For his 2012 movie «Starlet,» Mr. Baker used a Sony digital camera with
anamorphic wide - screen lenses that created a»70s - style, sun - bleached California look.
Deleted scenes, production notes and stills,
an anamorphic wide - screen transfer, trailers, and before - and - after special effects footage round out this muscle - bound package of no - nonsense nostalgia.
Not exact matches
A similar premise is at work here, as the Alexa 65 enabled the filmmakers to shoot
wide and zoom in / recompose in post without a significant drop in PQ: The resultant 2K image proved comparable to the surrounding 35 mm footage once
anamorphic filters and faux - grain were applied.
Super Sleuth Christmas Movie is presented in 1.78:1
anamorphic widescreen, slightly
wider than the series» and standard TVs» dimensions but not
wide enough for the package to avoid designating it «family - friendly widescreen.»
THE BLU - RAY DISC Warner brings Soylent Green to Blu - ray in a 2.40:1, 1080p transfer that is, considering the
anamorphic cinematography, adequately sharp — particularly in interiors — and colourful, with the apartment set and a certain
wide shot of Heston atop a trash truck exhibiting a gratifying level of detail.
Video: The film is presented in a
wide - screen
anamorphic transfer.
Though favoring talking heads, The Guitar Hero relies on a
wide variety of material in its 1.78:1
anamorphic widescreen presentation.
The
anamorphic widescreen CinemaScope ratio was invented as a part of an industry -
wide response to the rise of television, a way of asserting the superiority of the filmic image to the televisual one, on the literal logic that bigger (i.e.,
wider) is better.
«Likewise, even though Hou has surrendered his very
wide anamorphic frame, he finds ways to balance human action and tangible surroundings in the ways he did with city landscapes and village rooftops in the earlier films.
Echo Bridge never goes out of its way to clarify the technical specs of its presentations, but
Wide Awake appears in 1.85:1
anamorphic widescreen and two - channel Dolby surround sound.
That said, it's a bizarre choice for Tarantino to set his story so minimally and confined when he's decided to shoot the film on 70 mm with Panavision
anamorphic lenses and a
wide aspect ratio that's normally suited to grand, outdoor filmmaking.
Anamorphic lenses capture such a
wide field of view, they have to squeeze the image down so that it can fit on a standard - sized sensor (or film strip).