Sentences with phrase «anamorphic widescreen presentation»

Morning Glory looks pretty terrific in the DVD's 2.40:1 anamorphic widescreen presentation.

For standard definition, the 2.40:1 anamorphic widescreen presentation isn't bad, exhibiting nothing worse than some probably deliberate grain.

KEY: 1.33:1 - Fullscreen (Original Broadcast Ratio); DD 5.1 - Dolby Digital 5.1 Surround Sound; DD 2.0 - Dolby Stereo / Surround 2 - Channel; OOP - Out of Print 16:9 - anamorphic widescreen presentation (enhanced for 16x9 widescreen televisions) and matching the original High Definition broadcast ratio

You certainly miss the extra detail and sharpness that Blu - ray provide, but Learning to Drive's 1.78:1 anamorphic widescreen presentation isn't bad for standard definition.

THE DVD Blue Underground reissues Zombie on DVD in an apparently definitive 2.35:1 anamorphic widescreen presentation; this is one of those transfers that won't be appreciated by newcomers to the film, but anybody who's had previous experience with Zombie on home video will marvel at the clarity of the image.

Disc Two boasts Bride of Chucky on Side A, and this 1.85:1 anamorphic widescreen presentation is what led me to suspect that the transfers on this set were merely recycled: there's nothing offensive about it, but it's infected by a slight ghosting unique to DVDs circa 1998 - 99.

The unimaginatively shot production looks fine in the DVD's 1.78:1 anamorphic widescreen presentation.

The picture is practically perfect in this DVD's 1.78:1 anamorphic widescreen presentation.

The newly - filmed material looks great in the DVD's 1.78:1 anamorphic widescreen presentation.

Getting the now standard 1.78:1 anamorphic widescreen presentation once reserved for film, «10 Things I Hate About You» looks pretty dapper.

Enduring Love comes to DVD from Paramount in an exquisite 2.30:1 anamorphic widescreen presentation.

But judged by the medium, the 1.85:1 anamorphic widescreen presentation is, like most Sony DVDs, just fine.

Though favoring talking heads, The Guitar Hero relies on a wide variety of material in its 1.78:1 anamorphic widescreen presentation.

Due to the stylized post-processing, the 2.35:1 anamorphic widescreen presentation delivered picture that was painful to look at.

Even so, the DVD's grungy 1.78:1 anamorphic widescreen presentation still surprises.

Seven Psychopaths» 2.40:1 anamorphic widescreen presentation is fine by DVD standards.

The nice - looking visuals of Hunt for the Wilderpeople do deserve to be seen in high definition, but alas, we here settle for a fine 2.35:1 anamorphic widescreen presentation.

Tropic Thunder won't fill any screens with its 2.35:1 anamorphic widescreen presentation matching theatrical dimensions.

This presentation, though similarly without extras, offered the film in... surprisingly a 2.20:1 anamorphic widescreen presentation.

The colorful but not oversaturated palette is perfectly displayed in this completely satisfying 2.35:1 anamorphic widescreen presentation, which matches the aspect ratio of its cinematic presentation.

While the DVD's 1.78:1 anamorphic widescreen presentation doesn't boast the detail of Blu - ray, it's solid for standard definition and suffers from no specific problems.

The studio's transfers are consistently some of the best out there, so for standard definition, this 2.40:1 anamorphic widescreen presentation looks pretty solid.

The 1.78:1 anamorphic widescreen presentation obviously lacks the detail and sharpness of Blu - ray counterparts (and HD broadcasts), but is untroubled in any noticeable way.

THE DVD Disney DVD presents Tarzan & Jane in a crisp 1.78:1 anamorphic widescreen presentation that ironically highlights the dullness of the animation.

Odds are, even unreasonable demands for this movie will be met by this impressive 1.78:1 anamorphic widescreen presentation.

Still, the show looks good enough in this DVD's 1.78:1 anamorphic widescreen presentation, if clearly not as good as it does in HD broadcasts.

The disc's THX - certified, 1.85:1 anamorphic widescreen presentation of Signs is rich in grain from time to time — at last the celluloid spirit of a new film is preserved in the digital realm.

The 1.80:1 anamorphic widescreen presentation exhibits some combing, though it's not especially pronounced unless you step through the film frame - by - frame and no other authoring artifacts are detectable.

THE DVD Blue Underground, gaining momentum on Anchor Bay in the area of extensive catalogue cult releases, offers The Final Countdown in an astounding, THX - certified anamorphic widescreen presentation that preserves the picture's original 2.35:1 Panavision aspect ratio for the first time on DVD legitimately.

THE DVD Fox releases Dying Young on DVD in a vanilla 1.85:1 anamorphic widescreen presentation long on Schumacher's over-saturated colours and short on subtlety, which is, of course, not the transfer's fault; its softness — that impression that the lens has been smeared with Vaseline, «Glamor Shots» - style — is something you can't really win by being faithful to.

Harpoon isn't a handsome film, but it looks fine (if a little soft and big on interlacing) in the disc's 2.35:1 anamorphic widescreen presentation.

Happy - Go - Lucky looks terrific in this vibrant 2.35:1 anamorphic widescreen presentation.

The 2.40:1 anamorphic widescreen presentation suffers from no specific drawbacks other than being encoded in a format with a lower resolution than is commonly found these days.

No concerns arise from the impressive 2.35:1 anamorphic widescreen presentation.

The 1.78:1 anamorphic widescreen presentation is clean, sharp, and vivid.

While I no doubt have been spoiled by regular exposure to excellent Blu - ray transfers, the 1.85:1 anamorphic widescreen presentation of Swimming to Cambodia seems a tad disappointing even for a standard definition release of a low - budget 25 - year - old experimental film.

Columbia TriStar's DVD could scarcely better accommodate an appreciation of the picture: the approximately 2.35:1 anamorphic widescreen presentation rivals the Pixar digital - to - digital transfers for clarity of textures.

The 2.40:1 anamorphic widescreen presentation shows that limited budget and lacks sharpness and focus somewhat consistently.

Miral looks nice in the DVD's 2.35:1 anamorphic widescreen presentation.

Still, I've seen worse: while the 2.42:1 anamorphic widescreen presentation is unnecessarily gritty and choppy, it's not the sandpaper to the eyes that Unaccompanied Minors was.

THE DVD For all the weaknesses of the film, Warner DVD's beautiful 1.78:1 anamorphic widescreen presentation of American Outlaws is a showcase piece for its audio / visual transfer.

THE DVD Universal's DVD release features a sharp 1.85:1 anamorphic widescreen presentation of the film featuring a minimum of grain and edge enhancements and superior contrast.

Its 1.85:1 anamorphic widescreen presentation is top - notch, and it showcases Tim Suhrstedt's fine cinematography.

Both the theatrical and unrated cuts of The Hangover look pretty good in the DVD's 2.40:1 anamorphic widescreen presentations.

The 1.78:1 anamorphic widescreen presentations are adequate, plagued by nothing worse than player - based shimmering and a general lack of detail.

Not exact matches

Kino Lorber's DVD edition of The Strongest Man gives the film a good visual presentation in letterboxed 2.35:1 anamorphic widescreen.

2003 doesn't seem that long ago to me, but The Station Agent looks its age and then some in Echo Bridge's unremarkable 1.85:1 anamorphic widescreen DVD presentation.

THE DVD Fox DVD's anamorphic widescreen (1.85:1) presentation of The Object of My Affection is crystal clear and vibrant.

THE DVD The kids division of MGM presents It's a Very Merry Muppet Christmas Movie in a full - frame «Special Edition» presentation all the more puzzling for the fact that a 1.85:1 anamorphic widescreen transfer was prepared for the film's R2 release.

The DVD offers an entirely satisfying 1.78:1 anamorphic widescreen and Dolby Digital 5.1 Surround feature presentation.