Sentences with phrase «anamorphic widescreen like»
Wild Hearts Can't Be Broken is presented not in anamorphic widescreen like it was in the parts of the world where it was released to DVD first, but in a reformatted 1.33:1 fullscreen transfer as it was for its Disney Movie Club DVD debut last year.
http://www.dvdizzy.com/ Not exact matches
Presented windowboxed in 1.65 anamorphic widescreen *, the film looks exactly like it did in theatres, all but confirming that the transfer was sourced from the 35 mm blow - up (Vincent Gallo's viewing preference) rather than the Super16 negative.
Those like me accustomed to seeing the Indiana Jones films in the wonder of degraded pan-and-scan videocassettes should rejoice at the sight of these DVDs, which offer higher resolution and preserve the considerable frame width in anamorphic widescreen transfers nearer to 2.35:1 than the 2.20:1 aspect ratios widely cited.
Like most modern television series, «Breaking Bad» is presented in 1.78:1 anamorphic widescreen and Dolby Digital 5.1 sound on DVD.
is showcased in an excellent 1.78:1 anamorphic widescreen transfer so fine in its shadow detail that every pock on Burton's face is like a cave in a lunar landscape.
You can tell this in the DVD's movie - like presentation of 1.78:1 anamorphic widescreen picture and Dolby Digital 5.1 sound.
Like most other 21st century primetime series, «Samantha Who» takes on the specifications of a major movie in 1.78:1 anamorphic widescreen and Dolby Digital 5.1 surround.
Earning its THX certification, The Village's 1.84:1 anamorphic widescreen transfer * invites adjectives like sumptuous and filmlike, and better yet, the studio seems to have curbed its recent habit of overfiltering the image.
and, like the previous featurette, in 1.85:1 anamorphic widescreen) overstates the significance of the picture's estrogen count (as well as the execution of its blink - and - you'll - miss - it German sequence), there is a mite more substance here than what you'd find in the American equivalent, even just in the underscoring of clips with Delibes's «Viens Mallika... Dôme épais le jasmin.»
Like just about every other show on television today, «The Middle» comes to DVD with 1.78:1 anamorphic widescreen picture and Dolby Digital 5.1 sound.
Warner's DVD version of McCabe & Mrs. Miller is unfortunately something of a disappointment in the technical department: the 2.35:1 anamorphic widescreen image is too black for a film that was pre-exposed in order to decrease contrast, while digital video noise reduction looks like it was rather severely applied to the intentionally gritty images, resulting in a general lack of detail.
Like just about all of its contemporaries, «Life on Mars» comes to DVD in 1.78:1 anamorphic widescreen and Dolby Digital 5.1 sound.
John Gibbs and Douglas Pye's chapter is also interested in widescreen stylistics as they examine the contrasting styles of Otto Preminger's CinemaScope film River of No Return (1954) and Sam Peckinpah's Junior Bonner (1972), shot in Todd - AO 35 (a Panavision - like format based on Japanese anamorphic lenses).
DVD special features on the movie's single - disc, 1.85:1 anamorphic widescreen release include an audio commentary track with Favreau and co-producer Peter Billingsley, a look at the making of the accompanying videogame to the movie and a clutch of featurettes on the work of author Van Allsburg, the cast, the visual effects and the like.
But judged by the medium, the 1.85:1 anamorphic widescreen presentation is, like most Sony DVDs, just fine.
The infinifilm Rush Hour 2's greatest strength is a 2.35:1 anamorphic widescreen transfer that approximates the natural, chemical quality of celluloid like few others I've seen.
THE DVD by Bill Chambers Fox presents Fever Pitch on DVD in a 2.31:1 anamorphic widescreen transfer (fullscreen sold separately) that fluctuates between film - like and overtreated; there is a constant dimness, but chalk that up to cinematographer Matthew F. Leonetti, whose movies always make you think you have cataracts.
The otherwise irreproachable and film - like 1.78:1 anamorphic widescreen transfer of Once Upon a Time in Mexico is marred by a few motion blurs endemic to HiDef and a few compression artifacts for which the abundance of bonus material is to blame.
Presented, like all of today's DisneyToon Studios creations are, in a 1.78:1 anamorphic widescreen transfer, the film boasts immaculate picture quality.