Sentences with phrase «anamorphic widescreen versions»

Not exact matches

Human Nature is presented in 1.85:1 anamorphic widescreen and fullscreen versions on the same side of a dual - layer disc; compositionally, it's a toss - up between the two transfers, since the latter opens up the bottom of the frame whilst cropping the vertical sides.
THE DVD Fox checks in with a spotty 1.85:1 anamorphic widescreen transfer of Dunston Checks In on one side of a DVD and a fullscreen pan-and-scan version on the other.
Though the film was projected at IMAX venues in 3 - D, it's offered in 2 - D only for the home viewing audience, and the 1.78:1 anamorphic widescreen image is consistently good in the face of a mélange of source media — note that the longer version relies more heavily on video - based footage originated by the MIR's electronic eyes.
Presented in 2.35:1 anamorphic widescreen (pan-and-scan version sold separately), the picture looks nice here, sometimes so clear as to overemphasize the CG elements.
Warner's DVD version of McCabe & Mrs. Miller is unfortunately something of a disappointment in the technical department: the 2.35:1 anamorphic widescreen image is too black for a film that was pre-exposed in order to decrease contrast, while digital video noise reduction looks like it was rather severely applied to the intentionally gritty images, resulting in a general lack of detail.
THE DVD by Bill Chambers Hitting DVD in world - class 2.35:1 anamorphic widescreen and pan-and-scan transfers (sandwiched together on the same side of a dual - layer platter) from Columbia TriStar, Identity aims to please its fans on disc via the debut of a special extended version that cohabits with the theatrical version through the miracle of seamless branching.
Four versions of the film cohabit a dual - layer platter: 1.85:1 anamorphic widescreen editions of the unrated and R - rated Storytelling, plus two full - frame (unmatted) editions of the same.
According to the press release, the final retail version of the Unrated DVD edition offers only a 1.85:1 anamorphic widescreen transfer, whereas the Theatrical Cut holds that and a 1.33:1 fullscreen version on opposite sides of a flipper disc.
There are interesting side - by - side storyboard / finished scene comparisons for the film's more visually complex sequences; a selection of rather understandably deleted scenes that can be viewed with commentary by director and producer as well as within the context of the film (albeit in rather cumbersome fashion); a largely useless montage of still photos from the production cut to a cue of John Murphy's score; the usual cast and crew filmographies and production notes; plus a full - frame version of the film to go with the nicely transferred anamorphic widescreen one.
Back to the DVD: As usual, the GKids package includes a DVD disc that offers the film in 1.85:1 anamorphic widescreen SD, with Dolby Digital 5.1 audio (but not lossless) in dubbed English, the original Japanese, and French, with optional English SDH dubtitles, English translation for the original Japanese version, and French.
The package also includes a DVD disc that offers the film in 1.85:1 anamorphic widescreen SD, with Dolby Digital 5.1 audio (but not lossless) in dubbed English, the original Japanese, and French, with optional English SDH dubtitles, English translation for the original Japanese version, and French.
2.35:1 Anamorphic Widescreen (Separate Pan & Scan Version Released) Dolby Digital 5.1 (English, French, Spanish) Subtitles: English, Spanish Closed Captioned Release Date: April 20, 2004 Single - sided, dual - layered disc (DVD - 9) Suggested Retail Price: $ 29.99 THX - Certified; Black Keepcase
Housed in a cardboard cover, the two - disc collector's edition version of There Will Be Blood comes presented in its original 2.35:1 anamorphic widescreen aspect ratio, along with a superlative Dolby digital 5.1 surround sound mix, available in English, French and Spanish (all with optional subtitles).
Though the 1.85:1 anamorphic widescreen transfer of the film (full - frame version sold separately) starts out looking scuffed, the speckles clear up after the opening credits — but then edge - enhancement intrudes, and there's a bizarre lapse in quality during chapter 6, when intermittent shots lose so much definition as to suggest second - generation VHS.
The restored version has had another pass through the telecine since its initial DVD release in 2000; presented in 1.85:1 anamorphic widescreen *, it looks noticeably clearer and bolder here than ever before.
Although captures weighing the fullscreen version of the SE (reviewed below) against the Superbit's 1.85:1 anamorphic widescreen transfer wouldn't prove much other than the disparity in aspect ratios, the Superbit platter boasts a much more expressive colour palette, blacks that approach pitch for a change, and detail so microscopically fine that, while Gobby's costume now officially looks stupid, the CGI has, conversely, never been more convincing, since all that compositing work is finally discernible.
With a 1.85:1 anamorphic widescreen transfer and a superfluous, cropped fullscreen version occupying the same side of a dual - layer disc, the bitrate is pathetic at times, exacerbating the tungsten haze of Laszlo Kovacs's cinematography.
1.85:1 Anamorphic Widescreen (Fullscreen Version Available Separately) Dolby Digital 5.1 (English, French) Subtitles: English, French, Spanish Closed Captioned Release Date: December 14, 2004 Single - sided, dual - layered disc (DVD - 9) Suggested Retail Price: $ 29.99 White Keepcase
The Collector's Edition is available exclusively in 2.35:1 anamorphic widescreen, whereas the single - disc version is being released in both widescreen and fullscreen flavors.
As for the soft, greyish 1.85:1 anamorphic widescreen transfer (a separate full - frame version is also available — be careful, as the two are differentiated on the back of the case rather than on the front), do not adjust your set: you're in Adrian Lyne territory now.
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