[4] While pop art and Dadaism explored some of the same subjects, pop art replaced the destructive, satirical, and
anarchic impulses of the Dada movement with a detached affirmation of the artifacts of mass culture.
Kaboom: Strange is the new normal in Gregg Araki's splashy, squishy screwball gem, which, more than Smiley Face, has the filmmaker finding a balance between
the anarchic impulses of his New Queer Cinema earlier efforts and the stirring maturity of Mysterious Skin.
Katharina Grosse's work is characterized by
an anarchic impulse.