Images such as nudes dr02 (2011) become painterly illustrations of vague desire in which
anonymous women sport and pose, their erotic power modified by a muted palette and hazed resolution, while in nudes ar09 (2011) the fetishistic power of the female subject is all but reduced to lush formal qualities — a cascade of thick
blonde hair, the curve of pink thighs, the glossy black of a stiletto heel.