Sentences with phrase «anamorphic frame»

«Likewise, even though Hou has surrendered his very wide anamorphic frame, he finds ways to balance human action and tangible surroundings in the ways he did with city landscapes and village rooftops in the earlier films.
So decided to go off my memories of those films instead and as much as I love them, instead of deliberately quoting them I'd try to go by my childhood impressions of what I'd loved about them, the anamorphic framing, the lens flares, the dolly shots on faces, the way they mixed awe and moments of danger or heartbreak.

Not exact matches

Human Nature is presented in 1.85:1 anamorphic widescreen and fullscreen versions on the same side of a dual - layer disc; compositionally, it's a toss - up between the two transfers, since the latter opens up the bottom of the frame whilst cropping the vertical sides.
The 2.40:1 anamorphic Panavision image is correctly letterboxed inside the native 16x9 HDTV frame.
I told them, «These frames and references are probably not yours, but I only want to do it if I can shoot in anamorphic 35 mm, in Athens, Georgia, where I'm from, and with these actors»... and they embraced all of it.
Those like me accustomed to seeing the Indiana Jones films in the wonder of degraded pan-and-scan videocassettes should rejoice at the sight of these DVDs, which offer higher resolution and preserve the considerable frame width in anamorphic widescreen transfers nearer to 2.35:1 than the 2.20:1 aspect ratios widely cited.
THE DVD The kids division of MGM presents It's a Very Merry Muppet Christmas Movie in a full - frame «Special Edition» presentation all the more puzzling for the fact that a 1.85:1 anamorphic widescreen transfer was prepared for the film's R2 release.
THE DVDs Released on DVD a few years back by DreamWorks in an «Awards Edition» now bundled as part of Paramount's «Best Picture: Academy Award Winners Collection,» American Beauty is crying out for a fresh run through the telecine (there's a hair in a couple of frames), its 2.37:1 anamorphic widescreen transfer conspicuously struck back in the nascence of the format.
THE DVD Through Subversive Cinema, Absurda makes Eraserhead available for the first time outside of Lynch's website in a stunning 1.85:1 anamorphic widescreen transfer sourced from 2003's frame - by - frame restoration.
Abandoning the optional full - frame transfer of the previous disc, the SE presents the film in 2.35:1 anamorphic widescreen and the quality of the image dazzles.
Blue Valentine looks great in the DVD's anamorphic widescreen transfer, which the frames the film in atypical 1.66:1.
The 1.80:1 anamorphic widescreen presentation exhibits some combing, though it's not especially pronounced unless you step through the film frame - by - frame and no other authoring artifacts are detectable.
Four versions of the film cohabit a dual - layer platter: 1.85:1 anamorphic widescreen editions of the unrated and R - rated Storytelling, plus two full - frame (unmatted) editions of the same.
There are interesting side - by - side storyboard / finished scene comparisons for the film's more visually complex sequences; a selection of rather understandably deleted scenes that can be viewed with commentary by director and producer as well as within the context of the film (albeit in rather cumbersome fashion); a largely useless montage of still photos from the production cut to a cue of John Murphy's score; the usual cast and crew filmographies and production notes; plus a full - frame version of the film to go with the nicely transferred anamorphic widescreen one.
When the sounds are revealed, the anamorphic widescreen frame takes on an expansive but claustrophobic quality thanks, in part, to Spielberg's deep focus compositions.
Specifications: 1.85:1 anamorphic widescreen and 1.33:1 full - frame; English 5.1 Surround; English Dolby Surround; French mono; English and French subtitles; English closed captioning.
Specifications: 2.35:1 anamorphic widescreen and 1.33:1 full frame; English, French, and Spanish 5.1 Surround; English, French, and Spanish subtitles.
Specifications: Full frame and 1.85:1 anamorphic widescreen; English 5.1 Surround; English Dolby Surround; English (for the hearing impaired, Spanish, and French subtitles; English closed captioning.
Though the 1.85:1 anamorphic widescreen transfer of the film (full - frame version sold separately) starts out looking scuffed, the speckles clear up after the opening credits — but then edge - enhancement intrudes, and there's a bizarre lapse in quality during chapter 6, when intermittent shots lose so much definition as to suggest second - generation VHS.
Find the film on the first disc in a 1.85:1 anamorphic widescreen transfer that adjusts every aspect of the bare - bones DVD's 4:3 letterbox presentation — hues, saturation, contrast, framing — for the better.
As for the soft, greyish 1.85:1 anamorphic widescreen transfer (a separate full - frame version is also available — be careful, as the two are differentiated on the back of the case rather than on the front), do not adjust your set: you're in Adrian Lyne territory now.
Specifications: 2.35:1 anamorphic widescreen and 1.33:1 full - frame; English 5.1 Surround; English Dolby Surround; English subtitles; English closed captioning; DVD - ROM features.
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