Sentences with phrase «anamorphic widescreen format»

The Man From Laramie (1955), their final collaboration, was made for Columbia and it was the first film that Mann shot in the still novel CinemaScope anamorphic widescreen format, which debuted just a couple of years earlier.

The shows are presented in their original 1.78:1 anamorphic widescreen format.

Not exact matches

Screen formats: Widescreen Anamorphic 1.85:1 Subtitles: English; French; Spanish Language and Sound: English: Dolby Digital 5.1; English: Dolby Digital 2.0 Stereo; French: Dolby Digital 2.0 Stereo; Spanish: Dolby Digital 2.0 Stereo Other Features: Color; interactive menus; scene access; trailers; making - of featurettes; commentary; games.

Laden with dull blacks and mild edge - enhancement, the «all - new digital» 2.35:1 anamorphic widescreen transfer fails to show off the capabilities of the format while representing a minor upgrade from the previous DVD in terms of saturation and reproduction of flesh tones.

THE DVD One of six films that won the second round of Amazon's DVD Decision 2006, Looker debuts on the format in a handsome 2.37:1 anamorphic widescreen transfer that occasionally succumbs to pinholes and a high density of grain.

THE DVDs Released on DVD a few years back by DreamWorks in an «Awards Edition» now bundled as part of Paramount's «Best Picture: Academy Award Winners Collection,» American Beauty is crying out for a fresh run through the telecine (there's a hair in a couple of frames), its 2.37:1 anamorphic widescreen transfer conspicuously struck back in the nascence of the format.

Its package claims full screen format, but Hero of the Rails is actually presented in 1.78:1 anamorphic widescreen.

Two Family House docks on the format in crystal - clear 1.85:1 anamorphic widescreen, Panic 2.35:1 anamorphic widescreen.

The 2.40:1 anamorphic widescreen presentation suffers from no specific drawbacks other than being encoded in a format with a lower resolution than is commonly found these days.

The film over which this is heard is exhibited in both 2.35:1 anamorphic widescreen and fullscreen transfers on opposite sides of the platter; although the picture was shot in Super35 (as opposed to «scope), there is more horizontal information restored and less vertical information cropped than usual for the format, making the decision to stick with letterbox a definite no - brainer.

THE DVD Paramount releases D.A.R.Y.L. on DVD to unsuspecting nostalgia collectors in a clean 2.35:1 anamorphic transfer that nevertheless demonstrates director Simon Wincer's gift for squandering the widescreen format.

The 2.35:1 anamorphic widescreen transfer is velvety smooth and three - dimensional, the best a Mann film has yet looked on the format and in the top - tier of Columbia TriStar's efforts — it's that good.

GHOST IN THE SHELL Blu - ray ™ + Digital HD Street Date: March 14, 2017 Pre-book: February 8, 2017 Catalog #: BD64909 UPC: 013132649092 Run Time: 82 Minutes Rating: Not Rated SRP: $ 34.99 Format: English: Dolby 5.1 DTS - HD Aspect Ratio: Anamorphic Widescreen 1:78:1 g Audio: Subtitles: English, Japanese

And sate it does, at least from a technical standpoint: The 2.35:1 anamorphic widescreen transfer * is the finest for one of the film's theatrical cuts — a remarkable feat considering it's the longest instalment of the trilogy (and thus harder to squeeze onto a single - sided, dual - layered platter), though perhaps not so astonishing in light of two years having passed since The Fellowship of the Ring debuted on the format.

DVD Features: Commentary by director Jim Isaac, Writer Todd Farmer, and Producer Noel Cunningham; Theatrical trailer (s); Original documentary: The Many Lives of Jason Voorhees; Original documentary: By Any Means Necessary: The Making of Jason X; Jump to a Death Feature; Widescreen anamorphic format

Buy the Wild Hearts Can't Be Broken Region 2 DVD from Amazon.co.uk 1.85:1 Anamorphic Widescreen, Dolby Surround PAL Format, English language, English subtitles

The DVD's 2.40:1 anamorphic widescreen transfer is good, but noticeably hampered by the limitations of that format.

THE DVD On its tenth birthday, Ed Wood gets treated to a Special Edition from Touchstone, appearing on the DVD format following multiple unexplained delays in a 1.81:1 anamorphic widescreen transfer.

Anchor Bay ushers «Masters of Horror» to the format in very nice 1.77:1 anamorphic widescreen transfers that are nonetheless a little over-sharp in the fashion of direct - to - TV ports.

The unrated director's cut of 99 Women debuts on the format in a simply beautiful 1.78:1 anamorphic widescreen transfer.

The 2.35:1 anamorphic widescreen transfer is absolutely pristine, a showpiece for the format.

John Gibbs and Douglas Pye's chapter is also interested in widescreen stylistics as they examine the contrasting styles of Otto Preminger's CinemaScope film River of No Return (1954) and Sam Peckinpah's Junior Bonner (1972), shot in Todd - AO 35 (a Panavision - like format based on Japanese anamorphic lenses).

The Techniscope format was a cheap way to get a widescreen image by only using half as much film as true CinemaScope (i.e., anamorphic) requires, and this presentation seems to reflect the reduced effective resolution of the material, evincing a softness around the edges that's sometimes exacerbated by missed focus.

Actors: Will Smith, Alice Braga, Charlie Tahan, Thomas J. Pilutik, Salli Richardson, Paradox Pollack Directors: Francis Lawrence Format: Anamorphic, Color, Special Edition, Widescreen, NTSC Language: English Subtitles: English, French, Spanish Region: 1 (U.S. and Canada only) Aspect Ratio: 2.35:1 Number of discs: 2 Studio: Warner Home Video DVD Release Date: March 18, 2008 Run Time: 100 minutes DVD Special Features include:

THE DVD Universal's 1.85:1 anamorphic widescreen transfer is a showcase piece for the DVD format.

Extras: Colour, Closed - captioned, DTS Surround Sound, Widescreen, Dolby, Production notes, Theatrical trailer (s), Feature Length «Making - of «Documentary, 1977 Featurette «Watching the Skies,» 11 Deleted Scenes, Widescreen anamorphic format, Number of discs: 2

The Oscar - winning cinematography looks outstanding in the DVD's 2.35:1 anamorphic widescreen transfer, leaving just about no room for improvement on this format.