Also in the set are two non-Corman titles, Robert Fuest's stylish, tongue - in - cheek «Abominable Dr. Phibes» (1971) and one of the most
analyzed films of the genre, Michael Reeves's violently subversive «Witchfinder General» (1968).
Soderbergh inverts the typical action movie
genre score by ratcheting up the score during the non-fight sequences, applying that retro - 1970s jazzy horn and percussion score by David Holmes (Code 46,
Analyze That) during the dialogue and chases, while turning the music completely off when the
film gets explosive for the highly brutal moments
of close - quarter, melee combat.