaggy, scarred alcoholic.
Fassbender even tries to get McAvoy to break character when he's doing a rather serious
scene, and the latter doesn't look like he's
amused as he could be.
The movie gets off to a somewhat sluggish start, at a party
scene that's overstuffed with arch dialogue and almost
as many pop - culture allusions
as a Seth MacFarlane show, but the underlying humanism in Baumbach's worldview ultimately wins out, and we actually come to care about this quippy group of chums and their endlessly referential, often very
amusing conversations.
That
scene simply played too dark and left the film on a strange note,
as opposed to the final post credits sequence which still involves a dark act but in a much more
amusing light.
Funny thing is, I actually prefer the
scenes that don't deal with the contrived and mostly unfunny plot, so I'm willing to allow some indulgences,
as they provide the only
amusing moments of this otherwise throwaway film.
A Bad Moms Christmas doesn't really have a plot
as much
as a collection of
amusing scenes that take place during the week leading up to Christmas.
Coming in at a close tie for second are the
amusing round of golf filmed between Tom Felton, Grint, and the Weasley twins (James Phelps and Oliver Phelps)
as they discuss having spent the last decade together and the friendship that's formed out of it and the look at Radcliffe's septuplet special effects
scene (from the opening of the film).
Eight
amusing Deleted / Alternate
Scenes (11:30, SD) with optional commentary by Favreau are a nice bonus,
as is the film's «Theatrical Trailer» (2:30, HD)..
Some of the jokes are just plain unsettling (there's a running joke about «child molesterers» — not a typo — that comes across
as more unpleasant than
amusing), but for every awkward and squirmy wisecrack there's a comedy goldmine (the cameo by Waititi
as a local preacher is one of the funniest
scenes in years).
For every moment that feels authentic, like an
amusing scene of late - night IKEA furniture assembly frustration, there are two that feel contrived, many of them involving Celeste's work with a gay boss (Elijah Wood) and a pop starlet (Emma Roberts) who's not
as shallow
as she seems.
Apatow, who deserves to be regarded
as the preeminent figure in American comedy right now, has shown an uncanny knack for fostering bright young comic talent, and because he loves comics so much and is so fascinated by their process — the way John Cassavetes loved Method actors and their process — his productions tend to brim with
scene - stealing supporting players,
amusing non sequiturs, and running times (124 minutes in the case of The Five - Year Engagement) that few comedies in the history of moving pictures have shouldered without eventually buckling under.
However, watching it for the first time
as an adult, I found it to be just a mildly
amusing during most
scenes, with the occasional moment of true inspiration.
Aardman Studios keep their trademark look, even
as they venture further into solely CGI creations, and while they're not quite up to Pixar levels in terms of finesse, they surpass in terms of details, with almost every
scene having something
amusing going on in the background.
The pleasant but uninteresting Claire gets a lot of screen time
as the straight person to Michelle, which only emphasizes the lack of comic chemistry between Bell and McCarthy, except for an
amusing bra - fitting
scene.
The behind - the -
scenes documentary is,
as with all making - of specials on theatrical releases that air on HBO, a 20 - minute exercise in promotional hype, but the talking head interview segments make this this one is more
amusing than most.
Henry himself has an
amusing cameo role
as a divorce attorney, and a dinner
scene efficiently shows Porter's increasing awkwardness with the life he feels trapped in.
But their push - pull dynamic is not so much combative
as complementary, wryly
amused, and we see even in this early
scene, shot in nervy, watchful long takes, how each man stirs and intrigues the other, challenges his assumptions and defenses.
Lasting for approximately 135 days, the project has now developed to include Michał dressing
as a LEGO man, and photographing himself in various
scenes with
amusing results.
He was also a lover of, landscape painting, producing a series of atmospheric mountain and coastal
scenes, together with several examples of portrait art, including his
amusing Self - Portrait (1939, Wadsworth Atheneum Museum of Art), which shows the aged, shy artist
as a young, bleached - blond, gay sailor - type with tattoos and a stud earring.