Sentences with phrase «anamorphic video transfer»

THE DVD MGM DVD presents Burnt Offering in an anamorphic video transfer that preserves its 1.85:1 aspect ratio.

Contraband receives a similar treatment: a 1.85:1 anamorphic video transfer that looks a little washed - out, especially in the outdoors scenes.

Beginning with a 2.35:1 anamorphic video transfer that reproduces the picture's lurid, saturated colour palette (all deep reds and greens), Cobb looks as good as it probably can look and sounds, in its booming Dolby Surround audio mix, as good as it probably ever has.

THE DVD The First $ 20 Million Is Always the Hardest (abbreviated The First $ 20 Million within the cover art and in all promotional materials) finds its way to home video courtesy a 1.85 anamorphic video transfer from Fox on one side of a flipper, with an unmatted version on the other.

THE DVD Artisan provides another soft 1.85:1 anamorphic video transfer for another piece of cinematic garbage finding its way to your DVD player for no justifiable reason.

THE DVD MGM releases Out of Time in a spacious, overly bright and grainy 2.40:1 anamorphic video transfer prone to moiré problems and colour bleed, but if it's a little rough around the edges (indeed, DP Theo van de Sande's work on Cruel Intentions displayed the same kind of affected autumnal defect), I'm willing to think that it's in the cause of the picture's atmosphere.

THE DVDs Warner DVD presents Everybody's All - American in a 1.85:1 anamorphic video transfer stained by the indelible burnish of the late -»80s that renders colours a little soft and atmosphere a touch on the murky side.

THE DVD Presented by Buena Vista's Dimension line, Malevolent trundles its way resignedly to DVD with a dull 1.85:1 anamorphic video transfer and a correspondingly flat Dolby 5.1 soundmix.

Black Sunday finds itself in an excellent 2.35:1 anamorphic video transfer that preserves the particular filmic quality of a seventies production, distracting often enough from the fact that the black levels are spot on and that there's a minimum of edge enhancement.

Disc One is the film in an absolutely stunning 1.85:1, THX - approved anamorphic video transfer whose wonderfully aged and warm palette showcases Greenberg's dazzling lighting schemes.

Say Anything... has also just made its DVD debut in the US this month, and reviews of that disc are full of praise for the new 16:9 anamorphic video transfer that's been done of the film under the director's supervision, making mention of its detail, sharpness, colour saturation and perfect black levels.

The film itself sports a handsome 1.85:1 anamorphic video transfer that seems a little soft and grainy, but for what it's worth, I didn't mind that, as it preserved something of a filmic quality.

THE DVD - THE LOVELESS Blue Underground (another company that, like Subversive, was formed by émigrés from niche gold standard Anchor Bay) gives The Loveless a 1.85:1 anamorphic video transfer every bit the equal in terms of revelatory power of The Witch Who Came from the Sea's.

THE DVD Touchstone brings Frank McKlusky, C.I. to DVD in a 1.85:1 anamorphic video transfer that is bright and agile.

Not exact matches

Video: It's a very crisp and lovely anamorphic widescreen (2.40:1) transfer.

THE DVD Innerspace is available on DVD from Warner Home Video in a presentation that contains a 1.78:1 anamorphic widescreen transfer of the film along with 5.1 Dolby Digital sound likely based off the six - track mix that accompanied 70 mm prints.

Found footage movies are supposed to look real, not great and Deborah Logan aspires to that with its jerky video that is capably but unremarkably presented in the DVD's 1.78:1 anamorphic widescreen transfer.

We received the former for review, which contains a 2.35:1 transfer of the film in anamorphic video; the image is quirky in accordance with John Seale's cinematography: grain is overemphasized in several climactic shots, as if to ground the ludicrous plot machinations in some kind of hard - edged reality, while blacks are chalky throughout and detail has a filtered quality — a Lawrence Kasdan trademark.

In place of obvious video noise, less colour depth, and high contrast between muddy blacks and hot whites, MGM's new anamorphic transfer glistens with sharp detail.

The Film: 1.66:1 Anamorphic Widescreen, Dolby Digital 5.1, THX - Certified, New Digital Transfer; Spanish, French, and Mandarin Audio Disc 1: Deleted Scenes including Alternate Openings, Audio Commentary, «Keep»Em Guessing» never - before - heard deleted song, DisneyPedia: «Mulan's World», Music Videos: all - new «I'll Make A Man Out Of You» by Jackie Chan, «Reflection» by Christina Aguilera, «True to Your Heart» by 98º and Stevie Wonder, Mulan Fun Facts trivia track Disc 2: The Journey Begins: Discovering Mulan, The Ballad of Hua Mulan, Early Presentation & Progression Reels; Story Artists Journey: Finding Mulan, Storyboard to Film Comparisons; Design: Art, character, and color designs, Still Art Galleries, character design galleries; Production: production demonstrations, Digital Dim Sum, Digital production; Music: «Reflection» music video in Spanish, Songs of Mulan; International Mulan: Mulan's International Journey, Multi-Language Reel, Publicity Art Gallery

Presented in an anamorphic 2.35:1 widescreen video transfer and a 5.1 Dolby Digital audio track, the «Garden State» DVD has plenty of entertaining special features to make fans of the film excited about picking up this new disc.

THE DVDs Red Dawn drops onto DVD in a two - disc «Collector's Edition» sporting a nifty 1.87:1 anamorphic widescreen transfer that frees the picture of the excess grain found in previous home video incarnations but doesn't do much to animate what is frankly a flat - looking film.

THE DVD by Bill Chambers Universal Home Video presents About a Boy on DVD in a 2.35:1 anamorphic widescreen transfer * that looks fine.

The video transfer is in crisp 1.85:1 anamorphic widescreen while audio is provided in an excellent and immersive Dolby 5.1 English dub (and here my qualification of a «general» lack of a western bias comes into play) that is, nonetheless, inferior to the Japanese - language 2.0 surround track, which features the original vocal talent who have, not including this film, logged over twenty - six hours of finished time voicing these characters.

Individual episodes sport brilliant video transfers that improve as the mythology progresses, of course, but are never shoddy besides, and though it's not noted anywhere on the packaging, the series switches from fullscreen to 1.78:1 anamorphic widescreen for the two episodes («Redux» and «Redux II») that close out «Black Oil», never to return.

Video: The film is presented in a wide - screen anamorphic transfer.

With a 1.85:1 anamorphic transfer the video quality of this disk is average.

Don't get me wrong: I'm happy as a clam that the films (remastered in effervescent 1.85:1 anamorphic widescreen transfers — pan-and-scan sold separately — supervised by co-creator Bob Gale with Dolby Digital 5.1 remixes that beef up the re-entry effects especially) look and sound as good as they do and that, for the first time in home video's history, each picture is now being seen as it appeared in theatres (more on that below).

THE DVD The bare - bones 2 - disc set from Columbia TriStar, packaged in a dual - platter gatefold with a cardboard sleeve, contains a clean and vivacious 1.77:1 anamorphic widescreen transfer of a digital video source.

The video benefits from the higher resolution of an anamorphic transfer.

THE DVD Blue Underground reissues Zombie on DVD in an apparently definitive 2.35:1 anamorphic widescreen presentation; this is one of those transfers that won't be appreciated by newcomers to the film, but anybody who's had previous experience with Zombie on home video will marvel at the clarity of the image.