Sentences with phrase «anamorphic widescreen picture»

Technical aspects: Blu - ray: 1080p high definition, 1.85:1 widescreen picture; English DTS - HD Master Audio monaural; English SDH subtitles; DVD: 1.85:1 anamorphic widescreen picture; English Dolby Digital monaural; English SDH subtitles.

Technical aspects: 2.39:1 anamorphic widescreen picture; English, French and Spanish 5.1 Dolby digital and English and French 5.1 Dolby digital audio description track; English SDH, English, French and Spanish subtitles.

The dark 2.40:1 anamorphic widescreen picture is free of problems and the indistinctive visual style is rather a breath of fresh air.

Technical aspects: 2.39:1 anamorphic widescreen picture; English and Spanish 5.1 Dolby digital and English 5.1 audio description track; English SDH, English and French subtitles.

The 1.78:1 anamorphic widescreen picture and Dolby Digital 5.1 sound don't have the impact of feature films» or Blu - ray, but they warrant no complaints.

Technical aspects: Blu - ray: 1080p high definition, 1.85:1 widescreen picture; English 5.1 DTS - HD Master Audio and Spanish 5.1 Dolby digital; English SDH, French and Spanish subtitles; DVD: 1.85:1 anamorphic widescreen picture; English and Spanish 5.1 Dolby digital; English SDH, French and Spanish subtitles.

Technical aspects: Blu - ray: 1080p high definition, 2.40:1 widescreen picture; English 5.1 DTS - HD Master Audio, English 2.0 Dolby Digital audio descriptive track and French and Spanish 5.1 DTS Digital surround; English SDH, French and Spanish subtitles; DVD: 2.40:1 anamorphic widescreen picture; English, Spanish and French 5.1 Dolby Digital and English 2.0 Dolby Digital audio descriptive track; English SDH, French and Spanish subtitles.

Turtle Power is treated to 1.78:1 anamorphic widescreen picture and full Dolby Digital 5.1 sound, things it's easy to imagine a smaller studio not giving it.

There's nothing suspect or troubling about the anamorphic widescreen picture.

Technical aspects: 2.40:1 anamorphic widescreen picture; English, French and Spanish 5.1 Dolby digital and English and French Dolby surround audio description track; English SDH, English, French and Spanish subtitles.

Like just about every other show on television today, «The Middle» comes to DVD with 1.78:1 anamorphic widescreen picture and Dolby Digital 5.1 sound.

There are no complaints to aim at the DVD's 2.40:1 anamorphic widescreen picture and Dolby Digital 5.1 audio.

Both the 1.85:1 anamorphic widescreen picture and Dolby Digital 5.1 surround sound are quite satisfactory.

You can tell this in the DVD's movie - like presentation of 1.78:1 anamorphic widescreen picture and Dolby Digital 5.1 sound.

Technical aspects: Blu - ray: 1080p high definition, 2.40:1 widescreen picture; English DTS X Master Audio, DTS headphone X, English 2.0 descriptive audio track and Spanish 5.1 DTS digital surround; English SDH, Spanish and French subtitles; DVD: 2.40:1 anamorphic widescreen picture; English 5.1 Dolby digital and Spanish 2.0 DTS digital surround; English SDH, Spanish and French subtitles.

Still, the 2.40:1 anamorphic widescreen picture is perfectly satisfactory for standard definition, as is the basic but serviceable Dolby Digital 5.1 soundtrack.

Not exact matches

The picture is 1.85:1 anamorphic widescreen, though I have to say that there is one momentwhich suggested to me that the image was still slightly cropped.

Hancock is presented in 2.40:1 anamorphic widescreen, with picture as crystal clear and stunning as on any big budget studio picture.

Columbia TriStar's DVD could scarcely better accommodate an appreciation of the picture: the approximately 2.35:1 anamorphic widescreen presentation rivals the Pixar digital - to - digital transfers for clarity of textures.

THE DVDs Released on DVD a few years back by DreamWorks in an «Awards Edition» now bundled as part of Paramount's «Best Picture: Academy Award Winners Collection,» American Beauty is crying out for a fresh run through the telecine (there's a hair in a couple of frames), its 2.37:1 anamorphic widescreen transfer conspicuously struck back in the nascence of the format.

Unsurprisingly for modern stop - motion animation, picture quality is excellent on the DVD's 2.35:1 anamorphic widescreen transfer.

and, like the previous featurette, in 1.85:1 anamorphic widescreen) overstates the significance of the picture's estrogen count (as well as the execution of its blink - and - you'll - miss - it German sequence), there is a mite more substance here than what you'd find in the American equivalent, even just in the underscoring of clips with Delibes's «Viens Mallika... Dôme épais le jasmin.»

Presented in 2.35:1 anamorphic widescreen (pan-and-scan version sold separately), the picture looks nice here, sometimes so clear as to overemphasize the CG elements.

The film over which this is heard is exhibited in both 2.35:1 anamorphic widescreen and fullscreen transfers on opposite sides of the platter; although the picture was shot in Super35 (as opposed to «scope), there is more horizontal information restored and less vertical information cropped than usual for the format, making the decision to stick with letterbox a definite no - brainer.

for the picture — lovingly restored, as is the film itself (save some unchecked pinholes)-- rounds out the presentation, which has as its central attraction the revitalization of Harry Waxman's stabbingly - bright cinematography in a 1.78:1 anamorphic widescreen transfer.

THE DVD Blue Underground, gaining momentum on Anchor Bay in the area of extensive catalogue cult releases, offers The Final Countdown in an astounding, THX - certified anamorphic widescreen presentation that preserves the picture's original 2.35:1 Panavision aspect ratio for the first time on DVD legitimately.

The picture remains clean on the 1.85:1 anamorphic widescreen transfer, but very soft and with an out - of - focus look to which you must adjust.

THE DVDs Red Dawn drops onto DVD in a two - disc «Collector's Edition» sporting a nifty 1.87:1 anamorphic widescreen transfer that frees the picture of the excess grain found in previous home video incarnations but doesn't do much to animate what is frankly a flat - looking film.

Immaculate is the word for the 2.35:1 anamorphic widescreen transfer of Gone in Sixty Seconds proper, and the Dolby Digital 5.1 audio is as aggro as you'd expect for a picture that leaves a residue of testosterone in its wake.

Let me say right off the bat, I was disappointed by the film's video quality; the 1.85:1 anamorphic widescreen image appears to have been derived from a PAL source, lending the picture a BBC feel that it does not have when excerpted for the documentary segment on the companion disc.

The anamorphic widescreen transfer of the feature film on disc one isn't quite so lovely as the packaging; the print exhibits some scratches and the subtitles (which, thankfully, are on the bottom black bar, so as to get a clearer view of the picture) have a strange tendency to sport quotation marks at random, but the flaws won't ruin one's enjoyment of the film.

Due to the stylized post-processing, the 2.35:1 anamorphic widescreen presentation delivered picture that was painful to look at.

Don't get me wrong: I'm happy as a clam that the films (remastered in effervescent 1.85:1 anamorphic widescreen transfers — pan-and-scan sold separately — supervised by co-creator Bob Gale with Dolby Digital 5.1 remixes that beef up the re-entry effects especially) look and sound as good as they do and that, for the first time in home video's history, each picture is now being seen as it appeared in theatres (more on that below).

Ghost of the Abyss is presented in 1.78:1 anamorphic widescreen and the picture is simply flawless.

The picture is practically perfect in this DVD's 1.78:1 anamorphic widescreen presentation.

The first disc finds the picture in a lovely 1.85:1 anamorphic widescreen transfer made using a HiDef conversion process Anchor Bay calls «Divimax.»

Picture quality on the 1.85:1 anamorphic widescreen transfer looks fine for standard definition, with no noticeable flaws arising.

Presented, like all of today's DisneyToon Studios creations are, in a 1.78:1 anamorphic widescreen transfer, the film boasts immaculate picture quality.