Not exact matches
Tryggve N. D. Mettinger in The Riddle of the Resurrection: «Dying and Rising Gods» in the
Ancient Near East wrote: «There
is, as far as I
am aware, no prima facie evidence that the death and resurrection of Jesus
is a
mythological construct, drawing on the myths and rites of the dying and rising gods of the surrounding world.»
There
is the simple recognition that Zeus, considered god of the sky and ruler of the Olympian gods in
ancient Greece and corresponding to the Roman god Jupiter,
is a
mythological god, the same as Hermes.
The issue
is dramatized in an
ancient psalm which
is heavy with
mythological imagery:
I believe the bible story attempts to describe, in its
ancient mythological way, how the spiritual
is totally enmeshed in the material.
We have seen that when the Bible
is read against the background of the
ancient mythological cultures, it
is found to
be pointing in a different direction.
Reading all the comments, frankly why people should take some
mythological figures and
ancient history made out in mordern times to hate a section of people, frankly who knows how Jesus
was and what exactly the «Jews» did to him 2000 years back, these
are just stories made up in the minds of people.
In the new world the
mythological world view of
ancient man
is obsolete, but poetry
is not obsolete.
In the succeeding chapters we shall examine the distinctive marks of the Judeo - Christian heritage, as they come to light when the Bible
is studied against the background of the
mythological world of
ancient man.
Now that we have briefly sketched the role of myth and ritual in the
ancient world we can see why it
is convenient to use the label «
mythological» to describe the world of
ancient man.
They
are related in that the
mythological world view of
ancient man
was expressed in the form of stories or myths, but it shall
be argued later that there
is something more permanently valid in «myth» than in what has
been here called the «
mythological».
It should
be an automatic disqualifier when anyone running for president claims to hear voices from a
mythological ancient mesopotamian sheep diety.
We may freely admit that there
is a danger that, if we continue to use the word «myth», it may
be mistakenly assumed that we
are attempting to restore the
mythological view of
ancient man.
Thus in contrast with the
ancient mythological cultures and with holy scripture outside the Judeo - Christian stream, most of the Old Testament either consists of historical material, or
is expressed with due regard to the historical nature of human life.
Whereas the
ancient myth bore all the marks of the
mythological world to which it
was orientated, the myth which the man of faith in the new world finds meaningful will
be orientated to the human situation as contemporary man understands it, and it could even
be called a «demythologized myth» or «historically - grounded myth».
The
mythological world of
ancient man forms the real background for the appreciation of the Old Testament, and the first thing which strikes one
is that the Old Testament contains so much writing of history.
The glorious freedom in which the early church rejoiced had by the Middle Ages
been transformed into a new form of bondage, actually the resurgence of an
ancient form of bondage, that in which man
was enslaved to his own
mythological world.
Within this cosmopolitan Israel the sense of freedom, sparked off by the deliverance from Egypt and consummated in the kingdom of David, gave rise to a new kind of faith, which as we have seen,
was destined to diverge more and more from the
mythological religion of
ancient man.
The Old Testament almost completely lacks this
mythological interest, one of the few examples
being the prologue of the book of Job, and this
is very likely an
ancient myth which a post-exilic writer adapted to provide the setting for his magnificent poem on the riddle of human destiny.
It
was not because
ancient man had never entertained any such hopes of immortality that Israel focussed her attention upon the earth, but because Israel deliberately turned her back on such hopes, as she cast off the
mythological outlook to which they properly belong.
This name
is derived from the
Mythological ancient Roman divinity Diana who
was noted for beauty and swiftness; often depicted as a huntress.
The rock art, Boyd says, displays an archaic core: an
ancient belief system that has
been widely shared in Mesoamerican
mythological traditions.
Perseus
is the
mythological hero of the
Ancient Greeks who rescued Andromeda from Cetus the Sea Monster.
The story
was full of
mythological lore and
ancient gods, spanned multiple centuries and characters, and messed with your mind.
The Pyramid, a new archaeology - themed horror movie
being dumped into theaters like a bad date, concerns a group of idiots who stomp into an
ancient tomb and uncover long - buried
mythological evils.
If it
's not the picturesque views waiting for you around every bend, it
's the
mythological tales and small mountain villages steeped in
ancient history that leave us wanting more.
Titan Quest
is a hack and reduce dungeon crawler set in the
mythological world of
ancient Greece > Egypt > Babylon and China.
I
'm sure many of the demographic of this article have all considered the possible wonders of taking the great
mythological stories of the
ancient Greek gods and goddesses and slamming it head first li...
Hazelnut Bastille tells the story of a young woman who travels to a foreign shore on the outskirts of her world, in order to seek out the promised gifts of
mythological ancients, in hopes of retrieving something which
was lost to her.
The game
is set in
ancient Greece, where the generally peaceful rule of the Olympian gods
is disturbed by the rise of all the
mythological monsters that seem somehow organized.
This game
is based on
ancient Persian mythology bringing to life the epic battles of the
mythological hero, Garshasp, in the
ancient lands against the evil monsters.
Whether historical or
mythological, this event
is a cornerstone in the story of
ancient Rome since it
was said to have led to the establishment of the first Roman Republic and the overthrow of tyranny.
His investigation of
ancient mythological creatures has long
been understood as a parable for the forces of nature, and it
was characterized by Clement Greenberg as the best and the worst of nineteenth - century painting.
Whether historical or
mythological, this event
is a cornerstone in the story of
ancient Rome since it
was said to have led to the overthrow of tyranny and the establishment of the first Roman Republic.
Delving into our fascination with super heroes and monsters in contemporary pop culture, We Could
Be Heroes will examine the relationship between today's super heroes and the
ancient quests of
mythological and religious heroes against villainous monsters in recorded history and folklore.
The name (Orpheus
was a
mythological poet and musician of
ancient Greece)
was coined by French art critic Guillaume Apollinaire when describing the «musical» effect of the abstract paintings by the Cubist Robert Delaunay (which comprised overlapping planes of contrasting or complementary colours) in order to distinguish them from Cubism generally.
The works presented in this exhibition
are nourished by a number of influences, which range from
ancient mythological forms to modern poetry.