Sentences with phrase «anamorphic widescreen with»

Jack - Jack Attack and Boundin» are presented in immaculate 1.78:1 anamorphic widescreen with crisp Dolby 5.1 audio; pillarboxed at 1.33:1, The Adventures of Mr. Incredible & Pals looks purposely awful, although the mixers of the DD 5.1 track couldn't resist a somewhat modern soundfield. - BC

Each in 2.35:1 anamorphic widescreen with your choice of 6.1 DTS - ES or 5.1 Dolby Digital EX soundtracks, there is no discernible qualitative difference between the duelling Stargates save a sliver of additional screen information on all four sides in the Director's Cut (see example at left).

The DVD is presented in anamorphic widescreen with a superb Dolby stereo audio track, and its special features include a bonus performance of the song «Grow Young» as well as, most notably, a half - hour - plus behind - the - scenes interview with Paige.

Presented in 2.35:1 anamorphic widescreen with Dolby Digital 5.1 audio, The Mothman Prophecies looks splendid — those outdoor close - ups of Alan Bates are as intricately detailed as I've ever seen a DVD image.

Not exact matches

The Quality The anamorphic widescreen transfer looks fantastic with some bright, vivid color (especially in the jungle of Nool) and some impressive detail, with the opening shot being one of the most realistic pieces of computer animation I've ever seen.

Video: With an aspect ratio of 2.40:1 Anamorphic Widescreen, the video quality of the film is higher than the time period of the action allows it to appear.

It's presented in anamorphic widescreen, 1.85:1, and comes with a liberal selection of audio choices: 5.1 in English, French, and Spanish.

Video: With an aspect ratio of 2.35:1 Anamorphic Widescreen, the video is top notch.

Sufficed to say I'm not going to assess the 2.35:1 anamorphic widescreen transfer because I have no idea what consumers are getting for their ill - spent cash, though I can confirm that the DD 5.1 audio is suitably loud, with lots of rear - atmospherics that almost, almost get your heart pumping.

Laden with dull blacks and mild edge - enhancement, the «all - new digital» 2.35:1 anamorphic widescreen transfer fails to show off the capabilities of the format while representing a minor upgrade from the previous DVD in terms of saturation and reproduction of flesh tones.

The DC distinguishes itself on a technical level with the cleaner, more naturalistic 2.35:1 anamorphic widescreen transfer of the two.

As it should, the DVD presents the new animation in 1.78:1 anamorphic widescreen (the case mistakenly gives a 1.66:1 aspect ratio) with perfectly satisfactory clarity and sharpness.

THE DVD Fox checks in with a spotty 1.85:1 anamorphic widescreen transfer of Dunston Checks In on one side of a DVD and a fullscreen pan-and-scan version on the other.

Housed in a regular plastic Amaray case, Through a Dog's Eyes comes to DVD presented in anamorphic widescreen, with an English language stereo audio track.

1.85:1 Anamorphic Widescreen Dolby Digital 5.1 (English, French) Subtitles: English, French; Closed Captioned Release Date: April 11, 2006 Single - sided, dual - layered disc (DVD - 9) Suggested Retail Price: $ 29.99 Black Keepcase with Side Snaps

Even so, the anamorphic widescreen transfer looked pretty good, with solid color.

Housed in a regular Amray case, this production of A Room with a View is presented in 16 × 9 anamorphic widescreen, and divided into eight chapters.

2.39:1 Anamorphic Widescreen, Dolby Digital 5.1 EX (English, French, Spanish) Subtitles: English, French, Spanish; Closed Captioned Release Date: March 15, 2005 Two Single - sided, dual - layered discs (DVD - 9) THX - Certified with Optimizer tests Suggested Retail Price: $ 29.99 Black Dual Amaray Keepcase with Side Snaps Holographic Cardboard Slipcover

«Herschell Gordon Lewis: The Godfather of Gore» comes to Blu - ray presented in 1.78:1 anamorphic widescreen, with a Dolby digital mono audio track.

Housed in a regular plastic Amaray case, Creation comes to DVD presented in 2.35:1 anamorphic widescreen, with a Dolby digital 5.1 surround sound audio mix, and optional English and Spanish subtitles.

Housed in a regular plastic Amaray case, The New Daughter comes to DVD presented in 2.35:1 anamorphic widescreen, with a Dolby digital 5.1 surround sound audio track and optional English SDH and Spanish subtitles.

Hancock is presented in 2.40:1 anamorphic widescreen, with picture as crystal clear and stunning as on any big budget studio picture.

Housed in a regular plastic Amaray case, Waiting For Armageddon comes to DVD presented in anamorphic widescreen, with an English language stereo audio track.

Housed in a regular plastic Amaray case, Thirst comes to DVD divided into a dozen chapters, presented in 2.35:1 anamorphic widescreen, with English language Dolby digital 5.1 surround sound and 2.0 stereo audio tracks.

Housed in a regular plastic Amaray case, Mind Over Money comes to DVD presented in anamorphic widescreen, with an English language stereo track that more than adequately handles the title's straightforward aural demands.

Housed in a regular plastic Amaray case stored in turn in a cardboard slipcover with lenticular imaging (that's fancy talk for 3 - D, folks), The Stranger comes to DVD presented in 1.78:1 anamorphic widescreen, with a Dolby digital 5.1 surround sound audio track and optional Spanish and English SDH subtitles.

But this dual - layer DVD is filled nearly to its size limit, which means the 1.78:1 anamorphic widescreen transfer looks superb, with striking color and contrast.

Housed in a regular plastic Amaray case, The Human Spark comes to DVD presented in anamorphic widescreen, with an English language stereo audio track.

Housed in a regular plastic Amaray case, Brain Fitness Frontiers comes to DVD presented in 1.76:1 anamorphic widescreen, with an English language stereo track.

As with the earlier edition, both films are presented in anamorphic widescreen at the original aspect ratio of 2.35:1.

Housed in a regular Amray case, White Coats is presented in 1.85:1 anamorphic widescreen, with a Dolby digital 5.1 English - language track.

Disc One features a nice, solid, rain - streaked 1.85:1 anamorphic widescreen transfer that shows the wear of its origins (a Spanish / Italian production on minimal funds and with time and subject limitations) yet acquits itself quite nicely and is arguably more lustrous than the Anchor Bay presentation.

The movie is transfered in anamorphic widescreen (1:1.85) and is available in English and French, with optional English, Spanish and French subtitles.

and, like the previous featurette, in 1.85:1 anamorphic widescreen) overstates the significance of the picture's estrogen count (as well as the execution of its blink - and - you'll - miss - it German sequence), there is a mite more substance here than what you'd find in the American equivalent, even just in the underscoring of clips with Delibes's «Viens Mallika... Dôme épais le jasmin.»

Housed in a regular plastic Amaray case, «Cutie and the Boxer» comes to DVD presented in 1.85:1 anamorphic widescreen, with a Dolby digital 5.1 audio track.

And finally, Anchor Bay champions The Fallen Ones with a striking 1.77:1 anamorphic widescreen transfer that makes a strong case for the company never doing anything half - assed no matter the content.

1.85:1 Anamorphic Widescreen, Dolby Surround (Japanese, English, French) Subtitles: English, English captions; Closed Captioned DVD Release Date: February 22, 2005 Two single - sided discs (DVD - 9 & DVD - 5); THX - Certified with Optimizer Tests Suggested Retail Price: $ 29.99

THE DVD Innerspace is available on DVD from Warner Home Video in a presentation that contains a 1.78:1 anamorphic widescreen transfer of the film along with 5.1 Dolby Digital sound likely based off the six - track mix that accompanied 70 mm prints.

THE DVDs Fox presents A Farewell to Arms and Francis of Assisi on DVD in glorious 2.35:1 anamorphic widescreen transfers (the latter misidentified on the box art as 1.85:1) that preserve their CinemaScope origins and, more, honour them with popping the colours and by saturating the screen with the curious sterility of the process.

The 1.66 anamorphic widescreen transfer is, then, wholly at the service of the film, which is as it should be, while the German DD 2.0 mono audio is similarly fulsome, replicating Popol Vuh's hallucinogenic score with fidelity.

Cabin Fever itself quickly subverts expectations for something grainy and incompetent — the film so belies its low - budget origins (and influences) that it may have distorted my perception of the 2.35:1 anamorphic widescreen image, but I believe it to be above reproach, with striking contrast, hairline detail, and well - modulated saturation.

Like just about every other show on television today, «The Middle» comes to DVD with 1.78:1 anamorphic widescreen picture and Dolby Digital 5.1 sound.

Found footage movies are supposed to look real, not great and Deborah Logan aspires to that with its jerky video that is capably but unremarkably presented in the DVD's 1.78:1 anamorphic widescreen transfer.

It plays under a crisply - detailed, well - compressed anamorphic widescreen transfer that for no explicable reason dispenses with the Super35 film's projected aspect ratio of 2.35:1 in favour of its negative aspect ratio of 1.78:1.

The 2.40:1 anamorphic widescreen presentation suffers from no specific drawbacks other than being encoded in a format with a lower resolution than is commonly found these days.

The DVD is presented in 1.78:1 anamorphic widescreen and with 2.0 Stereo audio track.

The film over which this is heard is exhibited in both 2.35:1 anamorphic widescreen and fullscreen transfers on opposite sides of the platter; although the picture was shot in Super35 (as opposed to «scope), there is more horizontal information restored and less vertical information cropped than usual for the format, making the decision to stick with letterbox a definite no - brainer.

Not much to report on either end of the A / V spectrum here: the perfunctory - feeling, windowboxed 1.85:1 anamorphic widescreen transfer reproduces Kondo's muted colour palette with some fidelity, while music is the only thing giving the rear speakers any kind of workout as far as the Dolby Digital 5.1 audio is concerned.

The newly - struck 1.85:1 anamorphic widescreen transfer is bright and beautiful, however, with light edge - enhancement in a few early scenes fading admirably long about the evening picnic.

The print used for the 1.78:1 anamorphic widescreen transfer is free of debris, but it looks worn all the same, with fleshtones on the pink side and an absence of deep blacks.