She turns up the retinal volume again and again in the grounds
of her paintings — vast
seas of cerulean blue edged by crisp white lines, or enveloping acts
of domestic violence; equally riveting cadmium
reds, oranges, and crimsons saturating the picture plane beneath
angry gorillas, dancing Chubby Checkers, and kissing lovers; Day - Glo yellows that push up against sharp blacks as «bad guys» in black suits point guns and walk up and down staircases — and employs unusual compositional strategies to draw our attention to these expanses
of high - key color.